Mad Tea Party (Hide and Seek) and Perfect Mother (You'll No So Wit)
Vanity 7" Singles (1980)

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Mad Tea Party (Hide and Seek) and Perfect Mother (You'll No So Wit)
Vanity 7" Singles (1980)
De Music, Vanity Records, Japón, 1981.
probablemente una de las compilaciones más heterodoxas, dadás y auráticas del underground japonés de los ochentas. vanity records: fenómenos sónicos para los desarreglados órganos interiores del sistema nervioso.
Tolerance - 1 F Yuragi (1981)
The short-lived Vanity Records experiment with electronic noise under Japan’s commercial explosion was mesmerised by the post punk countercu
This is the last of the three 7" singles released on Vanity. There are also over ten flexi singles released in association with Rock magazine, where Yuzuru Agi (Vanity label head) was a chief editor.
Like Mad Tea Party, Perfect Mother also has one other known recording - a track on the Foam compilation posted here last year.
The first two tracks, Dark-Disco-da-da-da-run, and the title track are contemporary synth/industrial, sounding similar to many Vanity label recordings and other early 80's artists posted here at AAA.
The last track, Ephemeral Pieces, is just that, a collection of short snippets, many of which I'm curious how longer versions would have developed.
Tolerance - I wanna be a homicide (1979)
Released to an uncaring world in 1981 (probably 20+ years too soon), "Divin" was the second and final LP by the Japanese duo Tolerance, a band with a particular dislike of the suffix "-ity". Believe it or not, this record is even more essential and bizarre than the slab of baffling awesome that came before it. If words like "minimal", "outsider", or "post punk" press any of your brain's happy buttons, you'd do better to listen to this than to read whatever insufficient adjectives I can come up.
Bleakbliss
This is the last of the three 7" singles released on Vanity. There are also over ten flexi singles released in association with Rock magazine, where Yuzuru Agi (Vanity label head) was a chief editor.
Like Mad Tea Party, Perfect Mother also has one other known recording - a track on the Foam compilation posted here last year.
The first two tracks, Dark-Disco-da-da-da-run, and the title track are contemporary synth/industrial, sounding similar to many Vanity label recordings and other early 80's artists posted here at AAA.
The last track, Ephemeral Pieces, is just that, a collection of short snippets, many of which I'm curious how longer versions would have developed.