. I was a lesbian for a while, you know, but it was all a bit too wet for me in the end. Men are so lovely and dry.
Saltburn, Emerald Fennell (2023)
seen from South Korea

seen from United States
seen from Philippines
seen from Uzbekistan
seen from China
seen from United States
seen from Yemen

seen from United States
seen from Jamaica
seen from Netherlands
seen from Japan
seen from Chile
seen from South Korea
seen from Azerbaijan

seen from Malaysia

seen from Malaysia

seen from Philippines

seen from Germany
seen from China
seen from China
. I was a lesbian for a while, you know, but it was all a bit too wet for me in the end. Men are so lovely and dry.
Saltburn, Emerald Fennell (2023)
Will Gibson's "Modern Tintypes."
Currently on view at Distinction Gallery in Escondido, California is artist Will Gibson's solo exhibition, "Modern Tintypes."
Gibson produced 21 unique tintypes by hand including photographing the subject with various cameras - the full size of the image and developing images, often in his van/darkroom. The exhibition includes architecture, nature, skull still lives among other subject matters. Artworks range from 4 x 5 - 10 x 8 inches.
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“Singapore, meanwhile, has dealt with its own sex industry in two ways: by turning its traditional red-light district into a themed attraction in its own right, and by moving its massage parlors into the Beverly Centers. Bugis Street, once famous for its transvestite prostitutes—the sort of place where one could have imagined meeting Noel Coward, ripped on opium, cocaine, and the local tailoring, just off in his rickshaw for a night of high buggery—had, when it proved difficult to suppress, a subway station dropped on top of it. "Don't worry," the government said, "we'll put it all back, just the way it was, as soon as we have the subway in."”
-Will Gibson, “Disneyland with the Death Penalty”
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“Crap! Ugh,” Natalia whines, trying her best to ease the smoke filled air with her tea towel in hand. It wasn’t until she heard the sirens, though, that she really began to feel immense guilt over her initial panic, scurrying toward the front door, breathless. “Hi! False alarm! I’m so sorry, I’m really not the best cook in the world and whenever I try something out of the ordinary I just fail and never learn my lesson to just stick to what I know, and—” It was then the brunette realised she was in the presence of someone familiar, one she used to know rather well many years ago. “Will, hey.” God, this wasn’t embarrassing at all.
"suffer it all"
Recenzja filmu "Wolf Creek" (2005), reż. Greg McLean. John Jarratt, Cassandra Magrath, Kestie Morassi, Nathan Phillips....
Można napisać, horror jakich wiele, skąd więc ta popularność filmu "Wolf Creek", kolejnego koszmaru z australijskiego outbacku? W prostocie leży tu siła oraz w zgrabnie zgranych kliszach z wielu mu podobnych filmów. Piszę o pierwszej części "Wolf Creek", która tak mi się spodobała, że zaraz też będzie o drugiej.
Wolf Creek (Greg McLean, 2005).