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BILLY LOCKETT www.facebook.com/billylockettmusic Having played his way from the basement to the studio, whilst captivating fans from YouTube to shows up and down the country, it’s no surprise that Billy’s been attracting attention from some of the biggest names in the industry. With the backing of Walden and Roland alongside working with top producers, his flair for piano and guitar has landed him a distinctive style, aided by a soulful voice, charming lyrics and enough allure to leave crowds muttering choruses into the night... and you thought Northampton only made good shoes?... WEDNESDAY 25 MARCH THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:30pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

ORLA GARTLAND www.facebook.com/OrlaGartland LONELY PEOPLE follows on from her 2013 successful debut EP ROOTS which boasts an impressive set of stats for a debut release; charting at No.1 on the Irish iTunes chart, and No.15 in the main iTunes charts overall. Orla’s fusion of dreamy and lo-fi tinged indie- pop, blended with her trademark summery vocals and heartfelt songwriting lends itself to the kind of crossover pop that appeals to a mass audience. Her online stats speak for themselves, with Youtube numbers hitting close to 11 million, positioning her as a refreshingly credible One to Watch for 2015. Her emotional delivery and genuine passion for songwriting have been embraced with Orla’s new 4 track EP which includes title track LONELY PEOPLE (produced by Andrew Maury; RAC, Panama Wedding). The end result being a raw and honest body of work, which shows wisdom beyond her years, full of energy and purpose. With an impressive live plot to her name which includes support slots alongside Bastille, John Newman, Kodaline, Hudson Taylor and Gabrielle Aplin , Orla completed her first headline tour in the summer of 2013, selling out 5 dates across the UK. Early 2014 saw a 10 date tour for ROOTS, and a headline show in LA which sold out in 15 minutes of tickets going on sale. SATURDAY 21 FEBRUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

TWO GALLANTS www.twogallants.com On February 2nd, the San Francisco based guitar-drum duo Two Gallants are set to release their 5th studio album, We Are Undone, on ATO Records. While singer and guitarist Adam Stephens and drummer Tyson Vogel have stayed true to the two-person format since their acclaimed 2004 debut, The Throes, their sound has evolved considerably over the intervening years. Following 2012’s The Bloom and the Blight, We Are Undone is the band’s second release on ATO. Thematically, the album ranges from songs that attempt to make sense of the dramatically shifting social landscape of their home town, to the illusion of authenticity, impending environmental collapse, and romantic estrangement. Sonically, the thrash blues of songs such as “We Are Undone” and “Some Trouble” is balanced by the austerity of ballads such as “My Man Go” and “There’s So Much I Don’t Know.” TUESDAY 24 FEBRUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

FATHER JOHN MISTY www.fatherjohnmisty.com Singer/songwriter J. Tillman's music paints languid, sadly beautiful portraits of love and life on the margins with the moody depth of Nick Drake and the country-influenced textures of Ryan Adams. Tillman first made a name for himself playing drums in a pair of indie rock bands, Saxon Shore and Stately, while attending college in New York City. In his spare time, however, he began writing material of his own, citing the music of Nick Drake and Pete Seeger, and the writings of Flannery O'Connor, as key influences. Some of Tillman's demos found their way to Damien Jurado, who invited Tillman to join his band for a tour. Tillman played solo sets during several dates on the tour and began distributing CD-R copies of an early collection of tunes called I Will Return. During the tour, he also struck up a friendship with Eric Fisher, who produced another CD-R album, Long May You Run, J. Tillman. Both Tillman and Jurado later signed on for a U.S. tour with Richard Buckner, where Tillman once again found a ready audience for home-burned copies of his disc. In 2006, the independent Fargo Records label released Tillman's first properly distributed solo album, Minor Works, and Keep Records reissued I Will Return/Long May You Run as a two-disc set the same year. In 2007, Yer Bird Records released Tillman's fourth, more elaborately arranged album, Cancer and Delirium. Although his solo work continued to garner critical acclaim, he briefly shifted focus in 2008 by joining Fleet Foxes. The group toured heavily in support of its debut album; meanwhile, Tillman continued working on his own material, releasing Year in the Kingdom in 2009. In 2011, Tillman left Fleet Foxes to concentrate on his many solo projects, adopting the pseudonym Father John Misty for 2012's Fear Fun, a 12-track collection of new material that infused the harmony-laden hymns of his former band with a patina of Gram Parsons and Harry Nilsson-informed, Laurel Canyon-inspired neo-psychedelia. SATURDAY 28 FEBRUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

