Jun 25
The Cramps // TV Set
Oh, baby, I see you in my TV set Yeah, baby, I see you in my TV set I cut your head off and put it in my TV set I use your eyeballs for dials on my TV set I watch TV, I watch TV Since I put you in my TV set
seen from China
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seen from China
seen from Malaysia
seen from United Kingdom
seen from United Kingdom
seen from Czechia
seen from United States
seen from Czechia
seen from Netherlands
seen from United States
seen from Bangladesh
seen from China
seen from Italy
seen from Bulgaria
seen from United States
seen from Japan
seen from United Kingdom
seen from Malaysia
The Cramps // TV Set
Oh, baby, I see you in my TV set Yeah, baby, I see you in my TV set I cut your head off and put it in my TV set I use your eyeballs for dials on my TV set I watch TV, I watch TV Since I put you in my TV set
The Cramps - TV Set (1977 Version)
The Cramps - TV Set
From the album Gravest Gravy out on Vengeance Records on August 21, 2026
Video by Jason Willis
Naseeb Sandhu Lightman
Naseeb Sandhu | Professional Lightman & Gaffer Providing cinematic lighting services for film shoots, movies, web series, and commercials. Experienced in shooting lights, on-set lighting management, and creative visual lighting.
rob’s apartment in high fidelity (2020)
one of my favorite details in high fidelity is rob’s apartment, and knowing how intentional it was makes it even better. production designer almitra corey designed it to feel real, lived-in, and emotionally synced to where rob is at in her life.
the apartment shifts depending on the moment. when rob is with mac, the space feels taken care of, plants everywhere, better artwork, a sense that someone is paying attention. after the breakup, things slowly unravel. there’s one lonely succulent left, clothes on the floor, junk food out, a general feeling of mess. nothing dramatic, just quietly off. the apartment starts mirroring her without needing to explain anything.
even the colors were chosen with that in mind. the walls were painted a deep midnight blue and a dusty mauve that could shift in tone depending on the lighting, sometimes cooler and sometimes warmer, giving the space mood and emotional texture without being literal.
what i love most is that nothing feels staged or overly designed. it looks like a real crown heights apartment with a history, like a real place someone lived in, not just a set. that grounded realism is what pulls you into rob’s world.
source: “production design of high fidelity – interview with almitra corey,” pushing‑pixels.org (may 29, 2020)
#highfidelity #zoekravitz #productiondesign #tvsets #tvshow #hulu
