1. What inspired you to write the fic this way? for Whetstone and 11. What do you like best about this fic? for Rebel Heart!
Haha Whetstone.
That fic is such a mess of different influences; for the Pastry AU bit, I was standing in sugar class contemplating pulling sugar petals or blowing fruit or something, (also my ridiculous heat rash all over my arms from the lamps) watching as one of my classmates’ bases for their showpiece shattered for what was probably the five millionth time, and I was thinking about why does anyone write coffee shop aus it should totally be pastry school aus.
Cut to actually trying to write it Solavellan, and I wasn’t really all that comfortable with writing Solas as a chef/instructor and Lavellan as a student. So the opening scene came about; Solas finding her on the highway after a car crash, which was a normal car crash at the time. (I fought that opening scene so hard. It was only going to happen the way it wanted to; I was going for something so completely non dramatic. She was going to be a hitch hiker. They were going to chat about existential things while she propped her bare feet up on the dashboard)
And as for Fenris; I’d discovered during Rebel Heart that I really enjoyed writing his POV, and I thought it would be fun to write him and Lavellan as room mates; also a good way to get him into the whole culinary school scenario. Chapters 1 and 2 were at first draft more or less as you see them in the published fic; Chapters 3-8 were all crammed into chapter 3, all that good stuff glossed over, and I rushed to get into the Anchor acting up.
At this point, I had a ridiculous idea. Probably the most ridiculous I’ve ever had. My friend who was reading all of these chapters to this point asked me why Lavellan was so scared of Solas; what happened between them. Her terror of him was so visceral, even in the early draft that ended up being expanded on, and even to me it seemed too much for him to just be the Dread Wolf.
So I pitched the Big Twist. She liked it, and I went back and Chapter 3 became Chapters 3-8. (I think at this point I realised I was in this for the long run, and it was not going to be a quick fic. I had a period of mourning for my free time.)
My friend is also to be blamed for the text message chapters. She wanted to know what Varric and Aevalle were texting one another in the final draft of chapter 3, so I wrote it for her. They ended up being so much damn fun that I couldn’t stop writing them.
I think the chapters with the flashbacks, the sort of downward spiral of the chapters leading up to the end there; those were unfortunately influenced by the job I was working when I got into the writing of those. I was extremely under appreciated there, it was mind-numbing work that was easy and repetitive, and I was very underpaid. I think the story drawing away from pastry/culinary elements are a definite side effect of that, too. I was sort of drifting, feeling like I’d made a terrible decision to work there (I had) and feeling sort of trapped. I quit, which is probably for the best let’s be real here. But Whetstone gets pretty dark at a point, and I think that’s sort of where it came from.
AS FOR REBEL HEART I actually can’t even pick a favourite thing about it I love it so much. Is it cool to like your own work? I hope so because I love that fic. It’s the most self-indulgent thing I’ve ever written.
I think I like the pacing, the way it takes a few chapters to get started but then it surges forward and keeps up momentum. I especially like all the little flashbacks, every time Cole opens his adorable mouth.
Actully maybe it’s the part where Aevalle turns around, sees a Wolf, and immediately assumes it’s her immortal lover shown up to drag her of somewhere safe and scold her for being reckless.
Really though what I like best about Rebel Heart is that is is not nearly 150k words
Female Hawke/Fenris, Female Lavellan/Abelas, Female Lavellan/Merrill/Isabella, misc other pairings. Modern Culinary/Pastry School AU. DA2 & DAI Mashup.
Content Warning: Contains references to sexual abuse. can provide a ‘clean’ version if asked.
READ FROM CHAPTER 1
MASTERPOST
READ ON AO3
Fenris is standing in Danarius’ library, just over his shoulder.
It’s a jarring feeling—he remembers so precisely the musk of the old books, the hum of the laptop on the desk. He remembers the feel of the wood floor under his feet, and he’s standing on that one slat that tends to splinter. Danarius, who always wore shoes in his own home, never noticed it, but he noticed the blood that his slaves left on the carpet if they forgot to avoid it.
Danarius, for his part, is standing by the window, a glass of wine perched in his fingertips. Aggregio—Fenris knows the smell and the colour of that, knows the way the light catches it and turns it ruby, glittering. Clear-bodied, orange notes in the nose, oak and cinnamon on the tongue. Few if any legs form when swirled—a dry, dry wine.
The slave who has poured Danarius and the man before him a glass each bows and retreats, brushing past Fenris without so much as a glance to hover at a relatively safe distance. Fenris has never seen this man before—human, soporati by dress and the gun holstered on his belt. He wears the badge of the captain of Danarius’ guard, wears the magister’s colours in muted shades, in spite of his strangeness to Fenris.
“The elf boy has lasted longer than I thought,” Danarius is saying, frowning out the window.
“Ah,” the captain says, shifting his weight. “He—he’s surprised us all, really.”
Fenris finds himself studying Danarius’ face closely, the quirked brow and the slight turn of his head at the words. “How so?”
Impossible to discern for most, but even after years away from Danarius, Fenris still knows how to read even the most subtle of his ticks. The magister is annoyed for even having to ask the question—for having to press on this novelty in the first place.
“He shows aptitude,” the captain continues. “Great skill at reading an opponent. At first he simply outmaneuvered them, but since—since his increased training and food allowance, he’s been able to overpower nearly all of my men.”
Danarius looks out to the yard again. Fenris knows this isn’t truly a dream, but he finds himself bold enough to step forward, to approach the window at a better angle so he can see what Danarius is looking at.
Outside is the practice yard Fenris is still familiar with—he sees the same dummies set up, the same simple wooden benches along the perimeter. The wall, stone and tall enough to bar passage, where Danarius’ men patrol with assault rifles.
In the center of the yard itself, a pit of searing hot sand, Fenris sees himself unmarked.
Leto—Fenris cannot see himself as that person, even now—is in unarmed combat with a Vashoth slave twice his size. There is nothing elegant about the fight—Fenris instantly finds numerous flaws in Leto’s form, notes the exhaustion in his limbs, the way his hands tremble even has he keeps them up to protect his face. Leto ducks and weaves, silver hair plastered to his head with sweat and sunlight, and he uses his nimble form to its full advantage. He keeps the big Vashoth man moving, turning, keeps slipping out of range of his arms, ducking under or weaving around blows.
When Leto makes his move, he is quick and efficient. He allows the Vashoth to charge, and then he uses his smaller frame, the Vashoth’s high center of gravity against him. Fenris sees the arm across the torso a second before Leto ducks low and flips his opponent onto his back, using his own momentum against him.
The Vashoth hits the dirt. Some of the spectators cheer. Leto stands, a little uneasily, and offers a hand and an easy smile to his fallen opponent.
“How is he ranking?” Danarius asks, and Fenris tears his gaze away from the person he used to be.
“He is the top candidate, my lord,” the captain says. There is a reluctance there that is poorly hidden—Fenris knows Danarius hears it, because there’s a downward twitch to the left corner of his lips.
“Fascinating,” Danarius says instead.
Fenris blinks, and a fog comes over him. He thinks he hears someone speaking—a woman, her voice low and laced with a barely contained rage. He can almost understand what she’s saying, maybe if he just listens a little harder—
But then he is standing just over Danarius’ shoulder again, except they are in a sterile room with impossibly bright lights, white walls. There is a slave being thrown onto a pile of bodies, throat slit, and Fenris sees Leto strapped to a table while Danarius uses a small, thin blade and a tool a little like a pen full of liquid lyrium to mark the boy’s flesh.
Leto is paralyzed—by magic, for Fenris can see his eyes rolling wildly in his head.
“Keep him awake,” Danarius snarls at his assistant. “He will die otherwise, and this will all have been an utter waste.”
Danarius is filling in long, curving gashes cut into Leto’s neck, and the boy cannot even close his eyes to hide from the pain. His face is a mess, blood leaking out from three dots marked into the center of his forehead, into his eyes, his nose, and it keeps pouring out, no matter how much the assistant wipes it away.
Next, Fenris watches himself be brought before Danarius—and he can see the fear in his own eyes, the unsteadiness of a body with something wrong forced into it, made to coexist with living flesh. He watches himself bow, uneasily, wincing at the pain as the lyrium on his knees hits the floor through his clothing. Everywhere there are markings exposed to the air, they are raw at the places where his skin meets them. Some are infected, pussing, the body attempting to reject this strange substance.
Danarius sees the pus immediately, at Fenris’ knuckles and up his arms. He flies into a rage.
“Do not let him ruin them now!” he snarls, and Fenris watches himself flinch, cower instinctively. The lyrium reacts to Fenris' fear, sporadic flickering all up and down his body, and then the younger Fenris is doubled over in pain, screaming.
“Chain him to his bed if you have to,” Danarius orders. “He is worth more than this entire miserable household. Keep him from spoiling my work.”
The next time Fenris stands before Danarius, he has healed. The lyrium and his skin have reached an uneasy truce—still red and tender, but they are unhappy bedfellows now, begrudging but not warring with one another.
When Fenris drops to one knee, he does so without even a flinch of pain.
Danarius runs his hand through Fenris’ short, soft hair.