ALVVAYS www.alvvays.com Reverb-drenched and bittersweet, Alvvays have been making music since yesterday evening, since last night, since dusk or maybe dawn, when the stars were coming out or going away. It’s sun-splashed and twilit, precise and overgrown, a gorgeous glittering fuzz-pop from the city of Toronto. Two women and three men, a crate of C86 tapes, a love of hooks and jangle, wistful shimmer, the sort of road-trips where the whole world seems sunglass-tinted. SATURDAY 31 JANUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

AMON AMARTH www.amonamarth.com Not many bands can claim their ninth album as the most powerful, dynamic, and downright aggressive of their career, but then Amon Amarth have consistently upped their game with every successive release. Having exploded onto the Swedish melodic death metal scene with 1998's Once Sent From The Golden Hall every album has arrived bursting at the seams with power, melody and immersive storytelling centered around the richness of Norse mythology. Deceiver Of The Gods captures the quintet at the peak of their powers. "Every time we start working on new music we begin with the idea that we're going to write the best album ever," vocalist Johan Hegg states. "We knew we wanted a more aggressive, live feeling to this record but there's no formula behind what we do. We just try to write something that takes us a step further than the last record, and is something that will excite us and our fans. Deceiver Of The Gods is the result." support from: HUNTRESS www.huntresskills.com SAVAGE MESSIAH www.facebook.com/SavageMessiahMetal SUNDAY 18 JANUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:30pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

CHARLIE SIMPSON www.charliesimpsonmusic.com Charlie Simpson is a veteran. He’s been writing songs and releasing records for almost half his life. He’s been a voice and member of three acts, has toured the world, has played everywhere from toilets to Wembley. He’s just about to release his eighth album. Charlie Simpson is 28. Go figure. And yet: that eighth album sounds like the freshly-formed work of a brand-new artist. It’s called Long Road Home, and it is, at last, proper Charlie. The title reflects on the intense highs (and the occasional plummeting lows) he’s experienced as guitarist with Busted, frontman with Fightstar, and as a solo artist. And the infectious, summer-come-early song itself – ear marked as a single – sums up his where his ears, and heart, are at… WEDNESDAY 04 FEBURARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:30pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop

artsinmyheart

The ceiling of St Mary Redcliffe church, Bristol.

BEFORE YOU EXIT www.facebook.com/beforeyouexit Before You Exit is musical brothers Connor, Riley and Toby McDonough who have been performing finely crafted pop tunes together since 2009, and after touring with the likes of All Time Low and Olly Murs in the US, the band are now hitting the UK for the first time. The trio have worked with heavyweight songwriters such as Robert Ellis Orall (Taylor Swift), Dan Book and Alexei Misoul (Hot Chelle Rae), Alex Gaskarth (All Time Low), Bobby Huff, and Stephen Barker Liles (Love and Theft) to create heartfelt and hook filled pop rock. CHRISTINA GRIMMIE www.facebook.com/christinagrimmie YouTube sensation Christina Grimmie will arrive in the UK fresh from The Voice Tour, after reaching the finals of the smash hit NBC show. Having had independent success with her first EP release, Christina independently released her debut album #3 on iTunes. She went on to tour Canada and the US with Selena Gomez. Her appearance on The Voice led to a frenzy of record labels wanting to sign the talented singer-songwriter with Adam Levine (her The Voice coach) and Lil Wayne amongst those vying for her signature. She ultimately chose to sign with Island Records and released her new single titled ‘Must Be Love’ in July 2014. THURSDAY 19 FEBRUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

