Eurovision 2010s: 15 - 11
15. Ieva Zasimauskaitė - “When we’re old” Lithuania 2018
[2018 Review here]
~wen wir owld HOOOOOOOOOOOO~
So close to the endgame it’s time to open all of the emotional registers. Much like Hovi, I did not expect to love Ieva as much as I do, however unlike Hovi I had already fully embraced Ieva and “When we’re old” long before rehearsals started.
And for good reason because Ieva fucking disarms me every time without fail. She herself is of course a hilarious, relatably weirdo indie girl, this time in the guise of a Born Again Hindu who ~FELT A COSMIC PRESENCE~ on the stage with her. 😍 Telling the true story of how she overcame depression by falling in love with her hubby. Flanked by holograms that project Ieva’s life dream: to be happy and grow old with the love of her life. All my hopeless romantic triggers are activated by this song. ALL OF THEM.
People are generally divided on Ieva’s voice, but um hello welcome to BorisBubbles. I ranked Nina Kralic and Jana Burcheska hellow-high. I LOVE Ieva’s husky, nasal, ovine, falsetto whine of a voice. It makes “When we’re old” for me. Ieva injects so much vulnerability and authenticity into a song that whenever she performs it, all I can do is sit in silence, tears welling up in my eyes, bleating along with the WHAOHHHHHs. Time truly stands still during “When we’re old” and I’m speechless.
________________________________________________________________
14. Conchita Wurst - “Rise like a phoenix” Austria 2014
You can be damn’ sure the highest ranked powerballad on this list is “Rise like a phoenix”. It isn’t as much as a song as it is an INSTITUTION.
Which is why, symbollically, “Phoenix” is a very important winner. It’s a plight for overcoming hate, for overcoming bullying, from being yourself in the face and of adversity and rising from the ashes reborn, reinvented, reinvigorated. Its presentation is provocative, yet secondary, putting vocals and song on the foreground. It is rooted in the political zeitgeist of its winners, like most modern winners, obviously,
however, ask yourself this:
Would “Phoenix” have won if it hadn’t been a great performance of a great song?
I don’t think it would have. Take away the powerful composition and leave just the politically correct message, and you get Bilal Hassani. Take away the beard and you have, well, a really good song bond theme by a talented vocalist, that probably would’ve finished top ten, if not top five in most years.
It’s easy to get distracted by Tom’s stick because a “Bearded drag queen” provides a lot of cognitive dissonance, which I personally love because it forces me to think, keeping my mind sharp. The use of a gimmick does NOT cheapen the talent on display here, however. Tom’s delivery of the song is flawless, hitting every note, delivering both ‘feminine’ nuturing comfort and ‘masculine’ strength to his glorious song. He even throws in some small nuggets of fierceness, providing levity, reminding us of Conchita’s drag queen roots
The act is cut from the same professional cloth; it is maybe a tad provocative, but at it’s core it remains dignified and classy, maintaining a moral high ground that instantly sheds a bad light on any hater. You may pull her down, but she’s gonna FLYYYYY.
Conchita Wurst is the best winner of this decade, period. No winning performance is as ironclad, vocally, musically or stagingwise as hers. No other winner has shown as much raw performance talent as she has. No winner has been able to make such a statement while at their core maintaining a high-quality musical standard. No winner has been such a champion of those whose voices are trampled for being different. To use Conchita’s own words after she won: “WE ARE UNITY. AND *WE* ARE UNSTOPPABLE.”
________________________________________________________________
13. Zlata Ognevich - “Gravity” Ukraine 2013
This is the last female fronted act from 2013, you know what that means: EPIC ENTRANCE TIME 😍
What a beautiful dreamscape. I felt bad ranking Elina Nechayeva in a fairly low 39th place, but honestly, “Gravity” vibes very similarly and does the same things a lot better: Breathtakingly regal woman, a mirage of near-divine grace, stunning visual effects... SIGN ME UP ALREADY. At the core we of course find Zlata, the winner of the Best Human Award in 2013. Zlata’s backstage bits were rife with personality facts that instantly endeared her to me. A praraphrased selection from her infinitely quotable interview gold: ”I PRACTICE BIG VOICE BY HOLDING BREATH UNDERWATER”; “I COME FROM PLACE IT’S CALLED CRIMEA, IS LARGE ::reads from online dictionary:: PEN...EEN...SYOO..LA(?) WITH BIG MOUNTAIN AND LARGE SEA ^_^”; “I LOVE UNICORN IS FAVOURITE ANIMAL”. GODDESS. 😍
Fortunately her overpoweringly loud, yet disarmingly weird personality is also omnipresent during her big screen performance. “Gravity” is a mirage of Disney mojo and Zlata absolutely fucking hits it like A SHTRIKE OF DUNDAR
I don’t think I’ve ever listened to a song that is legit quotable at every interval? There is not a single line in “Gravity” that doesn’t bring out the bedroom karaoke: “IMMA LIIIKA BADDERFLYYYYY.” “NOTHING COMES FROM PRIDE, -*HAYLALE*” “NOW I FEEL NO FEEEEE-AAAAAAR.“
And I’m not even done because Gravity ALSO features an excellent backing choir (the male backing vocalist is incredible). It’s just a perfect example of world music, conjuring three minutes of pure, unicorn-endorsed magic. IMMA LIIIKE A BADDERFLYYYYY. 🦋
________________________________________________________________
12. Juliana Pasha - “It’s all about you” Albania 2010
YUARDAWAN 😀 YUGIMMEDATSAMTINANEED 😀 ITZMI 😀 ENDAMFOLIN 😀
We are at #12, which means we’re at that Olympian milestone where every entity ranked is a fucking supernatural force. In Juliana’s case a forced of pure, unfiltered, streechy harpism. 😍 It is so weird to think that she was the first of Albania’s now iconic ‘Shrieking Boss Hag” archetype because it feels like a alliance older than time, sealed and styled in cuneiform onto a shard of Sumerian pottery, blessed by the Annunaki and then embedded into the muddy banks of the Euphrates.