“My little wolf,” he says, with something that could never be mistaken for anything but possessiveness.
“Master,” Fenris watches himself answer.
“Strip him,” Danarius says to the other slaves. “I would like to see the fruits of my labour.”
It goes on. Fenris watches himself pull hearts from men’s chests and present them to Danarius while his master leers in approval. He watches himself being punished for his mistakes—all Danarius has to do is lift a finger, and the lyrium reacts to his magic. Fenris of old bears the unspeakable pain as well as he remembers—he does not scream, not once.
Then they are standing in Danarius’ bedroom, and Fenris is waiting for the magister to dismiss him for the day.
“Little wolf,” Danarius says, as he does only when they are alone. “Undress me.”
Fenris watches his own face, looking for a reaction. There is none—this command is not unusual, not unheard of.
But Fenris only manages to take off the jacket, and as he loosens the tie Danarius’ hands come up to catch his.
There—there Fenris sees his own mask crack. A slight intake of breath, his pupils shooting wide, reflecting the low light in the room.
“How you dote on me, my little wolf,” Danarius says. His voice is low, and laced with something that the Fenris across the room has heard before, and has scared him every time.
Danarius brings his hand up to Fenris’ face. But he doesn’t cup it gently—he grasps it, pressing his thumb down hard on the curl of lyrium just below the slave’s lips.
“How you love me,” Danarius says, and that dark thing in his voice has reached his eyes.
“Yes, master,” Fenris the slave whispers, his eyes wide with terror.
Fenris snarls, wordless and raw deep in his throat, even as his stomach turns and he fights off the urge to vomit. He turns away, closing his eyes and covering his ears. He doesn’t need to see this, doesn’t want—
There are more scenes, played somewhere behind him. Fenris does not watch them, presses his hands to his ears and focuses on the ricochet of his heart beating against his ribs, his pulse rattling around in his skull, so he cannot hear.
And then there is the heat, the suffocating heat, the smell of the ocean and the smell of blood and fire.
Fenris is standing on a ship, just over Danarius’ shoulder. The magister’s body is all stiff lines, fists clenched in fury, and as Fenris looks on, he can see himself standing on the docks, swallowed up by the crowd of people who failed to reach the ship in time.
Danarius speaks no words, and Fenris does not need to read the magister’s emotions from his face.
Fenris tries to steel himself for what is coming next, but watching is somehow worse than experiencing it all over again.
He watches the Fog Warriors kill Danarius’ hired men, watches himself stand there, still as a stone, his eyes wide as the carnage unfolds around him. Danarius brought few with him—Fenris finds that his memory is imperfect in this. He remembers far more enemies, a far greater struggle. But the Fog Warriors only have to deal with a handful of men, who are unused to fighting in thick waves of alchemical smoke.
It still takes time—not much, but the boats they have brought to shore full of their morning’s catch have been left long enough that their contents have begun to spoil. Fenris can smell it in the air, subtle as it is, and it makes his stomach turn.
Danarius himself is wounded, and they turn to Fenris, all victory cries and raised fists. This great magister, presented to Fenris like a captured prize.
Fenris looks at the illusion of himself, then, and he says, “No.”
But Danarius’ little wolf can only stare at his master’s face with an expression of immense sorrow.
Danarius mistakes it for loyalty, and grins. “Kill them all, my pet,” he says.
“No!” Fenris yells, but no one hears him. To his own ears his voice is warped, as if there is a pane of glass separating him from the scene unfolding before him.
The first one doesn’t even fight back. The second recoils, shocked, but his old self is too fast for them.
Fenris reels, bile rising in his throat. This, he cannot look away from—he sees all over again the betrayal clear on the Fog Warriors’ faces, their rage, their terror as he tears them down, one by one.
“I never agreed to your trial!” he snarls to the being he knows is causing this. “I swore you no oath!”
There is an impression of someone speaking—that voice again. He hears her words like a second heartbeat, somewhere below the surface of his skin. I must bear witness before Vengeance is granted.
Danarius watches the whole thing with a smirk on his face. He stands once Fenris has freed him from the Fog Warriors who held him, and he does not lift a finger to aid or halt Fenris’ relentless pursuit of his victims.
This wholesale slaughter, now this takes time. The sun has climbed, peaked and begun to drift back down again by the time Fenris kills the last of the Fog Warriors. The heat of the day is so severe that all of the fish is spoiled now—putrid and foul, it mingles with the blood, the acid remnants of the alchemical fog on the ground, the sting of salt water on the back of his throat.
When the last Fog Warrior falls, Fenris looks at his younger self and is surprised to see tears streaming down his face.
Fenris doesn’t remember crying—doesn’t remember anything but emptiness, resignation, a mind-numbing shock that would not relent for months, perhaps years. But there he stands, his face raw with sunlight, ocean spray and glistening with tears, his back turned to the man who has ordered this thing of him, who has shown up again and utterly destroyed all pretense at a normal life.
“Now Fenris,” Danarius says—which is strange, because Fenris doesn’t remember that either, only the pounding of blood in his ears, the calls of birds circling high above. “My little wolf. Let’s go home.”
The Fenris who is covered in the blood of those who tried to be his friends does not move, does not even flinch. Not even when Danarius calls for him again, frowning.
The third time is what startles Fenris out of whatever shock he’s fallen into—that third call of his name is what makes Fenris turn and run.
It is not a graceful escape. He trips over those he’s just killed, and real panic dominates his features with every faltered step. He scrambles over corpses and around fallen weapons, and Danarius screams his name long after Fenris has fled into the trees and out of sight.
Fenris does remember vomiting in the treeline. He still has the frame of mind to be glad Danarius doesn’t seem to have witnessed it.
“Haven’t you seen enough?” he snarls, his own voice exhausted and raw, and then the scene fades to black. Only Danarius remains, looking around in confusion.
“This is not what I was promised,” the magister shouts, and he takes a few staggering steps around, shielding his eyes as if from some light Fenris cannot see. “I was promised immortality! Power!”
The voice answers him. You swore an oath to Mythal, and you have broken it in every conceivable way.
“What?” Danarius squints around his arm. “Girl, what is she saying? Translate!”
I have witnessed your testimony and I have heard the cries of your victims for Vengeance.
“What must I do now? Tell me!”
Vengeance, the voice says, and the word rings so low and so powerful Fenris can feel his bones vibrate, will be granted.
Danarius doubles over and screams.
The scream rapidly becomes inhuman—Fenris can see the magister clutching at his fine clothing, dirtied from the trek here, as his body twists and writhes underneath it. Fenris watches as Danarius’ bones warp, stretching his skin and curving his limbs into impossible angles before they shatter, mend themselves, then shatter again. Blood winds its way over Danarius’ skin, seeping through his clothing, and Fenris recognises them as an imitation of the lyrium carved into his own flesh—but they glow with a red, red light that reeks of illness and corruption.
Fenris smells burning flesh. He watches Danarius’ torment until the magister is little more than a broken shrivel of flesh on the ground, until the screaming dies to a whimper, then a single, rasping breath that is followed only by silence.
He has to remind himself to breathe, there is such a weight on his chest. “Aevalle?” he calls. “Evanura?”
Which is it?
Fenris balks at the question. “Does it matter?”
Yes.
“Show me where she is.”
You would witness her Vengeance as well?
Fenris curses. “I never asked for that.”
But the darkness around him springs to light anyway—and he’s in a room, bright and shining, watching Leto being carried away over the back of a guard.
He is standing just beside Evanura, lying on the table—she is chained there, her hand with the Anchor cut open and flayed apart down to the bones and ligaments there, where something strange and green and pulsing lies. Fenris’ stomach turns at the sight, at the smell of the magic keeping it from beginning to rot. Blood magic—fuelled by her own, he thinks, for there are no dead slaves littering the floor like waste.
“Tell me,” Danarius says, leaning in closer. Fenris knows there is a camera in this room that will record her every word.
“You’ll hold her accountable for secrets she gave away under torture?” Fenris says, not listening to Evanura explaining what she knows of the ritual. His voice comes out in the strange muffled quality as before, and he knows she cannot hear him.
She swore an oath, the voice answers simply.
“Vishante kaffas,” Fenris says, softly. He is looking at the guilt written all over Evanura’s face.
Then Fenris leans against a wall in the old ruin Hawke and Merrill brought him to. Evanura is crouched in the shadows, a hand to her mouth as she watches the Dread Wolf kill Mythal and steal her soul.
“And this was not her doing,” Fenris says, simply.
Her oath was to stand as Mythal’s sentinel, to protect her and what she left behind for the ages to come. She failed in her duty.
He takes one look down at Evanura, weak and barely awake, and he knows that she could not have stopped Solas if she tried.
The rest, Fenris knows. His life is once again the subject of this scrap of Mythal’s scrutiny, and he mostly finds himself watching from afar, listening with boiling blood to Evanura’s evasiveness, to her half-truths.
She lied to you, the voice says.
“Unless she swore an oath to Mythal to never tell one specific elf any lies, then I don’t see why we have a problem.”
She evaded Vengeance. She knew her fate and would not come meet it.
