Michael Soi.
The Governor's Mistress 2
will byers stan first human second
NASA
wallacepolsom
KIROKAZE
Mike Driver
cherry valley forever
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DEAR READER
One Nice Bug Per Day
we're not kids anymore.

oozey mess
occasionally subtle

izzy's playlists!
Keni
Sade Olutola
TVSTRANGERTHINGS

祝日 / Permanent Vacation

JBB: An Artblog!

@theartofmadeline

PR's Tumblrdome

seen from Malaysia
seen from Brazil
seen from Iraq
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seen from United States
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seen from Malaysia

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@thafire-blog
Michael Soi.
The Governor's Mistress 2
This is ALL her hair. No Photoshop, just purely Natural.
Her Beauty is Unmatched
Daughter goals
Umm me goals like seriously.
Gorgeous
Slayage
Bless her hair caretaker. ( this makes me think of kenzie and
lizzielo12
‘s struggle)
She said, "And what."
Gina Beavers at Clifton Benevento
Edgar Arceneaux. A Time To Break Silence (2013).
Dazed: How does How does A Time to Break Silence link Martin Luther King’s assassination and 2001: A Space Odyssey?
Edgar: Stanley Kubrik, Arthur C. Clark and Dr. King were formulating their ideas about the duality of technology, which can be used as both a weapon and tool during the same time period. As the psychic trauma of Dr. King's death had the nation in a raw state of anger and uncertainty, a film chronicling the genealogy of humanity's troubled future with technology is released in theaters. The juxtaposition of the past with visions of the future offer us a chance to fantasize critically of our own present moment.
Mamela Nyamza in rehearsal for The Meal.
blackfashion:
Portrait, 2010-2011, collage, 7x15
Real estate commentary from 1984. Sound familiar? Note the library call slip collage at bottom right.
Discovered while exploring 30 boxes worth of the John Held Jr. Mail Art Periodical Collection. All in preparation for a show about mail art opening September 30 in the Education Building. -jt
MAIS. From the album “S.E.F.A. Fast Food” by Nástio Mosquito
A flim by Vic Pereiró.
Charles Gaines, Explosion #28
Charles Gaines. Faces, Set #4: Stephan W. Walls, 1978
Simone White has been consistently impossible for me. Too opaque, too much in poetry in her poems for me to understand. But her writing here on Harriet is moving, startling, razor sharp. She is writing about the competencies many of us a bereaved of, as poets and artists and people of color at large. Also, the way that we non-white people [participating in the world of contemporary arts practice] are so full of bullshit, and perhaps we must be, and perhaps who can ever tell?
"It is total bullshit to enjoy being in a social or creative community that is segregated the way poetry is segregated." And yet so many of us find our creative selves within segregated community. Fuck!
Domenico Tintoretto (Italian, 1560–1635) Portrait of a Man, ca. 1600 Oil on canvas 50 x 40 inches (1270 x 1016 mm)
My new favorite blog.
Naomi Campbell by Patrick Demarchelier for Vogue US June 1992.
Helsinki street style;-)
Inspiration
b4-16: a blog highlighting the connection between pre-16th Century art and contemporary hip hop.