In the artist's intervention at Oberlin's Allen Memorial Art Museum, white and black bodies suggest a deeper, racialized meaning.
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In the artist's intervention at Oberlin's Allen Memorial Art Museum, white and black bodies suggest a deeper, racialized meaning.
Fred Wilson, Wildfire Test Pit, 2016
(Bottom: Robert Smithson, Rock Salt for Slant Piece, 1969-1976)
New York artist Fred Wilson's displays at the Allen Memorial Art Museum at Oberlin College have reshuffled the art historical deck to reveal startling new ways to see its collection.
We were pleased to see this very positive review of Fred Wilson’s exhibitions Wildfire Test Pit and Black to the Powers of Ten in the Cleveland Plain Dealer earlier this week. Both of these important shows will be on view at the AMAM throughout the 2016-17 academic year.