FROM KOLAJ 27
Uncollage in Photography & Filmography
For the first time in the magazine's history, we are featuring a photomontage on the cover, a work by Jerry Uelsmann. Inside the issue, Todd Bartel investigates uncollage in photography and film and discusses the work of Jerry Uelsmann, Fran Forman, Vik Muniz, Eadweard James Muybridge, and Oscar Gustav Rejlander. "Photography and film are particularly well-suited media for creating uncollages. Within the first two decades after the first fixed photograph in the mid-1820s, artists had already discovered a need to uncollage, and both types were prevalent," writes Bartel. MORE
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Kolaj Magazine, a full colour, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one’s thinking of art history and redefine the canon of visual culture that informs the present.
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