BEARDYMAN www.beardyman.co.uk What exactly is Beardyman? One minute he's winning the UK Beatbox competition, twice, next he's winning best MC at Breakspoll, then he's playing a sold-out run of solo comedy shows at the Edinburgh Fringe. That's not fair... Most people only get to do... well... none of those... but this is Beardyman we're talking about. A leading light on the Beatbox scene since he landed on it with a bang in the mid noughties, Beardyman, (real name Darren Foreman) has always pushed beatbox way beyond what most beatboxers consider its limits. A uniquely gifted performer, his refusal to be put in a box has seen him beatbox all over the world including support slots touring with Groove Armada and hosting huge festival main stages. However, all this was not enough for Foreman. Frustrated with the restrictions of the human mouth, but still obsessed with it's unparalleled capabilities, he quickly became a leading figure in the emerging trend of live- looping, being the first to appropriate the Korg Kaoss Pad as a live-looping tool and pushing his beatbox- based art form into the entrancing and uncharted realms of live-production. "Beatbox for me is just the quickest way of getting the ideas in my head out into the world where people can hear them" he says. Now, when playing to screaming fans all over the world, he uses an ever-growing arsenal of sound manipulation technology to take the ever-growing crowds with him on full-length musical journeys, darting from exhilaratingly ad-hoc rave-up to comedic musings and interpretations and mash-ups of classic tunes from a huge range of genres. His YouTube videos, which range from the comedic and ridiculous to the downright breathtaking, have been viewed tens of millions of times and it's hard to find a bad comment on any of them. Predictably however, despite all this, he's still not satisfied. "I've been writing songs since I was five" he says, with an air of mystery, "but up till now no-oneʼs got to hear them... and they're still not going to... ha... these ones are all new. It's been a crazy year but I've spent it making basically the most insane album ever..." one listen and you see what he means. It's completely nuts, but absolutely enthralling: a hilarious and screw-face inducing roller-coaster ride through the twisted mind of a high-functioning musical savant. Savage Balkan wub-step, African township funk, future-step Bollywood-dancehall, tear-out drumʼnʼbass, twisted shoe-gaze electro-wonk, IDM insanity, blissful chill-out, epic vocal dub-psychedelia and all of it interpolated with skits which border on Chris Morris-like levels of darkness. As challenging as it is entertaining, it's a genre-crossing yet highly focused expertly-produced master-work which is set to smash peoples expectations once again. Rob da Bank's Sunday Best label hooked Beardyman up with eclectic music-meister Tom Middleton to kick off the recording sessions. For this Beardyman assembled and an "insanely complex Ableton Live rig with buttons everywhere, it was mental, took us two days to set this thing up, a week to programme it, it was really unstable, it kept crashing ʻcause it was pushing Ableton beyond its limits, but it was the closest thing to the perfect live production system...” And that's what it's always been about for Beardyman. Live production. So why has it taken him this long to come out with an album if he produces an album's worth of material every gig? "I've been searching for a way of taking what I do live and capturing it in a form I can edit and polish to perfection" he says. "The technology we used on this album is really cutting edge. We were able to work really fast, just capturing ideas as they come out, no sitting around deliberating, deliberation kills the best ideas". And what is this first foray into the recording world called ʻI Done A Albumʼ. The art of understatement. Whatever it's called... itʼs a hugely invigorating, intoxicating and thrilling ride for anyone who's got the balls. The first single from ʻI Done A Albumʼ is Where Does Your Mind Go: a warped, and unusual electro-ballad, this track showcases Beardyman as an artist capable of delivering songs with lyrics as twisted and introverted as Nine-Inch-Nails or Sonic Youth whilst being truly unique in sound and production style, echoing French house but being somehow closer to Chemical Brothers meets T-Rex. Cool, yet tense, it worms its way in and out of balladry and build-up, finally settling on banging gutter-strut electro-tear-out before disappearing into atmospherics again leaving the listener disorientated but invigorated. "I could have taken it way more out there,” says Foreman," with a mischievous glint in his eye. Perhaps its for the good of humanity that he didn't, there's clearly a lot more this budding new recording artist has to offer but for the good of our sanity I think he's going to pace it out over what promises to be a long and fascinating recording career. If you're wondering if his recorded work can be as innovative and entertaining as his live work, wonder no more. You'll be listening to this album on loop for the rest of next year trying to get your head around it. Beardyman reflects on the whole process, “Itʼs been hard making this album because I have some form of musical A.D.D. But everythingʼs beat driven and nothingʼs out of bounds. My albumʼs all about taking people on a journey, and making it entertaining enough for everyone to willingly come with me – wherever it takes them, wherever it goes...” THURSDAY 27 NOVEMBER THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

ROOM 94 www.facebook.com/ROOM94 Following on from the success of their Top 40 Debut Album ‘No Strings Attached’ Room 94 are back and are bigger and bolder than ever. Their 2015 11-date UK tour will start in Oxford on the 28th of February and run up until they play London’s O2 Academy Islington on the 13th March. Lead track ‘Dirty Dancing’ sees the band take it back to their guitar driven roots but with an added RnB twist. You only have to see the accompanying music video to see the direction the band is heading. Set against a dark backdrop the video features an intense performance from the band whilst a pole dancer performs some high flying acrobatics, the video is sure to set pulses racing. The track is available as a free download via www.room94.co.uk. The album is scheduled to drop early 2015 with ‘The Dirty Dancing’ tour starting late February. Fans new and old can expect this to be the most exciting tour yet, armed with a catalogue of new songs, along with old favourites it’s shaping up to be a tour not to be missed. SUNDAY 01 MARCH THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:30pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

