New piece of test equipment for the workbench:
Tektronix 1730 Waveform Monitor
Now I can monitor all the waveforms. Just need to find a 1720 Vectorscope to go with it...

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New piece of test equipment for the workbench:
Tektronix 1730 Waveform Monitor
Now I can monitor all the waveforms. Just need to find a 1720 Vectorscope to go with it...
# **“Basic Waveform Monitoring”** **This video was transferred from a 1987 VHS cassette. Relatively few of my video editor colleagues today
The Tektronix 528A waveform monitor lives again! Huzzah!
Recently, someone was asking me about dedicated waveform monitors for verifying video signals. In a pinch, if you don't have a waveform monitor (like me), you can use an oscilloscope to the same end. Here's my Tektronix 2445B showing a simplified set of 75% NTSC color bars. Trigger the scope on the falling edge of the back porch within the signal, and adjust scale and timebase from there.
I'd love to find a calibrated rack mount set of 1720 and 1730 models from Tektronix, as they're a quintessential pair of dedicated waveform/vectorscopes for broadcast signal analysis from the good ol' days.
signal // noise — CRT + Vector | test 03
Sony Hi8 CCD-TR680E → Electronic Visuals EV4061 (waveform monitor) → Goodmans C210 (CRT TV)
First live test of the EV4061: signals pulled through the Hi8 tape path and re-emitted in green stripes of pure waveform language. Simultaneous output to CRT provides recursive contrast—sine hum vs scanline fuzz.
Next step: record direct to VHS, bypassing CRT, to explore tape glitches, signal decay, and tracking artefacts. The analogue stack keeps growing. The ghosts are getting closer.
Using a Waveform Monitor for Color Correction
Learn how to make use of the waveform monitor to grade your shots more accurately.