you can't always get what you want

tawny, nyc

[katerinapetrova]

But I’m neither.

[cafesaulait]

Florence Pugh in MIDSOMMAR (2019) dir. Ari Aster

[madamemarkos]

A SMILE finally breaks onto Dani’s face. She has surrendered to a joy known only by the insane. She has lost herself completely, and she is finally free. It is horrible and it is beautiful.

CUT TO BLACK

Ari Aster, Midsommar (2019)

[rosalitadiazz-deactivated202003]

[jakeperalta]

first and last lines of The Good Place

[epiphanies]

That’s one conception of death, for a Buddhist. The wave…returns to the ocean. Where it came from. Where it’s supposed to be.

Not bad, Buddhists.

[joanibyrnes-deactivated20200724]

Vibe

[oriononfilm]

[chrishemsworht]

Jojo Rabbit (2019) dir. Taika Waititi

[deeptheon]

Fuck off, Hitler!

JOJO RABBIT (2019) dir. Taika Waititi

[humanveil]

KILLING EVE (2018—)

[bladesrunner]

They are rich but still nice.   They are nice because they are rich.

PARASITE ❖ GISAENGCHUNG 2019 | dir. Bong Joon-ho

[gaelgarcia]

Congratulations to Parasite on winning 4 Academy Awards including Best Picture!

[priveting]

Photographer:  Per Eide Lofthus, Hordaland, Norway ᴅᴏ ɴᴏᴛ ʀᴇᴍᴏᴠᴇ ᴛʜᴇ ᴄʀᴇᴅɪᴛs. ᴛʜᴀɴᴋ ʏᴏᴜ. ♥

[epiphanies]

Knives Out hints at the self-righteous Thrombeys’ racist views of Latino people and immigrants in general well before they target Marta and threaten to have her mother detained. In the film’s early flashbacks, the Thrombeys each referred to Marta’s country of origin as a different place. To one, she was a lovely young woman from Ecuador; to another, Marta hailed from Paraguay. Their cluelessness is played for comedic relief as the film’s tension builds, and Johnson’s message is clear: The Thrombeys’ ignorance is the joke, not Marta’s heritage.

[aesthetiicly]

sex education season 2, episode 4

[tkkatherineblog]