“Possibly because this is mind-numbing and tedious,” Fenris grumbles.
He watches through his car window as they lie with their backs to each other. Fenris watches the lightning in the sky, and Evanura stares at her hand.
“Nineteen,” he tells her. “I think.”
“Ir abelas, Fenris.”
“You’re not Danarius,” is his answer, and Fenris understands the irony now. From where he stands, he can see the pain and regret crossing Evanura’s features.
He watches a hundred such near-confessions. He bears witness to every false start, every hesitation in her manner. Every time she looks at him and opens her mouth, only to shake her head and look away, grief all over her features. She hums the song she learned from Varania in his childhood, and sometimes she drinks herself into a stupor.
He witnesses those, too. Dragging her away from Sera’s apartment building, taking her phone away from her. Taking her to an abandoned lot with all the empty wine bottles they stole after work, and they throw them against half-built walls, rusted support beams.
Fenris joins her in getting drunk only once—after that, it is clear to him she cannot be left unsupervised in her state. After the fourth time he holds her hair as she vomits into a garbage can, he forbids the practice altogether.
He sees himself sitting on his mattress. “Tell me to leave,” he pleads, begs.
“No,” she answers. Not forbidding him to go—just refusing to make it anything but his choice.
Then he is watching himself bleed out on the floor, and Evanura giving herself up to Danarius for him.
She chained you to her, the voice says, as surely as Danarius.
Fenris finds himself frowning. When Pride said the same thing, Fenris had agreed. But he thinks of the spirit of Love, and the moment that he witnessed during the fight with Nightmare.
“No,” he tells the voice, but he doesn’t quite know how to explain it.
Truly?
The world whirls around him, and Fenris sees himself standing on the sidewalk outside the restaurant. He flinches at the sight of himself—rail thin and sunken eyes, something desperate written on every inch of his body. Not even bothering to hide the lyrium anymore—let Danarius find him. It’s the height of summer, and too hot for a sweater.
He’s staring at a sign in the window.
“It says Help Wanted.”
Both Fenrises turn towards the source of the voice—the one in memory slowly, sluggish with hunger and exhaustion, and the one in person with wide-eyed alertness, knowing before he sees who the voice belongs to.
Cole stands there, his hands shoved into the pockets of his washed out hoodie, his too-pale eyes searching Fenris’ for something.
Memory Fenris recovers. “I know,” he lies, his voice thick, some remembered fight response beginning to kick in.
Real Fenris gapes openly. “I don’t remember this,” he says.
“You do now.” Cole hums, thoughtfully, before tilting his head and rocking forward on the balls of his feet. “Asa’ma’lin is in there.”
“Who?”
“She needs help, but—she doesn’t want to see me ever again. Told me so, in the place the truth came tumbling out. Not the right truth, but some of it.”
The Fenris of memory looks at the sign. “I don’t think that’s the kind of help they mean,” he says, brows furrowing.
“It’s the kind she needs,” Cole says, urgently, “the kind you need. You could make each other better, take all the battered parts and make them—less. Not whole, but stronger than before.”
Fenris watches himself nod, slowly, then turn away to glance down the street at some noise—a cat chasing a rat into an alley. When he turns again, Cole is gone. Fenris watches as the confusion slowly leaves his own eyes, as he forgets everything but the sign reading Help Wanted, and opens the door to the Dalish restaurant.
“That doesn’t count,” Fenris says with a rough voice. “Cole never—she never asked him to do that.”
But he did it for her, the voice says, like the Dread Wolf killed Mythal for her.
“One is a spirit of Compassion,” Fenris says, “and the other is her father.”
She hurt you. Lied to you. Kept your secret for a chance at redemption.
“I don’t care!” Fenris snarls, feeling the lyrium in his skin ignite in his rage.
The light spreading from him casts the vision around him into smoke, and the Dalish restaurant disappears—as if whatever is controlling it is recoiling from him. He can make out a room of some kind, sunlight dancing through a hole in the ceiling. Soft moss under his feet, a statue ahead of him. Lying at its base—
“Aevalle!”
The memories try to close in around him again, but Fenris leaps forward with a burst of his lyrium. He keeps it burning as he kneels beside her, feeling the rage of whatever presence is in this place howling at being denied its victim. He gathers her up in his arms and shakes her, but her eyes do not open.
She’s so still. He’s shaking so badly he can’t even tell if she’s breathing.
“Aevalle,” he tries again, his voice rising. “Evanura, please. Wake up.”
He hears the presence screaming, thrashing against the shield his circle of light is providing them. Guard dog, it calls him, slave, you would choose to bend the knee before you would stand for yourself?
He closes his eyes and holds Evanura close, buries his face in her hair to shut the remnant out. He can’t keep this up forever, and he wishes he had anyone with him—Hawke and her clever tongue, Merrill to say the most impossibly kind thing and make this creature change its mind, even Solas or Abelas to know the proper way to appeal, the spirit of Love to show Mythal’s remnant what it showed Fenris, or Cole to read the right way to help without a word being spoken.
It keeps nothing kind. You can—you must.
Some advice, Fenris thinks with a scoff. Fenris has been everything but kind—maybe Leto was, once, but Fenris is all rough edges and an unending rage.
But he is exhausted, and even the lyrium is beginning to fail him. He can feel the numbness in his fingers that means he’s almost run out—after demons and Nightmare and the dash through the temple, he can feel a weariness in his limbs that goes with running, endless running, without stopping to see where his feet have been taking him.
Time is running out, and Fenris is the only one here.
“You asked me once,” he says, low and rough, “when can we stop running?”
He chokes on the question. He can feel the remnant pressing closer, and his skin itches at the feeling of the lyrium running out of power. He clutches Evanura tighter still, and does not look up.
“You always fight when I fight. You always run when I run. I should have known you would stop when I did. I should have—seen this, somehow. Listened to you, all the times you tried to tell me.”
His bones are humming, the remnant’s mindless shrieking growing stronger as his lyrium begins to fail.
“I am so sorry, my friend,” he tells her, his face buried in her hair, tears streaming down his face. “And I forgive you.”
The lyrium in his skin flickers out, and the buzzing in his ears that signifies Fenris’ weakness begins. He closes his eyes and braces for—whatever is coming, hoping to at least shield her a little, protect his friend one last time.
But nothing comes. Only the sound of the wind in trees he cannot hear.
Fenris looks up, frowning—he sees only a room, as overgrown as any of those he has passed through to get here. He’s kneeling in a sunbeam, in light filtered gold and green through the leaves far above, and a number of birds flit through the opening, as pleased as can be.
In his arms, Evanura Lavellan gasps for air, as if emerging from water.
He’s still clutching her tight, and she fights his grip for half a heartbeat before she realises who he is.
“Lethallin?” she asks, her voice weak.
She sits up as Fenris steadies her. Her green eyes are—wide, wild, darting around her. She spots Danarius’ corpse, and stares at it disbelieving for a moment.
“Evanura,” he says. “Are you alright?”
She looks back at Fenris, reaches up to touch his cheek and the wetness there.
“You know,” she whispers. “You’re here, and you know.”
He is surprised to find himself smiling—crooked, a little bashful for his tears, but smiling nonetheless.
Something breaks in her expression, then, and she begins to cry in earnest. She throws her arms around his neck, buries her face in his shoulder and such an uncharacteristically loud sob breaks from her that Fenris is too startled to respond, at first. But he wraps his arms around her and holds her there regardless, still smiling, a relief he can’t describe filling him up.
“Ir abelas, lethallin, I’m so sorry,” she sobs, over and over, and he forgives her each and every time.
It isn’t long before the doors behind them open with a grind of stone upon ancient stone. Fenris half-turns, Evanura peeks up from his shoulder, and they find the others—all of them, those they left behind to fight Danarius’ mercenaries and the Venatori looking battered and bleeding from several new places but whole, hale, alive.
Abelas stands at the front, his expression unreadable.
“Nadas’lin,” Evanura says through her sobs.
Fenris blinks, there is a Fade Step somewhere, he thinks—too exhausted to track it—and then Evanura is lifted directly out of his arms and into the ancient sentinel’s. He holds her impossibly tight, and he is sobbing too, tears streaming down his face as he kisses her—greedily, hungrily, and she kisses him back as if she never needs to breathe again.
It doesn’t stop until Cole says, “Asa’ma’lin, Merrill needs you too.”
Abelas sets Evanura down, and then Merrill is on her in a blur of tangled limbs and broken elven. Evanura almost topples, but Abelas steadies her, and Fenris thinks there is too much crying going on, so he rubs his own eyes with the back of his arm to hide the evidence.
One by one, their strange group of assorted friends filters in, and as Cole dries Evanura’s eyes with the sleeve of his sweater Abelas offers Fenris a hand up.
Fenris stares at it.
“I suppose,” the ancient elf says, flatly, “you are capable of following some instruction.”
Fenris doesn’t have it in him to get riled up by the comment. He takes the offered hand and stands—teetering, exhausted.
Hawke catches his arm and slings it over her shoulders.
“Bullshit,” Hawke says. “I think I told you not to walk through the judgement door.”