LIGHTS www.music.iamlights.com If you count yourself a longtime member of the devoted Cult of Lights, prepare to fully lose your mind to Little Machines. This record –a gleaming, groundbreaking, generously tuneful slab of brightly hued 21st-century techno-pop brimming with songs so immediate and timelessly pure of heart that they feel like old friends on delivery –is going to make perfect sense to you in the best way possible.If you’re new to Lights, no worries: you’ve picked a fine place to start. Little Machinesrepresents a dream union of, and wallopingly self-assured expansion upon, everything the diminutive Canadian singer, songwriter and synth enthusiast has done before. Now you can dive into the back catalogue with informed ears.That catalogue has set the creative bar pretty high, for the record. Lights’s last outing, 2011’s Siberia, was a strikingly ambitious sophomore LP that turned many a head not previously turned her way by introducing layers of synthetic dissonance and juddering dubstep bass into her signature, sweetly melodic electro-pop sound. It was a struggle to get Siberiapast the gatekeepers and out into the world, but when it did get out there –to a No. 3 debut and gold sales at home in Canada, more than 100,000 copies moved worldwide and no small amount of international critical acclaim –it put Lights in the perfect position to conquer the planet with her next album.The only trouble was the next album refused to come. Despite having Siberia’s artistic risk-taking validated by positive reviews and strong sales, Lights couldn’t come up with a note or a lyric she liked for the follow-up and descended into a bottomless pit of self-doubt. It’s astonishing to think that a musician who’s demonstrated so much flagrant promise and confidence from an early age might wind up stricken with fear that it was all over by her mid-20s, but that’s what happened: Lights was convinced she’d run out of things to say. It was a case, as she puts it, of “the worst writer’s block ever. SATURDAY 24 JANUARY THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

THE TING TINGS www.thetingtings.com Named after a Chinese friend whose name sounds like the Mandarin pronunciation of "bandstand," The Ting Tings -- a scrappy, dance-oriented duo consisting of singer/guitarist Katie White and drummer Jules De Martino -- formed in the Salford district of Manchester, England in 2006. Prior to forming the group, the pair worked together in 2001 when White was in the all-female punk-pop group TKO and De Martino wrote some songs for them. Later, the pair reunited and with another friend formed the trio Eskimo Kiss, which signed to Mercury Records but disbanded due in part to changing personnel at the label. De Martino and White regrouped, working on their own music and others' at Salford's music commune, the Islington Mill. Quickly signed to the local indie label Switchflicker Records, The Ting Tings released their debut single, "That's Not My Name," in the spring of 2007. Following the limited-edition, tour-only single "Fruit Machine," The Ting Tings signed to major label Columbia Records later that year. The flip side of the Switchflicker single, "Great DJ," was released as the duo's debut Columbia single in March 2008, followed by the reissue of "That's Not My Name" with a new exclusive B-side remix. "That's Not My Name" rose to the top of the U.K. charts in May 2008, the same month that the duo's debut album, We Started Nothing, appeared. The Ting Tings spent the rest of 2008 and a large part of 2009 touring in support of the album, which eventually sold over two million copies worldwide, won the 2009 Ivor Novello Award for Best Album, and earned the group a Best New Artist Grammy nomination that December. Early in 2010, De Martino and White moved to Berlin to work on songs for their second album. Inspired by the city's atmosphere and the cold weather, they went in a darker, more electronic direction with their new songs. In August 2010, The Ting Tings offered a taste of their new material, premiering the single "Hands" -- which was mixed by Calvin Harris -- on BBC Radio 1 and officially releasing it that October. After extensive touring and over eight months recording in Germany and Spain, in March 2012 The Ting Tings offered their sophomore album, Sounds from Nowheresville, a collection of songs inspired by the exuberant freedom of the Beastie Boys' classic Paul's Boutique. When they decided to decamp to Ibiza to record their third album Super Critical, Katie and Jules from the Ting Tings had a slight ‘uh-oh’ moment. ‘We’d been to Berlin to make the second record,’ says Jules, ‘and done nothing but get high and look at great architecture. Going to Ibiza had party written all over it. Obviously we were going to get nothing done.’ As it turned out, unleashing their party spirit was exactly the impetus and momentum needed to craft something special and true to the starting spirit of their musical adventures. The Ting Tings were born out of the night-time. They bonded at sun-up, wired in Salford warehouses. Success came as a surprising blind-side to them. Being in the middle of an island for the winter, having to make all their own fun? This is the stuff they excel at. MONDAY 24 NOVEMBER THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:30pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

