[nubbsgalore]

slope point, the southernmost tip on new zealand’s south island, is hit with such persistently violent southern antarctic winds that trees grow in the leeward direction. (click pic or link for credit x, x, x, x, x, x)

[marzipankartoffeln]

“Real time is slower than social-media time, where everything feels urgent. Real time often includes periods of silence, reflection, growth, space, self-forgiveness, processing with loved ones, rest, and responsibility.”

— adrienne maree brown, Emergent Strategy (via littleplant1998)

[cholera]

i'll never be as happy as kid cudi on acid dancing on stage at coachella with mgmt to electric feel. my god what's the fucking point

[rodrickheffeley]

hey god

[henhao]

leslie cheung 1988《纯影集》

[retiredtothesaltonsea]

leslie is one of the first openly bisexual celebrities in asia, an absolute icon

[theonlinemuse]

From Wikipedia: In an interview in 1992, Cheung stated that “My mind is bisexual. It’s easy for me to love a woman. It’s also easy for me to love a man, too” and “I believe that a good actor would be androgynous, and ever changing.“ 

He announced his same-sex relationship with his childhood friend Daffy Tong Hok-tak (唐鶴德) during a concert in 1997, earning him prestige in LGBT communities in China, Japan, Taiwan, and Hong Kong. His relationship with Daffy lasted for almost 20 years until his death in 2003.

In a 2001 interview with Time magazine, Cheung said: “It’s more appropriate to say I’m bisexual. I’ve had girlfriends. When I was 22 or so, I asked my girlfriend Teresa Mo to marry me.”

[cyberglittter]

https://www.instagram.com/yeswhatnails

[redlipstickresurrected]

Jason deCaires Taylor (English-Guyanese, b. 1974, Dover, England) - No Turning Back, in Punta Nizuc, Mexico, 2013, Underwater Sculpture

[aesthetic--collective]

black river siren

[whatchu-know-bout-me]

“I shall not easily forget an ‘environmental’ presentation staged by the New York Museum of Natural History in the seventies in which the public was exposed to a long series of exhibits, each depicting examples of pollution and ecological disruption. The exhibit which closed the presentation carried a startling sign, ‘The Most Dangerous Animal on Earth,’ and it consisted simply of a huge mirror which reflected back the human viewer who stood before it. I clearly recall a black child standing before the mirror while a white school teacher tried to explain the message which this arrogant exhibit tried to convey. There were no exhibits of corporate boards or directors planning to deforest a mountainside or government officials acting in collusion with them. The exhibit primarily conveyed one, basically misanthropic, message: people as such, not a rapacious society and its wealthy beneficiaries, are responsible for environmental dislocations — the poor no less than the personally wealthy, people of colour no less than privileged whites, women no less than men, the oppressed no less than the oppressor. A mythical human ‘species’ had replaced classes; individuals had replaced hierarchies; personal tastes (many of which are shaped by a predatory media) had replaced social relationships; and the disempowered who live meagre, isolated lives had replaced giant corporations, self-serving bureaucracies, and the violent paraphernalia of the State.”

— Murray Bookchin, Society and Ecology (via fyeahmurraybookchin)

[stepstepby-blog]

The old cottage on the Doolin to Moher clifftop trail…always big waves.

@Patrickgalvinphotography

[crimsnesque]

“i’m so tired of trying to say things to people and having them not listen ... i just simply will not talk to you unless i think you’re listening to me. i just simply won’t - i can’t.”

Fiona Apple - Sessions at West 54th (Live in New York, 1997)

[thestanconfessions]

[radicalposture]

idk what it is about pride and prejudice that’s so appealing. maybe it’s the fantasy of telling a man he’s self centred and arrogant and he believes it and changes for the better

[ophanic]

um. <3

[lilcowgirl7-deactivated20210223]

The Self Under Quarantine: We Are Not Machines

[clowneyelashes-deactivated20210]

nailsby_sheila

[thunderstruck9]

Cedric Morris (British, 1889-1982), Connemara Landscape, 1936. Oil on canvas, 24 x 29 in.