This commentary on Romantic Comedies from The Atlantic caught my attention because I am frequently watch movies of this genre. Normally though, I am easy to please; as long as there is comedy and some sort of a plot twist, I am content.
I do think though that this commentary sheds a light on how romantic comedies may have changed – and how society truly influences how media is created in general. The commentary argues that romantic comedies have always been couched in issues that might exist in starting a relationship, such as racial/social or SES difference, geographic difference, parental disapproval, premarital sex. However, because many of these obstacles to romantic relationships have almost disappeared, the plotlines of today’s romantic comedies pale compared to the Audrey Hepburn classics (and supposedly, the remaining obstacles to romantic relationships are too serious for romantic comedies).
There is a part of me that agrees with the sentiments in this article. The nature of societal problems and issues do reflect heavily on what movie plots will be most effective. Therefore, I do agree that the nature of romantic comedies have probably changed throughout the years.
However, I also still believe in creative license. I think that witty dialogue, engaging plot twists and borderline absurd scenes that are comedic can still exist in the context of a supposedly less problem-ridden romantic scene. Life IS a narrative. Somehow, somewhere, there are stories that will have a problem or two, no matter how small, that can be used as a setting to a romantic comedy. Perhaps it is easier for movie makers to create a classic if there are obvious societal obstacles to romantic relationships. However, I do think that truly creative writers can and will find something in the midst of our supposedly more boring romantic scenes.