Anyway, Juliana earned my HEART once she greeted us with her uncanny-valleyesque diction and cheshire-catesque leering, all YUARDAWAN! and proceeded to throw everything, both vocally and facialexpressionly, into the mix, in ascending degrees of deafening loudness. 😍
With a criminally addictive electronic schlager song too boot! One which, like Zlata features an INCREDIBLE supporting cast in a bangin’ gospel choir, as well as a very generous dollop of ❤ ELECTRONIC VIOLA REALNESS ❤
One of the fave musicians of NaziPope, btw. “It’s all about you” is such a Triumpf of the Shrill. 😍
Anyway, this high quality list of ingredients make for a very replayable ride that never spoils or grows stale, no matter how often I listen to it. Which is actually a lot. I’ve looped “It’s all about you” at countless occasions since 2010, making it perhaps the song on this list that I have to the MOST often. (Or second most because there IS a song I still have to rank that may challenge Juliana for that title.) If that ain’t a hallmark for quality, I don’t know what is.
________________________________________________________________
11. Koza Mostra ft. Agathonas Iakovidis - “Alcohol is free” Greece 2013
Has life been letting you down? Have you been struck by a financial crisis? Do you no longer know how to continue living. Fear not, because :cracks knuckles: we are about to embark on a MASTERCLASS of unabashed drunken REVELRY:
Um a small disclaimer though. This song has a really really, really, REALLY irresponsible title. DO NOT at any circumstance use alcohol as a coping mechanism, engage in drunk driving or other activities under influence that you may life to regret later, if you live to regret it later. Also don’t drink if you’re underage. Also also, alcohol can cause obesity and cardio-vascular arrest. and cancer, possibly. Drink, but do so RESPONSIBLY.
HOWEVER, what if this song is... a PSA???😈 An Anti-Crisis PSA that is, lol. A group of folk hipsters literally PARTYING AWAY the misery of the financial crisis in a delightfully self-deprecating fashion is just the pinacle of fun for me and Koza Mostra fucking ROLL with it. Watching them dart out in all wind directions, interacting with each other gives me LIFE.
It’s exactly that sort of industriousness which sets “Alcohol is free” apart from other party songs. There is a LOT of randomness going on in the background and it gives you ZERO time to process all of it, making every rewatch an easter egg hunt.
This approach to staging usually doesn’t work, but here it is actually very intelligent and I’ll explain why: The act places a lot of focus on Agathonas (which it should because he’s the lead singer despite his featured status), but by the same token offers constant distraction by all the Koza Mostra shenanigans in the background... In other words, it’s an act that forces your attention away from the main event by confusing your senses, requesting all of you concentration keep up with everything that’s going on... which is actually a brilliantly accurate simulation of how 'being drunk’ works.
(btw if you listen closely you can hear the sound of Agathonas tapping his skull lol <3)
So the next time you listen to this song, pour yourself a drink (ONE drink!) sit back and embark on a Waldo-esque hunt to see how many beautiful nuggets you can find hidden in that splendid act, as the upbeat sirtaki madness fills your head with cloudy thoughts. As far as I’m concerned, Koza Mostra have WON the Eurovision Fun Contest.
EVERYONE RISE AND APPLAUD THE 10 BEST ENTRIES IN THIS DECADE:
From now on, I’ll only include maximum 2 songs per update :o
And in this update we finally say goodbye to Greece, Albania, Ukraine, Austria and Lithuania. Read my thoughts on them, below:
