Artist: Qi Sheng Luo Title: Gui Fei “The last day of Yang Gui Fei Scuplted In Zbrush, rendered by Maya Arnold, texturing by Substance painter” Wonderful... (For the complete photoset, please visit the artist’s websites)
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seen from Germany
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seen from United Kingdom

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Artist: Qi Sheng Luo Title: Gui Fei “The last day of Yang Gui Fei Scuplted In Zbrush, rendered by Maya Arnold, texturing by Substance painter” Wonderful... (For the complete photoset, please visit the artist’s websites)
Happy New Year 2020! First drawing of 2020 is given to yang gui fei <3 Nyoomed to finish the new fgo servant since I reallly reallly reallllly love kuroboshi sensei's art so much therefore I love her alot too >w< ❤️❤️ Here is some good luck for those who wishes to roll into her <3
Chen Jialin, Yang Gui Fei ,1992
Chen Jialin, Yang Gui Fei ,1992
Theatrical poster for Yang Gui Fei/Yang Gwibi (1985)
Uemura Shoen, Yang gui fei (1922)
MWW Artwork of the Day (3/3/18) Uemura Shoen (Japanese, 1875-1949) Yang Gui Fei (1922) Nihonga watercolor on silk Shohaku Art Museum, Nara (Japan)
Uemura Tsune, who exhibited under the name Uemara Shoen, was one of the leading artists of this nihonga school and the first major Japanese woman artist. She was born two months after the death of her father and thus grew up together with her mother and aunts in an all female household. Her mother’s tea shop attracted a refined, cultured clientele for the art of Japanese tea ceremony. As a child, Shoen drew pictures and exhibited considerable skill at drawing human figures. She became obsessed with the ukiyoe works of Hokusai. Unusually for the times, her mother supported her daughter's decision to pursue art as a career. Shoen was sent to the Kyoto Prefectural Painting School, where she studied under the Chinese style landscape painter Suzuki Shonen (1849–1918). She also began studying the Kano school and Sesshu schools styles of painting, and Suzuki was so impressed that he gave her the first kanji of his own pseudonym of “Shonen” in recognition of her talent.
Shoen drew from her artistic training and her personal interest in woodblock prints and older painting styles to develop new techniques and styles of composition with a broad range of subjects. Themes and elements from the traditional Noh drama frequently appeared in her works, but images of beautiful women (bijinga) came to dominate her works. Eventually, her works would combine the themes of both Noh and women together into a single composition.
(Adapted from Wikipedia articles)
More of this artist's work will appear in an installment to this new MWW Special Collection: * The Herstory of Art -- Five Centuries of Women Artists
Unmatched Beauty, Yang Gui Fei (1962) directed by Kim Ki Deok and Kim Hwa Rang
Do Geum Bong as Yang Yu Huan