Yunhee Min, “Out of the blue” (2019–2020),
Paint on canvas, 45 1/2 x 45 1/2 inches (115.6 x 115.6 cm).
Photo by Paul Salveson,
Courtesy the artist and Vielmetter Los Angeles.

seen from Malaysia

seen from United States
seen from Iceland
seen from Belarus

seen from Canada

seen from United States

seen from Latvia
seen from Australia
seen from United States

seen from Japan
seen from Iceland

seen from Australia
seen from China

seen from Japan
seen from Türkiye
seen from United States
seen from Yemen
seen from China
seen from Iceland
seen from United States
Yunhee Min, “Out of the blue” (2019–2020),
Paint on canvas, 45 1/2 x 45 1/2 inches (115.6 x 115.6 cm).
Photo by Paul Salveson,
Courtesy the artist and Vielmetter Los Angeles.
Edgar Arceneaux, Skinning the Mirror 12, 2021, from the artist’s new solo exhibition at Vielmetter Los Angeles opening on 1/29. More info, and Julian’s short essay on the series, here.
Bedroom Painting by Patrick Wilson, 2014
Genevieve Gaignard | Look At Them Look At Us (As We Shine Brighter Than They Ever Imagined), 2020 (via Vielmetter)
#dirtyfloor #painting #contemporaryart #dtla #kimdingle #abstract #oilpaint #paintings #armoryweek @ #vielmetter 😃 (but not this floor) (at Los Angeles, California)
love @talkart 💭🐊🎨❤️🎈🎉💕 New @talkart!!! Russell & Robert meet leading artist #MathBass @MathPearlBass from their studio in Los Angeles, California. Bass is an artist known for fusing performance with paintings and sculptures using formal elements like solid colors, geometric imagery, raw materials, and visual symbols. Bass has exhibited internationally and is represented by #TanyaLeyton, Berlin, #VariousSmallFires, Seoul and #Vielmetter, Los Angeles. Math Bass (b. 1981, New York, NY, lives and works in Los Angeles, CA) is an interdisciplinary artist whose practice spans across painting, performance, sculpture, and video. Throughout the work of Math Bass, recognizable forms appear and yet turn abstract, becoming shapes rather than signifiers, like shadows manipulated by the sun. Repetition is used as a tool to foreground these forms as part of a visual lexicon Bass has been developing over the last several years in the Newz! series — where forms and symbols exist in a multitude of perspectives and (re)interpretation — suggesting the possibility of mutable meaning. Though graphic in the flatness of the forms, there is a crispness and lightness to Bass’s geometric abstraction–thin layers of opaque paint are delicately applied to the raw canvas. In their artistic practice, the artist explores breaking down the common boundaries found within the medium(s) and modes of presentation in order to actively engage the viewer in both surreal and everyday ways. Follow @MathPearlBass on Instagram and @TanyaLeighton, @VSF and @Vielmetter. For all #TalkArt requests, please email [email protected] https://www.instagram.com/p/CSZw1wDjYiz/?utm_medium=tumblr
One of artist Sean Duffy's Road Signs, part of a group exhibition in 2013 at Vielmetter Los Angeles.
Currently at Vielmetter Los Angeles’ Culver City location is Raffi Kalenderian’s fourth solo exhibition, Memento Vivo. His unique and colorful paintings draw you in immediately. The contrast between the bright, dynamic environments and the relaxed demeanor of the portrait’s subjects, creates an intriguing tension in the works.
Several of the paintings, like those seen above, include vibrant tropical plants. Sometimes they dominate the canvas, and at other times are seen through a window or in a reflection. According to the press release, these represent “a celebratory attitude of renewal and growth against seemingly impenetrable darkness”.
This exhibition closes 6/29/19.