Fenris scratches the back of his neck, where the spent lyrium itches the worst. It will hurt later, so he will take the dull itch while he can. “I believe you did.”
“So there we go. You’re terrible at following instructions.” She tilts her head to the side, smiling. “But it all worked out in the end, so I suppose I can forgive you.”
He smiles back at her. “Then I suppose I might forgive you for vanishing again.”
She balks in mock-offense. “Again, he says! Like I’ve suddenly made a habit of falling into pits!”
Fenris laughs, louder than he means to. He turns his head to the doorway, and his smile fades when he sees Solas, lingering in the shadow cast by what’s left of the ceiling. On the cusp of entering or leaving, he doesn’t seem sure.
Then the sentinels begin to pour in—some of them reluctantly, others with nearly as much open glee as Merrill. The woman who had spoken to let them through is the first, and she wraps Evanura in a protective bear hug seconds before they are both immediately smothered. They knock foreheads and elbows, and Fenris recognises Evanura’s cursing through it all, and they all try to speak at once in Elven.
Through the crowd, Fenris loses sight of Solas. When the door is cleared, the old elf has vanished without a trace.
“Hawke,” he says, surprising himself with the urgency of it.
“On it,” she replies, and Fenris feels the Fade Step form around them.
They catch up to Solas somewhere in the rooms with the tiles—he is standing there, as if waiting for them, his gaze turned up to the sky. The sunlight is beginning to turn orange, marking the very beginnings of the setting sun.
“Running away again?” Fenris accuses, and Solas starts—he must have been so lost in thought he hadn’t heard them coming.
“I will trouble Evanura no further,” he says, folding his arms behind his back as he faces them. “She is safe, and I cannot express the gratitude I feel for that. I owe you...” He closes his eyes. “Everything.”
“But you’re still leaving,” Hawke says.
“I must now search for her mother, before she is lost forever.”
“Yeah.” Hawke blows a curl of her hair out of her eyes. “Look, Solas—I mean this in the best way possible. Get your ass back there and talk to your fucking kid.”
Fenris, still leaning on Hawke for support, turns to look at her, incredulous.
Solas’ expression is just as shocked.
“I spent three goddamn months hallucinating about you two not talking to each other,” she continues. “I am not going to stand here and let you fuck this up all over again.”
Solas opens his mouth, then seems to think better of it and closes it again. Fenris is surprised to see him smile, of all things.
“I should have expected such a treatment,” he says, “considering a spirit of Love was so determined to stick with you.”
Hawke makes a small hmph noise, but does not respond.
Solas ducks his head—something like assent, something like respect, and he starts to walk the way they came, back into the heart of the temple.
“Seriously though,” Hawke says, when Solas is out of sight, “fuck that guy.”
Fenris laughs again—even louder, even though the lyrium begins to pain and it ends in a curse, ends with him doubling over, and Hawke lowering him to a collapsed stone wall.
He waves off her concern. “This is—normal,” he manages, gritting his teeth. “It will pass.”
She sits next to him, and she does not let go of his hand.
They say nothing for a time, watching brilliant reds begin to stretch across the sky to the west.
“You alright?” Hawke asks, gently, leaning her head on his shoulder.
He hisses in pain when her makes contact with the sensitive lyrium under his shirt.
“Sorry!” she exclaims jerking away. “Sorry! Oh shit, I’m the literal worst, I forgot...”
But he’s laughing again—that’s the third time, some part of him thinks. This one is low and soft, and not without pain as the lyrium begins pulling energy from the air around him.
“I’m—I’m fine,” he tells her. And then, because it’s the truth, he adds, “I’m—better than I have been in a long time.”
He admires her smile instead of the sky. Danarius’ end is still raw in his mind, and all the things he witnessed again before it. But with Hawke smiling at him, holding his hand, he feels even the pain of the lyrium a little less, and his past finally feels as if it is long behind him.
Female Hawke/Fenris, Female Lavellan/Abelas, misc other pairings. Modern Culinary/Pastry School AU. DA2 & DAI Mashup.
Rating: Mature. Some explicit sexual content in later chapters.
READ FROM CHAPTER 1 | MASTERPOST
READ ON AO3
Fenris barely has time to register his heart dropping like a stone before Nightmare speaks again.
“Oh?” The stretched out limbs that failed to catch Hawke now curl back in on themselves. “How remarkable. I hadn’t noticed her little tagalong.”
Fenris reacts.
He leaps forward with a snarl, with a cry of rage and pain that twists his throat as he lets it loose. He moves for the spot Hawke vanished—he expects a pit, a pile of rubble, but there are only the waves that he moves through with a burn of lyrium, the sand under his bare feet.
And the lyrium is burning, hot on his skin and crackling with energy sharp in the air of the raw Fade around him. He is intensely aware of every line that sprawls across his body, every mark carved into his flesh, and it hurts but he focuses on that instead of anything else, instead of losing Hawke to an abyss and a monster all over again.
The lyrium burns, and Fenris feels the waves the demon has made less with every surge, with every crash against his body. He does not give Nightmare a chance to recoil, to fall back in the face of his rage—Fenris takes the sword and swings, cleaving right through a joint in the long limb that had been reaching for Hawke. He knows it takes immense effort, and it dimly aware of some protest in the muscles that are straining in his shoulders, something in his arms and lower back that signals a hurt that means he’s gone too far. He does not care.
Nightmare howls in pain and the limbs are reaching for Fenris. Take me instead, he thinks, if you can.
Fenris does not stop. He hacks clean through the demon’s hard shell, and black smoke curls away into the air with every hit the creature takes. Fenris’ vision is singularly focused—he does not so much dodge Nightmare’s attempts to maim him as he shoves through them, sword in front of him, lyrium burning hot in his skin.
For a moment, he is driving Nightmare back through sheer rage alone. But he catches movement out of the corner of his eye, a limb whole and hale with a barnacle-crusted claw reaching for him, and Fenris tries to ghost, shifts his stance to slip out of the way, to let the blow graze his now-incorporeal form.
He hears a yell—a warning, high and frantic, but he does not have the frame of mind to figure out from who—and the arm moves too fast. Fenris takes a blow to his side, and hard. Hard enough to make the lyrium in his skin flicker and dim, to kick his body back into solidity. Fenris snarls in pain and falls—
—and he is caught, held out of the water by something, someone, warm and bright. He feels a chest shaking with laughter at his back, breath huffed into his hair, and her hands on his arm and shoulder breathe life into the lyrium again, into his own heart rattling against his ribs.
“Hawke?” he breathes as she steadies him.
He turns and she is—otherwordly, in a way. Her eyes are too bright, too gleaming, but not like Pride in his dream. She smirks at his bewildered stare and her whole body seems alight, radiating with a warmth that makes Fenris’ heart beat faster in his chest.
“Fenris,” she answers, teasing.
“What—”
She throws up her hand and a barrier rises between them and Nightmare—it does not so much snap into place as ignite, crackling like flame and heat, and he watches another blow from the demon bounce off harmlessly.
He thinks that when Nightmare touches the barrier, something changes in its flesh. It becomes softer, the limb becomes smaller. Just for a moment—half a heartbeat later, Nightmare has recoiled, curling its many limbs closer to the great mass of its body.
“Love,” it snarls, the disgust so evident in the demon’s tone that it’s almost a separate syllable.
“Ready?” Hawke asks, and she’s not even looking at Nightmare—just Fenris.
She doesn’t wait—for an answer or for the hundreds of questions sitting on Fenris’ tongue. She moves, wreathed in flame and laughter and light, and Fenris follows with a curse.
Nightmare rounds on Hawke, on her fast and flitting movements—Solas calls something, a warning, and Hawke dances away as easily as a breath, drawing Nightmare’s weakened side towards Fenris. Fenris drives forward, and his sword easily cleaves an already weakened leg joint clean through. Out of the corner of his eye Fenris sees Solas—the mage, not the wolf—casting spells that petrify the demon’s legs, letting the others hack at them with weapons and assault it with magic. Nighmare snarls, the Fade warps around them, and then it leaps away, legs mobile again but wounded, black dust wafting into the air.
Fenris follows Hawke, the sound of her laughter and the beacon of her flames. When Nightmare’s reaching limbs come too close, when its claws open and almost close around Hawke, Fenris is at her side with a blur of lyrium, his sword brought to drive down into the weak spot between two plates of sea-crusted exoskeleton.
The demon’s shrieks of rage and pain are almost as loud as Hawke’s breath in his ear, the way it jerks against the sword embedded in its body is almost stronger than Hawke’s delicate touch on his shoulder, her skin warm through the fabric of his shirt. It’s the warmth that came with how she held his hands after he confessed the horror of Seheron to her, when he took hers after she started to cry on the floor under her bed.
For a moment, he is somewhere else, someone else. He is looking down at himself as a child, wide-eyed and unmarked by lyrium, and there is a warmth in his chest he doesn’t understand—and then Fenris watches himself walk through the door of the Dalish restaurant, and he can feel his numb, battered, beaten down heart lurch forward in his chest in horror, in rage, in self-loathing.
