study of the love note
there is something about the action of folding that is integral to the love note. once folded, it’s charged with a furtive and hopeful magic, like finishing a spell

PR's Tumblrdome
The Stonewall Inn
almost home
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occasionally subtle
🪼

@theartofmadeline

Love Begins
Fai_Ryy
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bliss lane
taylor price
PUT YOUR BEARD IN MY MOUTH
sheepfilms
The Bowery Presents
h
EXPECTATIONS
★
Not today Justin

titsay

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@th-underclouds
study of the love note
there is something about the action of folding that is integral to the love note. once folded, it’s charged with a furtive and hopeful magic, like finishing a spell
some digital stickers i made with blender a few years ago feel free to use them as a pfp or whatever you want lol (except for commercial use)
More beautiful tiles, every single one of these please
by cocorrina.co
The Lovers
Kaja Horvat, 2024
Stamp pngs
@inmyskin2002
Ten of my favorite props I painted for TMNT Mutant Mayhem.
1. Jukebox for the Bowling Alley scene
2. Bananas for their grocery run, don’t think rhsi got modeled
3. Bread for the Grocery run
4. Grocery bags and Milk
5. Bebop’s Juke Box
6. Aprils phone case and stickers.
7. Burger from the Bowling Alley
8. Jumper cables from an early version of the Chop shop fight.
9. Mondo Gecko’s Skate Board
10. Sniper Rifle which was from a longer version of the Ice cream truck Heist that got cut down for time and clarity.
Painting props is a very fun and more relaxing part of doing Visdev. We often get chives props in between doing big heavy lifting paintings for sets as a way to cool down. It’s great because props are a smaller task so you get the satisfaction for “succeeding” more quickly and often as you knock out a hand full of prop paintings. It’s more straightforward and less psychically demanding.
laces and silks collection by mirror palais.
undercover ss24
Mozu: 名古屋展 (2021)
Dolce & Gabbana Alta Moda F/W 2019
A place of peace (2021)
i see you, somewhere in the distance
zac posen ss20 rtw
Roberto Ferri | Chloris, details | 2014
Shanelle Nyasiase by Dario Catellani for WSJ Magazine - May 2018