Nov 22, 2024
Cistern, Venuce c.1600, bronze
seen from Türkiye
seen from Egypt
seen from United States
seen from Italy
seen from United States
seen from United States
seen from Kyrgyzstan
seen from South Korea
seen from Netherlands
seen from United States
seen from United States
seen from China
seen from China
seen from United States
seen from United States
seen from Brazil
seen from United States
seen from China
seen from India
seen from India
Cistern, Venuce c.1600, bronze
Tintoretto (Jacopo Robusti) - Susanna and the Elders
Titian The Fall of Man (c. 1550) Oil on canvas - 240 × 186 cm Museo del Prado
Green Green as a quiet chaos lying in verdant beginnings, The freest state you can be in. Not the violence but the unorganized circumstance. Biological and birthing, Articulate whisperer of promise. The last few pages of The Great Gatsby: All green. A convincingly passive color To quiet a turmoil or contrast other levels, An energy contradictory in quixotic abundance. The Chiaroscuro and Venetian schools Avoided green and had no green in their palette. The overall effect is Green. It is asking it, Complementary, Next to it. If it is not green it is glazing dark umber Into green effect. A consequence Of glazing reds & ochre Into shades of vicinity insatiate. Catherine McWeeney