It must only take a second, half a heartbeat, but Fenris not so much sees as feels two years flash before his eyes—back to back in a car, shivering, throwing and breaking bottles in an empty lot, say knife-ear to my face shem, and he watches himself look at Hawke, truly look at her for the first time in that cramped booth in the Hanged Man, staring down at the way she licks her lips, and he feels hope, that she hasn’t utterly ruined at least one small thing in her wretched life, feels an overwhelming sorrow whenever the glow of lyrium ignites the darkness, rage, crushing guilt—
“Asa’ma’lin,” Cole says, and Fenris is looking through her eyes as she stares down at her legs, sitting on her bed with the lights off in the dead of night.
“I don’t want to die,” Evanura confesses, surprising herself, and Fenris can feel her choke on the words even as her hands clench in the sheets on either side of her.
“Then don’t,” Cole says, simply.
She shakes her head, forcibly, and she opens her mouth but the words won’t come out.
Cole speaks for her, as he always does. “But if I die, he will be free. I owe him that least of all.” The bed dips as Cole sits beside her—barely, as if the spirit’s physical weight is an afterthought. He takes her hair in his hands and begins to braid it, humming a soft Dalish song her mother used to sing.
Sobs rise and fall in her throat without sound—can’t scream they’ll find me, a childhood of being smothered awake to silence her unending night terrors—and as her spirit brother holds her Fenris feels everything, feels every beat of her wretched, ruined, healing heart, feels her sobs wracking her body and her attempts to contain them faltering, failing.
Then Hawke pulls her hand away, and Fenris is back in the Fade, in his own body, and Nightmare yanks its claw away from Fenris’ sword.
“I’ll distract it,” Hawke says in his ear.
In the blink of an eye she is gone, leaping, laughing, whirling flames and a brightness that draws Nightmare away from the others again. She’s a beacon, burning, the only shining thing in this dark place, and the demon follows her, a dark and twisted thing so large that Fenris thinks it will blot out that light for sure. But there, as the demon moves between Hawke and the rest of them, there is her light pouring out around the creature, silhouetting its twisted, hulking mass, and her laugher carrying bright over its hissing breaths.
Fenris breathes, readies his sword, and he skirts the edge of the creature’s awareness, the edge of the light pouring from Hawke into the air. His steps are light and his gaze focused, determined, and even though the others advance and attack, round on the demon’s exposed limbs while it is distracted, Fenris circles and waits.
Twice, Nightmare almost catches Hawke. She slips away both times with a laugh, as Solas petrifies the demon’s limbs and Bull crashes into them with a yell. Fenris sees the glaring red dot of Bianca’s sight scattering all over the demon’s body, taking shots at wounds or the suggestion of eyes, keeping the creature turning or deflecting its limbs away from Hawke. From the corner of his eye he can see great, ancient roots making their way along the ground, not reaching up to ensnare the thing just yet but laying a trap in the shadows cast by the demon’s great mass.
He glances over at Merrill, her eyes catching the light coming off Hawke and reflecting it stark green, even narrowed in concentration as they are. She catches Fenris looking, seems to understand the question he doesn’t voice, and she nods once, firmly.
Fenris lets the lyrium on his skin fall into silence, and he keeps his sword low as he slips into the shadow the monster casts.
It’s half years of battle-hardened senses, knowing his chance, and half something else, something like instinct, like the sensation of Nightmare’s awareness on him slipping away.
He moves, with a burst of lyrium as it alights on his skin all at once—it builds with a sweeping crescendo as he darts forward, lyrium propelling him forward. The brighter it burns, the more solid he feels, stronger and faster and so it’s with no hesitations, no sense of weariness that he closes the short distance between himself and the creature and leaps onto a curved limb, coiled, bearing the great demon’s weight as it shifts, trying to follow Hawke.
It might have moved too fast even for Fenris to get a proper foothold, had countless ancient, Fade-weaved roots not erupted from the ground at precisely the right moment.
Fenris catches hold, gripping the barnacle-crusted leg tighter, and as the light of the lyrium burns brighter, hotter, the demon’s form feels more solid. Fenris can feel it trying to shift underneath his palms—can feel the rage and confusion of a creature not used to an unchanging form suddenly forced into one underneath his palms—and he can hear the crackle of Solas’ petrifying spell working its way up the demon’s gangly limbs.
Fenris climbs faster still, using short bursts of lyrium to spur himself upward. He adjusts for the creature’s thrashing, its twisting in agony as his friends below resume their attacks with full force, as an unstoppable flame from Hawke rages at its front. Fenris hears their shouts, dimly, through a buzzing in his ears, through his heart beating hard against his ribs, through the high-pitched hum of the lyrium in his skin and the sound of Hawke’s laughter, bright and vivid and real.
He stands on the demon’s back, and he makes his way to the creature’s head. It thrashes in place, trying to throw him—it knows he is there, it knows that his lyrium is enforcing its shape, keeping it from changing to get away, to trap him. But there are spells and weapons and shouts keeping it steady enough for Fenris to put one foot in front of the other, to run towards the creature’s twisted head.
He can smell the reek of that day on Seheron as he makes the final step, half a leap to close the distance—he can feel the oppressive heat on his skin, slick with sweat and blood, and he can hear the crash of waves, the calls of bird circling far above his head.
He thinks instead of the person who called him lethallin, of how she was too terrified to sleep—and how this thing beneath him convinced her that her own father was stalking her dreams, threatening to take her away.
All the energy built up by the lyrium in his skin bursts from him in a blinding flash just as his sword drives through the creature’s skull.
It reels, screeching, and Fenris is almost completely swallowed up by the black smoke pouring from the wound. He pushes the sword in deeper, ignoring the protest of his own abused body, and the creature beneath him thrashes under him, under the assault of the lyrium’s wave of energy. Fenris is dimly aware of the creature’s great limbs jerking, desperately, and the demon’s cries grow frantic, higher.
Don’t let him take me, lethallin, she’d begged, and he’d thought an apostate responsible for her terror.
Fenris snarls and finds the strength to thrust the sword deeper still, and he feels Hawke’s barrier rush to life around him; it flickers around his skin like a caress, like a whisper.
The thing beneath him rolls forward, and its body is collapsing into black dust. Hawke’s barrier burns hot around him, and Fenris does not stop attempting to drive the sword down to the hilt until there is nothing left to bury it in. All around him is a black haze, but it does not reach him—it curls around Hawke’s barrier, hissing where it collides, but the flames burn anything they touch, shielding Fenris from whatever terrors the demon throws at him as it dies.
Fenris stumbles when his feet touch the ground—solid, unyielding. The dust that was Nightmare is blown away by a wind he cannot feel, and Hawke’s barrier slips away, leaving only the impression of warmth behind.
He turns to the source of the light, and he sees Hawke, standing next to a non-distinct person who is gleaming, golden.
“Fenris,” Hawke says, and she rushes towards him. She throws her arms around his neck and he finds his curling around her, instinctively. The spirit is watching them, and it takes a shape a little like Evanura’s—but there are wisps of colour about her translucent form, and he sees red hair, amber eyes.
“Vhenan,” the spirit says at it turns to Solas.
He is stone-faced and still. “Love,” he says, and his voice catches. “I ask that you do not take that form.”
The spirit shrugs and tosses its hair over its shoulder—Solas looks pained, as if the gesture is familiar.
“She was here,” it says, idly. “Trapped by her spell in Nightmare’s realm. You could find her before she wanders too far, if you’re quick.” It smiles as it looks at him, something impossibly sad passing over its features. “But you can’t. There isn’t time to save them both.”
“Please,” Solas says, hands at his sides in white-knuckled fists.
It laughs, low and melancholy, and Fenris wonders what it wants. But it obeys, and it shifts to mirror Hawke’s mother, instead.
“You have to hurry,” the spirit says. “She’s almost there.”
“What about you?” Hawke asks, turning in Fenris’ arms.
The spirit hums, and tilts her head in a way that resembles Hawke’s mother too precisely. There is something warm in its eyes, and Fenris is surprised to find he has no instinctive distrust of this strange creature.
“I’m needed,” it says, simply.
Fenris blinks and the spirit is gone.
“This way!” Merrill shouts, and there is no time to even absorb Nightmare’s demise, the spirit of Love’s interference and what it means. Merrill is running for the rift, Solas directly on her heels, magic being woven between his fingers as he runs. He sends a flare out from his fingers, and the rift pulses when it makes contact.
Hawke grabs Fenris by the arm, and they are running too. Everyone barrels through the rift with all the grace of a herd of druffalo.
--
If entering the Fade was like the moment before falling in a dream, leaving it is the moment of waking.
Fenris’ feet hit the ground, and it feels like every bone in his body strains under an unseen weight. He stumbles—beside him, Hawke nearly hits the ground face first—and there is solid earth beneath his feet, soft grass springing up between stone tiles that are cracked, battered, but still shining under the dirt.
It takes precious moments for him to adjust—to the air around him, to the light gleaming through the foliage above, to the sound—but when he does, he immediately brings his sword up, one-handed, and tries to shield his face behind his arm.
