#unterton

[worttreiben]

Ich hasse meinen eigenen Unterton.

Worttreiben

[kulturell]

Kunst: Exportschlager mit erotischem Unterton

Schon vor 150 Jahren war Japan eine Wirtschaftsmacht. Doch damals waren die europ

[one-track-daily]

Mark Know No Out Only In (2018)

From the EP: The Least Likely Event Will Occur In The Long Run (Osgut Ton)

[autonomicvision]

Mark - The Least Likely Event Will Occur in the Long Run

https://autonomicvision.com/en/releases/mark-the-least-likely-event-will-occur-in-the-long-run/

[dopecheddar]

Mark | Know No Out Only In

[orion-stellar]

Der Unterton in deiner Stimme, kaum bemerkbar, einen Hauch tiefer.

Die Pausen zwischen den Sätzen und die winzigen Höhen am Ende des Satzes.

Du weisst es nicht, aber ich höre das. Ob ich will oder nicht. Es löst eine Resonanz in mir aus und ich weis, was du eigentlich sagen wolltest.

(-＿- )ノ

[12inchespresso]

Berlin-based New Yorker Phase Fatale debuts on Unterton after strong releases with respected labels Jealous God and aufnahme + wiedergabe. “Hollow Flesh” starts with menacing synth pads and pulsing drones framing an ongoing, distinctive kick drum – an oppressive, regimented beat sequence reminiscent of angst-ridden, sci-fi scenarios. But Phase Fatale follows his own formula: Wave- meets-Electro vibes on a certainly dark overall sonority. The eponymous “Anubis” on A2 opens with an atmospheric intro until a kick sets the tone for a more straightforward, hypnotic and cold Techno cut, finely wrought with musical detail, as heady as it’s gloomy. "Wound" ignites some harassing fire: what abruptly starts off like a classic Techno- meets-sizzling-Noise track soon alters to a more tribal, snare-led Industrial cut with an osseous kick, offering an iridescent, textured feel, at times sounding like forging steel, then like swarming insects. On its abrasive surface “The Size Of God” on B2 shares the same bleak vibe of its three companions, but stands out with a more introverted, slow, broken rhythm structure, looped drones, opaque-distorted voice transmissions and swelling synth melodies, placing the Phase Fatale blueprint in a Post AmBM (Post Ambient Electronic Body Music) context.

[12inchespresso]

Berlin-based New Yorker Phase Fatale debuts on Unterton after strong releases with respected labels Jealous God and aufnahme + wiedergabe. “Hollow Flesh” starts with menacing synth pads and pulsing drones framing an ongoing, distinctive kick drum – an oppressive, regimented beat sequence reminiscent of angst-ridden, sci-fi scenarios. But Phase Fatale follows his own formula: Wave- meets-Electro vibes on a certainly dark overall sonority. The eponymous “Anubis” on A2 opens with an atmospheric intro until a kick sets the tone for a more straightforward, hypnotic and cold Techno cut, finely wrought with musical detail, as heady as it’s gloomy. "Wound" ignites some harassing fire: what abruptly starts off like a classic Techno- meets-sizzling-Noise track soon alters to a more tribal, snare-led Industrial cut with an osseous kick, offering an iridescent, textured feel, at times sounding like forging steel, then like swarming insects. On its abrasive surface “The Size Of God” on B2 shares the same bleak vibe of its three companions, but stands out with a more introverted, slow, broken rhythm structure, looped drones, opaque-distorted voice transmissions and swelling synth melodies, placing the Phase Fatale blueprint in a Post AmBM (Post Ambient Electronic Body Music) context.