🦢 w. @wxminjun
life feels different when she’s standing on the balls of her feet. the ghost of the classical song begs her to curl her toes en pointe, to fold her arms into a pretty bow, and to spin as though she is the earth and all its inhabitants depend on her to keep twirling on its axis. this time, she ignores the piano concerto, stays her heels close enough to kiss the ground.
and life, on the balls of her feet, feels a little like this: the gust of wind against her cheeks, the haphazard sweeping of chocolate locks across her face, and always, constantly feeling out of breath.
that is to say, these days, bitna feels like she’s always running from something. there’s a ghost on her heels and her path forwards is an unlit void, and she’s always running into it. even now, as she’s standing lifelessly in front of the academy’s bulletin board, she feels its gale sweep her strands of hair onto her cheeks. but she pauses at the dramatics, tries to blame it on the students breezing past even though the sensation churns something vicious at her core.
“hey—” bitna turns to the call, doesn’t even think to question if it’s addressed to her, but suppose it’s all a moot point because now she’s staring into another fairy’s gaping eyes. bitna shakes her head reflexively, “what?”
“wait— you’re that girl, aren’t you?”
and there it is again, the running out of breath. confusion rests on her brows, but her eyes dart haphazardly around in panic. she spots the fairy’s phone in her hands. from its speaker, the classical song plays.
“yeah, you’re that ballet dancer who puked and fell—”
and there it is again, the burning lungs. these days, bitna feels like she’s always running from something.
( but apparently, not when it counts. no, her heels stay just close enough to kiss the ground. )