Hawke’s barrier flares up around them both before the bullets can make contact. It is not as great as the one she shared with Love, but there is still a feeling of fire and comfort about it.
Fenris lunges forward and separates the mercenary’s head from his shoulders—a far easier feat than killing Nightmare—and spares a second to glance around the battlefield.
They are before a great, wide bridge into some temple hidden by overgrowth. What might have been a serene sight is marred by blood on the ground, corpses of mercenaries in combat gear and Venatori in crisp suits littering the ground. There are still more, and Fenris tries to count them while they are relatively unnoticed.
The rift to their back snaps to a close behind Bull, the last of their party to emerge, and the Venatori notice them immediately.
“Get in there!” the Qunari shouts at Fenris and Hawke as he barrels past them. There is more, but the rest of it is a wordless battle cry, an enraged roar tearing from his throat as he raises his weapon high in the air, drawing the immediate attention of their warring opponents. A barrier with the crackle of Dorian’s electricity snaps into place around him before the first Mercenary raises his assault rifle and begins to fire.
Bull is rapidly overtaken by Solas barrelling right past him, his wolf form a white snarling blur, and through the battle being waged in front of them. He doesn’t stop, not even as his Fade green barrier snaps into place, and his charge drives a path clean through the mercenaries and Venatori.
“Come on!” Hawke yells, grabbing Fenris’ wrist as she passes him.
They race through the scattered soldiers—to his left, Fenris sees Bull take advantage of the chaos Solas has spread, going in swinging. To his right, Isabela breaks off from Merrill to slit the throat of a Venatori about to cast a spell to slow them, even as Merrill keeps running. Mercenaries, vulnerable without protection from barriers, begin to fall to well-placed bullets between their eyeballs.
“We’ll hold them off!” Dorian yells from somewhere behind them, and Fenris can’t control his flinch as a chain of lightning arcs through their enemies.
Solas, Hawke, Fenris and Merrill are the only ones to reach the doors at the end of the bridge.
They are thrown open with a burst of magic from the white wolf. Fenris and the others charge in after him, long agonizing moments behind, and they race through a courtyard with ancient statues and crawling vines, run directly across a maze of tiles that sing under their feet. They race past wolf statues, through flocks of birds that rest at overgrown reflecting pools, and every door that might bar their way swings open after an unseen command from Solas.
Their surroundings are a blur of ancient mystery encroached by nature, crumbling walls and ages-old remnants of battles warred and lost. There is no trace of anything living or dead around them—and Fenris’ blood pounds in his ears, his hand clasps tighter around Hawke’s.
Solas enters a room, and half a heartbeat later the silence is cut by screams of terror. When the others catch up to him, Solas stands in a ring of corpses—Danarius’ mercenaries, not a Venatori in sight—blood dripping from his jaws and a magic that makes Fenris’ skin crawl pouring from his eyes like liquid smoke.
He is snarling in elven to a small gathering of elves in impossibly shining armour. They all have arrows trained on his face.
Expecting a fight, Fenris ignites the lyrium in his skin.
As one, the elves jerk their heads to stare at Fenris. The pupils of their eyes reflect the light back at him bright green, and Hawke curses softly at the sight.
“Mana,” Merill blurts, her voice pleading. “Ma halani.”
Solas says growls something, quickly, through a snapping jaw and the gathered elves share a look with one another before one of them steps forward.
“Quickly,” she says, in thick-accented Trade, “you can still stop her.”
Solas takes off again, somehow faster still, and it’s all the others can do to follow.
The white wolf leads them through the bowels of the temple, around twisting corners and past glittering mosaics. Their surroundings are dark, and strange statues tower over them, their features elven but twisted into something darker.
At last they stumble into what Fenris thinks initially is a garden—but he sees that the roof has caved in instead, opening a broad corridor to the elements pouring in from above.
On the far side, standing with his back to them, head bowed and hands clenched into fists, is Abelas. His hood is down, his pale braid swaying in the gentle wind, earrings gleaming in the sunlight. Cole stands beside him, and turns to face them as they stand there, gaping.
The only sound is the ancient elf’s breathing—wretched, beaten.
“You are too late,” Abelas says, accusing, without turning.
Beside Fenris, a noise escapes Merrill’s throat. It is probably supposed to be a denial, or an exclamation of pain, but Fenris does not register it.
He drops Hawke’s hand and surges forward, a burst of lyrium helping him span the distance in half a heartbeat. He slams his hands against the door—something magic crackles at his touch, ancient and strange. He feels goosebumps run all up and down his flesh as it courses over his skin, leaving a numbness behind he can feel in his teeth.
Fenris staggers a step back, forcing great gasps of breath into his lungs.
Behind him, he is dimly aware of Merrill’s frantic pleading—and it’s rapidly degrading from nonsense elven into wordless sobs, even as Hawke tries to hush her with a voice that’s breaking.
Cole makes no move to comfort Merrill. Instead, his pale gaze rests with singular focus on Fenris.
“You let her do this,” Fenris says.
Cole doesn’t even blink. “Yes.”
Fenris can barely hear the spirit’s words over Merrill’s tortured sobs. There is not a sound at all from Solas, and that enrages Fenris enough to turn.
“Can’t you open this?” he snarls.
Solas stands as himself, his expression impossibly blank.
“No,” he says, simply, so softly Fenris can barely hear it over Merrill’s keening. The look in Solas’ eyes is one of such loss that it just makes Fenris angier.
“You’re supposed to be a god.” Fenris hears himself yelling, feels the strain on his throat as if from far away. “You brought us through an army of demons, through the Fade to get here, and you are stopped by a door? You are supposed to be greater than this!”
“Not this,” is Solas’ only answer, his voice breaking.
Fenris snarls again and whirls on the door. He raises his fists, and the lyrium burns in them as he slams them against the heavy stone, harder, trying to force his way through. It does not give, so he hits it again, again, and whatever spell bars his passage rolls over his skin, vibrating all along his lyrium markings until they are blinding white in his own vision.
Hawke is calling his name. He ignores her.
“I don’t want this!” he shouts, pleading, and he continues his barrage. “I didn’t ask for this!”
His voice breaks.
Something gives, in his chest, his heart until now hard and unrelenting, and his hands slip through the door.
Fenris’ eyes snap up, to where he is wrist-deep in the ancient door. Different than reaching through a man’s chest—not as if he is forcing his way through, but rather the solid world has relented, allowed him through.
“Hot sand on Seheron, your hand holding a heart, beating, bearing bad tempers and terrors made of lightning and a lie of love,” Cole says, urgently. “It keeps nothing kind—you can. You must.”
“Fenris,” he can hear Hawke say. “Don’t you dare.”
Fenris takes a breath.
Hawke screams his name as Fenris steps through the closed doors.
Holy shit guys I'm really sorry, a lot of very strange things happened in my life recently (including my computer lighting on fire) and the next chapter has been kind of kicking my ass. :| After next week things will settle down again and hopefully I'll have something to show for it. I'm sorry this is a really terrible spot to be not updating, but I promise I am still working on it, I will update as soon as I can.
Whetstone Chapter 40: To Mar the Peace of this Place
Female Hawke/Fenris, Female Lavellan/Abelas, Female Lavellan/Merrill/Isabella, misc other pairings. Modern Culinary/Pastry School AU. DA2 & DAI Mashup.
READ FROM CHAPTER 1
MASTERPOST
READ ON AO3
Merrill meets them at the door to her apartment building, her eyes red and brimming with tears. But her mouth is set in a thin line, and her expression only sharpens when Isabela and Cassandra pull Fenris out of the backseat and Hawke and Varania follow, covered in his blood.
“Kitten,” Isabela says at the sight of her.
Merrill smiles. “It's not your fault,” she says, weakly.
“Your healer upstairs?” Cassandra asks.
“Oh,” she says. “In a manner of speaking.” She looks agitated at the mention of it, and Hawke is on edge enough that just that sets off alarm bells.
“Merrill, can we trust them?”
She looks at Hawke, her lips thin. “I think so,” she says. “In spite of... Everything, I think so.”
There is no elevator in Merrill's building, and it takes an absurd amount of cursing between Cassandra and Bela to get Fenris up the stairs. Hawke tries not to panic at every soft groan or shaking breath Fenris makes, every noise that escapes him when he is jostled. Tries; doesn't quite succeed.
Merrill ushers them into her apartment and closes the door behind Varric, taking up the rear. Varania works on Fenris' wound again while he still hangs between Cassandra and Bela, limp. He murmurs in Tevene, or in something like Tevene, and Hawke feels panic rising as she looks around the apartment and says, “Merrill, there's no one here.”
“Of course not,” Merrill says, agitated, as she crosses the room to her mirror.
“Daisy,” Varric says, “he's going to bleed out if we don't—”
Merrill says something to the mirror, waves her hand in front of it, and its surface changes. It shimmers, bright and Hawke blinks away the light. When she looks again, the mirror glows, gently, and there's a pattern not unlike water reflecting off its surface.
“Oh,” says Varric, incredulous. “It works now.”