JAMES BAY www.jamesbaymusic.com James Bay is a 23 year-old artist who possesses that untarnished strain of talent that many newcomers lose as they develop over time. His raw expressions and graveled voice work in a magical unison that captivates audiences and strips pop melodies back to a skeletal efficiency. Hailing from Hitchin, Hertfordshire, James is a young singer-songwriter who has already gained a great reputation thanks to stints at Communion's monthly night at Notting Hill Arts Club in London and a hugely successful run of support slots with Tom Odell, John Newman and Kodaline. Even though to date James has only released one acoustic EP, his debut, 'The Dark of The Morning' in July last year, he is fast building a loyal fan base both in the UK and the US. THURSDAY 20 NOVEMBER THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

TIM HECKER www.facebook.com/pages/Tim-Hecker Tim Hecker is a Canadian-based musician and sound artist, born in Vancouver. Since 1996, he has produced a range of audio works for Kranky, Alien8, Mille Plateaux, Room40, Force Inc, Staalplaat, and Fat Cat. His works have been described as “structured ambient”, “tectonic color plates” and “cathedral electronic music”. More to the point, he has focused on exploring the intersection of noise, dissonance and melody, fostering an approach to songcraft which is both physical and emotive. The New York Times has described his work as “foreboding, abstract pieces in which static and sub-bass rumbles open up around slow moving notes and chords, like fissures in the earth waiting to swallow them whole”. His Harmony in Ultraviolet received critical acclaim, including being recognized by Pitchfork as a top recording of 2006. Radio Amor was also recognized as a key recording of 2003 by Wire magazine. His work has also included commissions for contemporary dance, sound-art installations, minimal techo works under the name 'Jetone', as well as various writings. Tim has presented his work in a live setting around the world, including performances at Sonar (Barcelona), Mutek (Montreal), Primavera Sound (Barcelona), Victoriaville (Quebec), Vancouver New Music Festival (Vancouver), and Transmediale (Berlin). He currently resides in Montreal. MONDAY 17 NOVEMBER THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

THE BRONZE MEDAL www.facebook.com/thebronzemedalmusic Formed in Bristol in 2009 after a six week busking-funded backpacking trip through Southern Europe and Scandinavia taken by singer-songwriters Chris Hillier (vocals/guitar/piano/noise) and Robin Southwell (vocals/guitar/piano), The Bronze Medal took shape once they were joined by friends from the local music scene Rory O’Gorman (drums/percussion/vocals) and Mike Barnett (bass/vocals). Their debut summer schedule saw them Dot To Dot festival, several sessions for BBC Bristol and support slots with Chapel Club and the band formerly known as Brother, Viva Brother. Support from: DANCING YEARS www.facebook.com/DancingYears ANDY OLIVERI www.facebook.com/andyoliverimusic FRIDAY 03 OCTOBER THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 6:30pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

RALEIGH RITCHIE www.raleighritchie.com Raleigh Ritchie doesn’t make R&B music, or soul music, or indie music, or pop music. Raleigh Ritchie – aka 23-year-old Jacob Anderson – makes a unique amalgamation of all of those genres, contorting his varied influences – from Morrissey to Erykah Badu via the Maccabees and Maxwell – into the deeply personal songs that make up his first two EPs; The Middle Child and Black and Blue. “If I say ‘I’m an R&B artist’ there will be R&B fans that listen to my stuff and go ‘no you’re not, what’s going on’,” he laughs. “If I say I’m an alternative artist then there will be people who like the Maccabees who will go ‘what the fuck is this?’. I know what my kind of music is I just don’t know what to call it. I think I’m made up of all of the things I love, all the types of music I love.” Perhaps it’s this disregard for genre boundaries that caught the attention of hip-hop royalty Kendrick Lamar, who asked Ritchie to support him on his recent UK tour. Maybe it’s his way with a melody and his lyrical honesty that has seen the likes of Pitchfork, Fader and VICE sit up and take notice. Whatever that magic alchemy is, 2014 looks likely to be the year Raleigh Ritchie becomes your new favourite artist. SATURDAY 25 OCTOBER THEKLA BRISTOL The Grove, Bristol BS1 4RB Doors 7:00pm Ages 14+ Advance tickets available from: www.alt-tickets.co.uk www.gigantic.com Bristol Ticket Shop 0844 871 881

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