Jun 5
DOWN (2026)
a mixed media, stop motion video piece exploring anxiety, loops, memory and aging through the intersection of digital + analog technologies, utilising the effects of compression, digital degradation and frame rate alteration
seen from United Kingdom
seen from United States
seen from Japan
seen from United States
seen from Kazakhstan
seen from Australia
seen from Türkiye
seen from China
seen from Netherlands
seen from United States
seen from United States
seen from Türkiye
seen from Russia
seen from United States
seen from India
seen from Mexico
seen from United States
seen from Malaysia
seen from Denmark
seen from United States
DOWN (2026)
a mixed media, stop motion video piece exploring anxiety, loops, memory and aging through the intersection of digital + analog technologies, utilising the effects of compression, digital degradation and frame rate alteration
🔴LIVE: SPECTRUM PUBLIC ACCESS
This 24hr live stream celebrates the weird and wonderful creativity of the autism and neurodivergent community, showcasing innovative films, video art, and stories by neurodivergent filmmakers.
The stream encapsulates 15+ years of creations from Spectrum Productions, featuring the work of over 150 different autistic and neurodivergent artists.
Welcome to Spectrum Public Access! This 24hr live stream celebrates the weird and wonderful creativity of the autism and neurodivergent comm
Want your work to be featured on a future stream? Check out the link in the stream description. No idea is too small!
Thanks for watching and keep being creative! :D
無の諸相（Various Aspects of Nothingness）1
ohfuckohfuckohfuck fuck fuck i dropped the orb
do you think they’ll notice?
fuckfuck fuck this is coming out my next paycheck
// UP MAIN STARTING
More perception as palimpsest experiments: vintage railway lever plates, re-seen through acetate, CRT texture and camera sensor. “3 / UP MAIN / STARTING” felt like an obvious hinge—both a literal signal plate and a quiet instruction to begin.
Plan is to use one of these frames (probably the cleanest “STARTING” shot) as the opening image for the full 3:16 BETWEEN_LINES₍v0.1₎ video: CRT off → click on → phosphor bloom → this plate resolving out of static, as if the film itself is being switched on. The final frame of the piece will loop back into the same image, so the track never really leaves the station.
Working notes for the longer video from here:
Parallel lines that never meet – tracks as mute subtitles for two lives that don’t quite sync.
Arrival ↔ departure, redshift ↔ blueshift, signal ↔ echo – trains coming and going, but meaning lagging behind.
Two viewpoints: inside the carriage vs on the platform. Faces smear into noise either way. Nobody fully “lands” in the other frame.
Self-encounter as misreading – the lone figure and their reflection in the passing windows: seeing yourself and still not understanding.
Loops: birth / transit / departure / return – the whole piece breathing like a recurring dream rather than a straight timeline.
Relativity: gestures (a thrown ball, a turning head) only visible as streaks and arcs – motion remembered more than seen; perception as the only “real” track.
Captions as failed explanations: [INDISTINCT], [STATIC], [SIGNAL LOST] – language that never quite resolves, echoing APD and our habit of living off half-heard soundbites.
Signs that almost help but don’t: fragments of text, mirrored words, cropped lever codes – instruction without instruction.
These plates were once instructions to move trains safely. Here they’re just orphaned glyphs, opening a film about what happens when the signals are there, but the signalling fails.
Homeworks 1: Pilot (Video, 1987)
VHS tape of an experimental public access TV show. You can watch it here.