Sep 10, 2021
Fact of the matter is
Diluc is toxic masculinity
And Amber is more important to the storyline.
HA Amber should've been the Darknight hero, hot take.
seen from China
seen from China
seen from Germany
seen from China
seen from China
seen from Japan
seen from Singapore
seen from Brazil
seen from Türkiye
seen from Australia
seen from United States
seen from Algeria
seen from Finland
seen from United States
seen from China
seen from Japan
seen from China
seen from United Kingdom
seen from Argentina
seen from Singapore
Fact of the matter is
Diluc is toxic masculinity
And Amber is more important to the storyline.
HA Amber should've been the Darknight hero, hot take.
Can't believe you liked that long post and have nothing to say bestie
Well, bestie, I'm of the opinion that when #yo gets deep, #yo says some cool stuff. I'm praying that if when we get season 4, it simplifies some of the messy writing. I do agree with you when you say Asagiri-sensei is juggling about nine too many plot points and character arcs. I don't know much about the manga industry though.
I was rewatching BSD a bit ago, and I realized I vastly preferred s1 to the rest of the anime. S1 BSD was this almost buddy-cop type anime on a small, contained scale. Sure, people have badass magic bullshit that they can pull, but it's also very self-contained and the conflict was well-balanced with the size of the world. I think that the manga keeps pulling back the camera, and so I'm struggling to find what I really loved about the anime in the first place--which was how carefully every character and their arcs were treated. You can't give each character their due nuance when conflicts start being about the fate of the world rather than the fate of any one person.
Asagiri-sensei is really good at crafting characters that are human. He did this with Dazai in s1, Atsushi throughout, Akutagawa at times, and Kunikida very well. Kyouka, I think, is also a good example. Other characters like Yosano, Ranpo, Chuuya, and Tachihara are also well done. But the plot has become very large and the world very wide, and I like that less.
Like the Hunting Dogs. Can't bring myself to become attached to them all that much. Asagiri-sensei seems to subscribe to the "give characters quirks" school of development which works well if you have the time and space to develop them past said quirks--see Kunikida's notebook neurosis--but when you don't, it reads as flat and kinda lazy. I perpetually mourn Tecchou's character and also Sigma's. There's a lot of potential there that the narrative, with its huge stakes and breadth, doesn't have the time to explore.
All that to say that I really do love BSD, I just think its strongest elements are the self-contained arcs rather than the very, very long arc going on right now.
That's just you and mom
@snow-bloss0m our kid is bullying us again
do you think i can spit out this 7k fic in a matter of two hours and forget it like a fever dream?
Perhaps if you sell your soul a little bit.
N O
hai, hai, yokemouche dear
i love doing demon voice tho
it's like the best thing my voice can do
Demon voice is unironically awesome.
You can tell that "Aren't you supposed to be pretty tough?" And "What are you waiting for? Go get them" is two different takes in English.
Oh yeah, lol. The fact that they're also from wildly different events helped with that too.
To add to your "except" when writing Diluc.
Diluc is in perpetual state of grief. Except when he self martyrs because he views other people as incompetent.
Honestly, that's probably another symptom of the, uh, untreated grief. Betcha five bucks that's just a trauma response.
*bonk* Diluc get therapy 2021