Vesper 2022 aka Vesper Chronicles in french. 2/10 abysmal, truly abysmal except for a few plant designs.
I kept getting déjà vu, certain I'd seen this film before. I probably have seen every single dystopia cliché and the decor/colour grading was so familiar. I could have told you it was franco-belgian with a large influence from something eastern though wouldn't have guessed lithiuanian, I was thinking polish or serbian. Obviously it's unrelentingly grimdark.
Spoilers and spoilers for Prospect 2018 at the end. Readmore for long ramblings.
There are two not actually sexual assaults that are filmed as if they were. General worst of humanity instead of people working together type film. By the time we'd drudged through multiple tropes I really dislike, I hated everyone involved in this film except the girl and i hope they don't work again. Hateful film that will crush a bit of your inner spark.
// I get the impression a lot of the reviewers who'd seen this on netflix had not been exposed much to european cinema: it has all the grime and gore of a classic olden times tale with some interesting plants. Please go watch La Cité des Enfants Perdus which has an actual soul at the heart of the green grime. We have dozens of films and tv shows that look like this 'unique' world. //
The world building falls flat as soon as you consider anything concrete: the food must come from harvests but where, clothes must come from animals and looms but where? The plants are carnivorous but how are they alive if there's nothing to feed on. It's just fitting your worldbuilding to look cool for a plot device: lady's plane crashes, she's found being eaten by plants and it looks gnarly. Beyond that? Plot device for plot sake, circular logic.
I could list twenty other similar bad writing moments most of them for pivotal scenes.
The film takes the path of consistent suffering and bleakness until it's implied that the world might be different from now on.
I decided to watch this film blind after seeing it on a list of recent female directed films. I assumed it was american or british. Big mistake!
You can expect about 75% of certain european female writer directors to be 'one of the boys', leaning in to more gross out, ultra violence or sexual content. They are the type to sign polanski support letters and hire actors disgraced in the USA.
It's hard to describe in terms non western continental europeans will understand. It's empowerment feminism meets white feminism but stuck around 1968 not 2006 with sexual attitudes that embrace teens with adults, not sane and consensual bdsm, lots of long debunked Freud.
They make films even better than the boys for sure but it's not remotely feminist in both what is depicted and what is inflicted on the female viewer. You could say at least we get female protags but the 'empowerment' feels more shallow than the music video for The Prodigy's Smack (spoilers for a very nsfw video: it's a lesbianbro asshole not a dudebro asshole)
Some people thought the ending implies the protag goes on to great things and I have no idea where they got that from: no leverage, no lab, no family. She has started the spark that will change the world but she'll have to find a blood broker to see the next harvest. She would have been better off with a guardian than so alone so soon with nothing to sell except blood and her eventual womb.
The few women of colour and lesbians directing or writing tend to have quite different vibes or offset bleak realities with moments of joy. (look carefully for a photo before making assumptions: born in north africa/middle east doesn't mean they aren't white and even whiter in their gaze in films set in brown or black countries)
Gay directors tend to do grimdark or sad sack rich people... just with gay sex. Uh yeah I'm not a fan of most french cinema right now but then again, that's a view shared by quite a few actresses and women who just want 2 hours of escapism.
It reminded me a lot of Prospect 2018, except despite it's deeply bleak story Prospect ends with them both having a new family unit, reason to live and partner who'll watch their back. Vesper has no-one. This was a poorly thought through initial cool concept that decided to throw every gross concept and trope against the wall, add dose after dose of misery then act like there was a happy end.
Please watch Nausicaa of the Valley of the wind for biopunk with heart, careful plotting, a designed biosphere, violence and gross bugs but always for a purpose.
