LVLSRVRYHI-056: Réelle | The Levels Are Very High
Hey! How's it going? I usually start with the introductions so, for anyone who doesn’t know, who are you / where are you from? Real name: Yannick Pozo Vento. I'm from a relatively small town near Cologne and son of an Afro-Cuban father and a German mother. We lived in the Netherlands for some time but then moved back to Germany.
What are some of your early musical memories? As my father and German grand father were musicians I've always been surrounded my music all day. My mother had this immense Vinyl, CD and VHS collection so I picked my favs which were Stan Getz, MJ, Elvis and some electronic works and listened to them non stop. I think at age three I started visiting some kind of music conservatory shortly before we moved back to Germany, where I took private piano lessons for some years.
Consistently, the art and imagery that you pair with your music always includes photos of yourself, most often body portraits. Is a sense of embodiment an important aspect of making music for you? I think that's related to many factors. I like honesty in art and music, I like showing people who I am. Electronic music and especially the kind that's focusing on sound design and complex techniques can be considered a fetish - to me at least. So I like to pair my fetish for sounds with my own sexuality which then becomes this semi-pornographic energy. I also think that it's time to blurr the lines between pornography and complex music, which has been considered a no-go for a long time. It's this combination of unrelated things that expands our horizon and redefines limits. That aside I just think we should all start to show how much we love ourselves.
You've referred to the title of your recent album 'Satura' - released back in April on #FEELINGS - as referring to a "short form of saturation, as some sort of state of constant over saturation in every way imaginable, physically and mentally." Both the sound design and your own personal experiences that feed into the album are readily reflective of this. Did you find the process of creating 'Satura' to be freeing or healing in any way? The process of compiling Satura wasn't really healing for me. It's the daily process of creating music which makes me discover my limbic abilities and which truly fulfills me. As I usually write 5 to 7 tracks per week this process has become some sort of ritual or meditation to me.
A fair amount of your output on Soundcloud is made of up of edits, your 'splices' of Quay Dash and Rihanna in particular stand out as favourites of mine. How do you approach handling other people's tracks, considering the fact that your music is so deeply rooted in your own experiences? Honestly it's a pretty irrational or primitive way of approaching music. I just listen to the acapellas and imagine what I would like to hear and then I do it.
From what I can work out, you have a couple of releases forthcoming on Aisha Devi's Danse Noire label right? How do you see these next releases in relation to 'Satura' and the other work you've put out up til now? I don't want to spoil the experience too much but I can say that my tracks on Danse Noire are very unique. There will be some things people have never heard before as I wanted to tell my personal story related to Schizophrenia.
I wanted to ask you about your membership within the Berlin arm of New World Dysorder - an Oakland-based collective established by yhayha and Jasmine Infiniti - since their aim to embrace "what is perceived as disorderly in socio-cultural contexts" seems to correlate heavily with the concerns behind your own music. What drew you to get involved with the project? As I am gender-fluid I resonate with the NWD concept very much. I also think that Transgender people are underrepresented in electronic music so I want to help them.
Did you set out with a particular idea for this mix? Where and how did you record it? Most of my tracks or mixes aren't really conceptual as I don't rely on rationality while making or listening music. So the mix is basically just what I felt like at that particular moment. It's been recorded in Ableton.
What do you have planned for the rest of 2017? I will probably make more music, find out new DSP techniques and try to express myself through them and go out, have fun and spend time with the people I love.
If you had to pick something for people to listen to immediately after this mix what would it be? More of my stuff.









