Katty Line - Un Petit Peu D'amour (1969)
Groovin' Yé-yé cover of the Easybeats tune Bring A Little Lovin'', which they wrote for Spanish band Los Bravos (heard in Tarantino's Once Upon A Time in Hollywood)

seen from Germany
seen from Italy
seen from United States

seen from Türkiye

seen from Guinea

seen from Türkiye

seen from Maldives
seen from United States

seen from Türkiye

seen from United States
seen from Italy

seen from Denmark
seen from Italy
seen from Italy
seen from Vietnam
seen from Germany
seen from Italy
seen from T1
seen from Russia
seen from Germany
Katty Line - Un Petit Peu D'amour (1969)
Groovin' Yé-yé cover of the Easybeats tune Bring A Little Lovin'', which they wrote for Spanish band Los Bravos (heard in Tarantino's Once Upon A Time in Hollywood)
Erick Saint Laurent - Vendredi Mobsède (Friday on My Mind) (1967)
A French version of the Easybeats' Friday on My Mind? It works. And for me, my Thanksgiving break starts on Friday!
The Easybeats - Good Times (1968)
(Note: I recently accidentally posted a cover of this song whilst looking for the original, definitive version.)
So where did AC/DC get some of their early inspiration? Clearly from this tune, co-written by their older brother (and producer) George Young, which almost provides a template for their sound. It’s an absolute stormer which should have been a hit, and also includes Steve Marriott on very obvious backing vocals.
The Easybeats - Say That You’re Mine (1965)
Wonderful and really appealing Beat tune - the b-side of Australia only 45 For My Woman. That little guitar figure takes it to another level.
Los Bravos - Bring A Little Lovin’ (1968)
One of the 45s I found the other day - I knew Spanish group Los Bravos from their one hit song Black is Black, but the fact the A-side of this single was written by Vanda-Young of the Easybeats drew my attention. My intuition was correct - it’s a good one.
Bring a little water bring a little wine Bring a little lovin’ I feel fine
The Easybeats - I’ll Make You Happy (Just Like Your Mama Wants) (1966)
A classic from Vanda-Young with Stevie Wright’s distinctive vocals and some great guitar playing.