A pang comes sometimes at the worry that society has grown tired of poetry—
Find it useless or cheap to think like an artist...
Why make art when the world is how it is...
Why "waste the time" when you can have a robot do it?
Not realising it follows us artists everywhere. It's physical. And ephemeral. And impossible to ignore. And it's possible to learn.
You just have to find that thing. You know it, it's in there. Maybe it fell away when the last good crayon rolled under a desk but it's there. A little you is holding it like a rock from the creek or a shell from the beach. It's in there glowing.
It could be a ball soaring through the air on a rainy Thursday evening.
The kind of evening where the lights blur like how they did that Christmas when you were seven and you were in the back seat of your family car.
You'd fall asleep, warm with your favourite present in your lap.
Your granny always loved the Christmas lights, you never forgot that.
The way the petals of supermarket roses tumble to the speckled airport floor.
Trembling hands crunching cellophane.
The low hum of a radiator just before their job is done for a season.
The song that's stuck in your head as you watch your girlfriend in the gallery ahead of you, there's a painting of someone else's girlfriend next to you.
"Muses", someone else remarks, "they never change."
It comes from all the same place
Hope, fear, doubt, anger, love — lust
They wanted you to forget.
Pick up a pen, a paintbrush, an old crayon under a desk.
And maybe it's not "good" at first, but good has always been subjective. Make the damn thing anyway.