Cassandra eyes the mirror with blatant distrust, even as she takes the full weight of Fenris off Isabela. “This is what your Keeper…”
“I have to go last,” Merrill says. She indicates Varania. “Please, go first.”
The redheaded elf stiffens. “Why?” She says, suspicious.
“The place we are headed is meant for elves,” Merrill explains, gently, urgently. “The others will feel dizzy, drained—we have to guide them, lethallan.”
Varania straightens her clothing. “I am not your friend,” she says, stiffly. But she does not hesitate any longer, stepping forward. She passes through the mirror without looking back, and Hawke gapes as she slips through, as if walking through air. The surface of the mirror ripples once, slowly, and then it returns to its earlier appearance.
“Alright,” Merrill says, “Cassandra, bring Fenris through next.”
“What is the nature of this place?” Cassandra asks, pulling Fenris higher in her grip. “Should we bring him there while he’s injured?”
“He'll feel better... I think.” Merrill makes a face that is anything but reassuring, but Cassandra sighs and steps through the mirror, pulling Fenris along with her.
Varric sends Hawke a long look before he heads through, then Isabela, and then it's Hawke's turn.
It feels like passing through water, really. There's a moment of heavy resistance, a moment where the core of her being tells her something isn't quite right, and then it passes, and she's standing somewhere unnaturally bright.
She tries to shade her eyes, but the light seems to be coming from everywhere at once. She can't quite focus her vision, no matter where she looks or what she squints at, and she hears Cassandra and Bela speaking, softly, but their voices sound muffled, tinny.
She feels a slim hand on her shoulder, and Merrill says, “Follow me.”
Hawke walks as if through a fog. Later, she has trouble describing quite what she sees here; trees without leaves, dead branches and a thousand mirrors of all shapes and sizes, reflecting nothing.
Varania heals Fenris as they walk. Some colour seems to return to his cheeks just by being in this strange place; Merrill looks alive, bright, and she constantly has to double back and wait for them, her strides taking her farther somehow than the people who follow her. Varania has a healthy flush on her cheeks, and her magic is stronger, brighter.
Isabela has to switch out with Hawke after long, and it doesn't take much longer for Varania to relieve Cassandra. Hawke has to admit to herself that Fenris' sister seems to be taking more of the weight; it's a little hard to breathe, here. In whatever this place is.
Once, Fenris is almost lucid. He rolls his head into Hawke's neck, and he breathes deeply, as if drinking in the smell of her. Then he mutters something in Tevene, and it makes Varania eye Hawke rather suspiciously.
No one speaks but Merrill, who mutters uneasily to herself to pass the silence. Hawke can't quite tell anyone later what she says, even though she's sure she hears all of it at the time.
Hawke can't tell how long they're in that strange place, but Merrill stands before another mirror and says something else, and then they pass through it as before, one by one.
Hawke almost gasps for breath as she pulls Fenris through the mirror. She finds herself in a cave—no, a building of some sort. The kind she might see in a movie and call a temple or a ruin. There's sunlight filtering through holes in the ceiling, in the walls, and it flickers green and yellow, filtered by broad leaves of tall, tall trees as the wind takes bloodied curls of her hair and throws them about her face. She can hear birdsong, wing beats and the rush of the wind in the trees far above them, like waves crashing on the shore, and all around her it smells like recent rain.
Merrill passes through the mirror last, and as everyone else clusters around, unsure, she steps forward without hesitation, her bare feet making no sound as they sink into the soft lichen with each step. She makes her way toward the wide doorway at the end of the room, where a crumbling figure curls around its peak. Its features are long worn away by rain and weather, leaving only the impression of long ears, high cheekbones and a pronounced brow.
Fenris breathes against Hawke’s neck again, shaking and so soft, and she hikes him up further in her grasp and follows Merrill, Varania falling in step as she supports Fenris’ other side.
They walk through corridors that are dark and damp, passageways where the ceilings have long caved in and once it takes all their efforts combined to get Fenris over a pile of moss-covered rubble. Hawke steadies herself on a wall as they walk in darkness and she stumbles, almost losing grip of Fenris. Her hand brushes along something that is not stone, and she knows without looking it’s a fresco, ancient, crumbling between her fingers.
What even is a fresco, she thinks, and fists her hand on the wall as she steadies herself against the memory from her dream.
“Merrill,” she chokes out, as Cassandra takes Fenris from her. “Merrill, where are we?”
“Almost there,” Merrill says. “Don’t worry.”
She leads them into a glade—it was a room once, Hawke thinks, although it’s hard to tell what it was for. All that’s left of it is archways and rubble, soft coloured flowers and sharp fragments of a wolf statue scattered about the ground. Looking to her left she can see where Mythal crumbled to the ground in the Dread Wolf’s arms. There is only grass there, now; no indication of her death to mar the peace of this place.
Merrill stops, and Hawke sees the confusion in her expression.
“I—this is as far as we went,” she says, her hands clenched into fists at her sides. “He—he was here last time.”
“Who was?” asks Varric. “Daisy, where the hell are we? Who are we looking for?”
Varania kneels in front of Fenris, and her hands shake as she pours more magic into his wound. He moans, softly. Hawke’s never seen that little colour in his face before, and she looks at the different passageways around them, frantic. Three—one dark, two lit by sunlight further down.
“Just pick a door,” Varania says, low and agitated, “that’s been working out just fine so far.”
“We wouldn’t even be in this mess if someone hadn’t decided to sell her brother out,” Isabela snaps.
Something tightens in Varania’s jaw. “I do not need to explain myself to you,” she says.
Bela scoffs. “I might understand better than you think.”
“This way,” Hawke says before Varania can spit something back. Everyone turns and looks at her, startled, and she ignores them, stepping towards the doorway that leads to a dark, dark hallway.
When she reaches it and they haven’t followed her, she turns.
Merrill is looking at her with suspicion, Varric incredulous, and the others are all somewhere in between. Varania among them is stonefaced, a single raised brow the only indication she’s heard Hawke at all. Beads of sweat are dripping down her face from the exertion of keeping Fenris alive, and her lips are drawn in a thin line.
“Does anyone have any better ideas?” Her own voice bounces back to her off the stone walls, and it sounds harsh, sharp to her ears. She almost balks at the sound of it—that’s not me, I don’t sound like that—but Fenris’ shoulders shake, his body clenches in pain, and Cassandra and Bela look at each other before they follow.
Hawke uses what mana she has left to call a small flame to her hand, and she can make out the remnants of the frescoes on the wall. Snarling wolves, an elven woman with a bow shooting arrows at fleeing figures, elven and animal alike, her lips twisted into a snarl. Richly garbed figures drink something red and very dark from goblets, and in a corner there is an elven woman dressed in rags who bleeds into the jug as she serves from it. She bears blood writing; those she serves do not.
Few of the frescos remain intact; most are lost to the ages, and what other shapes Hawke sees have little meaning. A bright sun that scorches the earth, and the wing of a dragon that blocks its harsh rays. A bear looks towards an owl, its expression dark with jealousy, and a hawk drives its talons into the neck of a white, white halla. Everywhere, there are frantic faces of elves in pain, their suffering exaggerated by the sharp lines of their blood writing.
They pass through a room with an altar—here Hawke nearly doubles over, her left arm seizing in phantom pain. She pretends she’s tripped on something that looks like a globe, dull and lifeless, and the others pretend not to notice that she’s lying.
She leads them deeper, deeper still, until suddenly they stumble into open air, a rush of sunlight and warmth, and Hawke finds her footing as she blinks, rapidly, to adjust to the sudden overwhelming presence of light.
“Elgar’nan,” Merrill whispers, somewhere behind her, and Hawke can’t find the breath to echo the sentiment so she nods.
They stand in what appears to be a garden—in stark contrast to the condition of the rest of the ruin, this place seems frozen in time. There is a cobbled path at their feet made from the softest marble and the finest glass, curving and whirling through the grass in intricate patterns. The glass seems to glow with an inner light as the sun above them seems to be fading—but it can’t be that late in the day, can it—and something in the air changes, something trembling in the leaves of the well-manicured trees, moss-covered stones. The far wall is sheer stone, water trickling down its surface to land in a pool of unknown depth. It seems to glow as the light begins to fade, and Hawke can feel the veil humming in the air, tingling on her skin—so thin, here.
Near the pool, there is a stone bed, a figure lying prone on it, and the man who is the Dread Wolf is kneeling beside it.
Hawke approaches, her steps quick but sluggish, heavy in this place of delicate, timeless beauty.
The figure on the bed is a woman, Hawke realises as she comes closer. Elven, and her once bronze skin is dulled and wrinkled with age and sickness. She thinks she must be a corpse, her features are so twisted by age and she’s so very still, but—there, her chest rises and falls in a single, weak breath. There’s something familiar about the hook of her nose, but her eyes are closed, her hair white and spilling around her as she sleeps, and Hawke cannot place it. She is dressed in traditional Dalish clothing, the kind Hawke has only seen in books, her wrinkled hands resting at her sides. She has blue vallaslin, long faded with age and time, and Hawke thinks that Aevalle has the exact same pattern, doesn’t she?
