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Saloua Raouda Choucair

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Tony Lewis. Touch, 2019. Graphite, pencil, and coloured pencil on paper mounted on wood, 193 × 255 × 2.5 cm (76 × 100 1/2 × 1 in).

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Richard Artschwager (1923-2013) 

Corner (1992)

Paint, wood, formica and chrome, 36 × 14 1/4 × 4 1/2 in91.4 × 36.2 × 11.4 cm

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Anthony Caro (1924-2013)

River Song (2011/2)

Steel, rusted & varnished, 93 x 193 x 85″ 

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Anthony Caro (1924-2013)

Duccio Variations No. 1 (1999/2000)

Steel & wood, 64.5 x 56 x 27″ 

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Anthony Caro (1924-2013)

The Descent from The Cross, After Rubens (1967/1988)

Steel, rusted & waxed, 96 x 73 x 63″ 

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Anthony Caro (1924-2013)

Child’s Tower Room (1983/4)

Japanese Oak, varnished, 150 x 108 x 108″

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Anthony Caro (1924-2013) 

Torrents (2012) 

Steel, rusted, 96 ⅛ × 126 × 70 ⅛ inches (244 × 320 × 178 cm)

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Richard Smith (1931-2016) 

Untitled 3 (1997) 

Acrylic & mixed media on paper, 76 x 57 cm/29 7/8 x 22 1/2 in

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Richard Smith (1931-2016) 

A Whole Year a half day VIII (1966)

Acrylic on canvas with aluminium, 152.4 x 152.4 x 30 cm/60 x 60 x 11 3/4 in

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Richard Smith (1931-2016) 

Copperfield (1970) 

Acrylic on shaped canvas, 222.5 x 303 cm/87 5/8 x 119 1/4 in

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Richard Smith (1931-2016) 

Triptych (1965) 

Acrylic on shaped canvas (three parts,) 177.8 x 139.7 x 40 cm/70 x 55 x 15 3/4 in

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Bridget Riley (1931)

Blaze (1964)

Screenprint on paper, 530 x 521 mm 

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Bridget Riley (1931)

Late Morning (1967-8)

Polyvinyl acetate paint on canvas, 2261 x 3594 mm

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Bridget Riley (1931)

Ra 2 (1981)

Silkscreen print on paper, 872 x 763 mm

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Bridget Riley (1931)

To A Summer’s Day 2 (1980)

Acrylic paint on canvas, 1158 x 2810 mm

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Jeronimo Elespe (1975) 

Arise, 2018

Ink, gouache, and pencil on paper, 4 x 5.9 inches (10.2 x 15.1 cm)