and all the times i let you in, just for you to go again

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seen from China
seen from United States
seen from Vietnam
seen from China
seen from Vietnam
seen from Germany
seen from Canada

seen from United States
seen from United States
seen from China
seen from United States

seen from Malaysia
seen from United States
seen from China
seen from Türkiye
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seen from United Kingdom

seen from United States
seen from Colombia
and all the times i let you in, just for you to go again
my pain fits in the palm of your freezing hand
@tsnation event 05 | gifts for @nowimcoveredinyou
so we could call it even you could call me babe for the weekend 'TIS THE DAMN SEASON
but you keep my old scarf, from that very first week
To put it plainly, we just couldn’t stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in. I’ve never done this before. In the past I’ve always treated albums as one-off eras and moved onto planning the next one after an album was released. There was something different with folklore. In making it, I felt less like I was departing and more like I was returning. I loved the escapism I found in these imaginary/not imaginary tales. I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives. So I just kept writing them.
i’ve been having a hard time adjusting
MAKE ME CHOOSE @userpurple asked: james or august
MAKE ME CHOOSE @delicatetaylorsversion asked: state of grace or holy ground