The Dread Wolf is looking at her face with such love, such a tender expression, and she stops some distance away, unsure.
“Fen’harel,” Merrill says, and the moment is lost.
He stands abruptly, rage and confusion passing his features. “What—” he starts, then stops as he sees Hawke, Fenris supported by Isabela and Cassandra behind her, Varania’s weak attempts to heal him fluttering from her fingertips.
“This is who you took us to see?” Varric asks, incredulous. “In case you didn’t remember, he tried to kill us the last time!”
“He would have done it if he wanted to,” Merrill says. “Fen’harel, please, we need your help.”
“Where is she?” he asks. His voice is low and the question pointed, biting. His eyes seem to burn with something that is stronger than his rage, and it makes the hair on the back of Hawke’s neck stand on end.
“Danarius took her,” Hawke says before Merrill can answer. “A Tevinter magister.”
The Dread Wolf’s gaze focuses on Hawke, and she actually flinches a little at the intensity of it. His nose wrinkles—that looks familiar, too—and as he approaches her he places one foot in front of the other, like that wolf she saw at the zoo in Denerim.
“And you just let him? You would stand between her and an elven god and yet not a human man?”
“She gave herself up in exchange for Fenris’ life,” Hawke snaps. She notices the slight change in his features, the escalation of his rage, but she continues, “Which will all go to waste if he bleeds to death. So help him, and then tell us where she’s gone so we can get her back.”
Fen’harel looks from Hawke to Fenris, and she reads another series of minute changes in his expression—rage, disappointment, fear, worry, guilt—and he turns on his heel, beckoning with the back of a hand for them to follow.
“Place him here,” he says, indicating the grass next to the pool. Cassandra and Bela lower him as delicately as they can, and Fen’harel kneels at Fenris’ side. He pulls a knife from his belt, and Hawke flinches in surprise but he uses it to cut Fenris’ bloodied shirt away, baring his wound to the air.
Fenris seems very still. Hawke’s heart rattles against her chest hard enough for both of them.
Fen’harel’s hands begin to glow, bright and strong and powerful, and as he brings them to the knife wound in Fenris’ chest the lyrium ignites. Fenris cries out, his voice soft and ragged but wracked in pain. Hawke is beside him in a heartbeat, one hand clasped around his and the other on his brow, avoiding the dots of lyrium there, just touching his skin. He’s hot and feverish under her fingertips, clammy and pale.
Fen’harel spares her only a glance as he continues his work—his hands do not tremble, even when he has to touch the wound, which has begun to fester despite Varania’s attentions. Fenris moans and mutters, and none of the words make sense but Hawke leans in and hums, gently, as he once did for her, that song Aevalle knows that she shouldn’t, and he relaxes, his body sinking back into the grass.
Varania seems to go very still at the sound of it. Hawke pretends not to notice.
Hawke stays with Fenris until Solas is done, and her fingers have left trails all over his face in his own crusted, dried blood. But at the end of it all his breathing is strong, even, deep, and the colour seems to be returning to his face.
Fen’harel hands her a clean, white cloth. It smells like cedar and elfroot.
“The spring’s water has healing properties,” he says, and she is surprised by the tenderness in his voice. “You should look after yourself, now.”
Hawke takes it and thanks him, gently. Her hand is shaking, but she wets the cloth and uses it to clean Fenris’ face, his chest, the area where he was hurt and now not even a scar remains.
As she works, Fen’harel says nothing. He watches her for a while, until he seems to find it unbearable. He stands and washes his hands in the spring water. Then he cups some of the water in his palms and he returns to the woman on the bed, and he trickles some of it into her mouth, bit by bit. Hawke tries not to watch, but it’s mesmerising—and the look of agony on his face is so unlike his expression moments before.
He touches the woman’s cheek, so gently. He closes his eyes and his expression hardens, slowly, until he opens his eyes and there is a mask firmly in place over his features.
Whetstone Chapter 38: New Message from Varric Tethras
Female Hawke/Fenris, Female Lavellan/Abelas, Female Lavellan/Merrill/Isabella, misc other pairings. Modern Culinary/Pastry School AU. DA2 & DAI Mashup.
Please note: These text-only chapters don’t seem to display properly on mobile. I recommend reading in your device’s browser or reading at the A03 link if you’re on mobile.
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MASTERPOST
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New Message from Varric Tethras
-{ Okay I actually can’t believe I am saying this
-{ Writing this
-{ Whatever
-{ But please tell me you fucked the elf
-{ Also that you’re alive and not dead because he
sounded pretty freaked out last night
-{ But more importantly tell me you fucked the elf
because we are all seriously sick of your shit
-{ Varric I fucked up
-{ Hawke
-{ We uh
-{ Snuggled?
-{ Are you fucking kidding me
-{ Okay in my defence it has been a very strange couple
of months
-{ And I tried okay
-{ But then Cole interrupted us
-{ The kid?
-{ Not a chance
-{ He knows you two need this probably more than
any of us
-{ He did!
-{ He turned my music on full blast and scared the shit
out of me
-{ And then he said something cryptic and vanished
-{ I mean that last bit is him for sure
-{ But that doesn’t make any sense
-{ Well
-{ I might have been pushing
-{ Pushing
-{ Fenris might have tried to say I wasn’t feeling well
-{ And as such hinted that he didn’t want to take advantage
-{ And I might have hinted that I wanted him to take
advantage of me in as many ways as possible
-{ To quote Isabela
-{ And right when he gave in Cole showed up
-{ Hawke for fuck’s sake
-{ I know I feel awful
-{ I said I’d give him time but holy fuck all I ever do is the
opposite
-{ I’m a terrible friend
-{ That’s not what I meant
-{ If I knew all you two needed was a little push in
Broody’s direction I’d have shoved you both off
a cliff ages ago
-{ Varric that’s not funny
-{ You’re right it’s a tragedy
-{ I’m the one who’s been telling everyone to give
you space and wait it out
-{ When I should have just let Isabela handcuff you
both to the bed
-{ Speaking of
-{ Please don’t
-{ Very funny
-{ Did you get that email I sent you?
-{ Didn’t look at it yet
-{ Because it’s not about you and Fenris getting back
together and therefore is not important at the
moment
-{ Just read it, please
-{ Holy shit
-{ You scared me
-{ I thought that murderous elven chick was Aevalle
for a minute
-{ Yeah
-{ Holy shit they look similar
-{ Like freaky similar
-{ Maybe if her nose wasn’t broken
-{ Shit she looks like someone hung her out to dry in
a hurricane
-{ Where did you get this?
-{ I asked Aveline
-{ Obviously
-{ I mean why did you ask Aveline for it?
-{ My dad was arrested with her
-{ Your dad?
-{ Yeah
-{ Wait you think this is Aevalle’s mom or something?
-{ Or something
-{ Well shit have you told her?
-{ Girl could probably use some good news these days
-{ If you call “hey our parents got arrested together
once” good news
-{ I don’t think that’s a good idea
-{ Well I’m glad it’s your turn to be suspiciously
cryptic now
-{ And why exactly not?
-{ Hello? Hawke?
-{ Sorry
-{ Just got a text from Fenris
-{ Is he apologizing for not fucking you senseless
last night?
-{ Technically it was this morning
-{ Nuance
-{ What is he texting you about?
-{ Well he started off by saying I need to keep real food in
my fridge instead of just caffeinated beverages and eggs
-{ Yes you also need beer
-{ And um
-{ Then he said if he’s going to cook for me again he wants
there to be a full fridge
-{ That he’s good but even he needs ingredients
-{ Did he make you a post almost sex breakfast?
-{ I mean it was lunchtime
-{ But yes he did
-{ And you neglected to mention this because?
-{ Um?
-{ Hawke
-{ This is Very Important Information
-{ I’m sorry?
-{ Hawke
-{ He literally stands in front of a stove and makes
things hot for a living
-{ For what is only half decent money
-{ And he has just told you he wants to do it for you
-{ In the future
-{ On his days off
-{ When he could be doing literally anything but
what he has to do at work for ten hours a day
-{ And he didn’t even have sex with you
-{ Are you still paying attention to these?
-{ Sorry I was making food-related innuendo at Fenris
-{ Innuendo
-{ Um well I started with a joke about eating pain for breakfast
-{ Because pain is Orlesian for bread
-{ Yes I know you’re hilarious
-{ And then he was saying something about I need to eat
real food every once in a while
-{ You made a sausage joke didn’t you
-{ I might have
-{ Was it awful
-{ It wasn’t great
-{ It was terrible wasn’t it
-{ Maybe
-{ Fenris said he thought it was funny
-{ Fenris has a worse sense of humour than you do
-{ By worse you mean amazing
-{ That doesn’t fit in that sentence at all
-{ Rude
-{ My point is
-{ Maybe the elf is not so adverse to bumping uglies
as you seem to think
-{ Varric we talked about this
-{ I’m supposed to be giving him space remember?
-{ Yes but then you made terrible sausage innuendos
-{ Amazing sausage innuendos
-{ Fenris said so
-{ He’s lying to you about the quality of your sexual
food puns
-{ See if that’s not love then I don’t know what is