So I just found this fun little interview snippet with R. Scott Gemmill, executive producer of The Pitt, explaining the reason behind the time jump between seasons. Making that kind of decision with one specific character in mind seems kinda crazy to me given the size of the show's ensemble cast. Like don't get me wrong I like Langdon and I'm quite invested in his arc, but he had a very realistic reason for not being in season 2. Yet the writers went out of their way to bring him back for this season, thereby sacrificing the opportunity to give Heather Collins a more satisfying conclusion to her story.
Now why is that so frustrating with regards to Samira's exit from the show? Because the writers/showrunners have proven that they are willing to go the distance for some characters and not for others. Characters like Samira (and Heather) whose unfinished journeys are not deemed worthy of future exploration. If Langdon can get this kind of treatment then why not Samira? Especially since both Samira and Langdon have an entire year of residency left before either character could move on to a fellowship/attending position.
I truly applaud this show's dedication to realism, but at the end of the day the pitt is still a fictional TV drama. The writers are not being held at gunpoint and forced to turn this fictional hospital into an exact replica of a real teaching hospital.
Characters dipping in and out of the story is not a bad thing nor is it bad writing, but it does become a problem when cohesive arcs with a somewhat clear beginning, middle and end are sacrificed in the name of realism.
Yes it's possible to make you fall in love with new characters in a single day arc. It worked with Joy and even Ogilvie grew on me by the end. But ultimately it is the core group of doctors and nurses from season 1 whom I fell in love with and keep watching for. If most of them end up on the chopping block with the exception of Robby/Dana/Abbot, then I think the show might lose me as a viewer. The writing for this season overall is still incredibly strong but I do worry that the one shift per season formula, as cool and unique as it is, will just keep leaving the audience with an ever increasing number of loose ends and unanswered questions.















