Apr 28, 2025
I've said in the past that Girl Zone was basically Oomori Seiko's take on Souda We're Alive, and since IGAB paired so nicely with the latter, why not take a stab at this combo? After all, IGAB and Girl Zone even both have choruses in Emajor at 140 bpm!
Well, it turns out it was a bit of a slog. And not even for the reason I originally procrastinated on, which was that Oomori slapped transition measures on just about every section while IGAB only has four (and two of them I cut anyways lmao). No, you can simply hear it in the end result, where the chord progressions just aren't that compatible.
Synergy! It's hard!
