RMH
trying on a metaphor
Andulka
❣ Chile in a Photography ❣
★
untitled
bliss lane
Aqua Utopia｜海の底で記憶を紡ぐ
oozey mess
ojovivo
I'd rather be in outer space 🛸
Not today Justin
Keni
YOU ARE THE REASON
pixel skylines
sheepfilms
Sade Olutola
Kiana Khansmith
Origami Around
Game of Thrones Daily
seen from Malaysia
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seen from United States
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seen from United States
seen from Brazil
seen from Philippines
seen from United States
seen from Malaysia
seen from Ireland
seen from United States
seen from United States
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@theleoisallinthemind
I used to think taste was something you developed. That experience sharpened it, the right influences refined it, that eventually you arrived somewhere deliberate and earned. Then I scrolled back through 15,000 images on my Tumblr and realized my eye was already there in 2012. I just hadn't looked at it properly until now. Read the full article on Substack
Abigail Helene Buzbee
SERIFA
Somewhere between art school and getting paid to make things, every hobby started auditioning for a job.
I didn't notice it happening until a small sketchbook in the Kröller-Müller Museum reminded me what I'd lost.
My newest essay isn't really about drawing. It's about permission. Permission to make something that doesn't have to become anything.
Read the whole article on The Wandering Muse on Substack
Seen on Santiago Island, Cape Verde by Kristin Bethge
source: unknown
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source: unknown
The Death of the Unedited Life — my new essay, now on The Wandering Muse.
I went to the Ed van der Elsken retrospective at the Rijksmuseum on a Sunday afternoon in high season, which was a bad idea logistically and a good idea for everything else.
Nine rooms. Forty years of work. Contact sheets with every crossed-out frame still intact. Colour slides his publishers refused to include. Film footage of the Nieuwmarkt and Waterlooplein where he described what he saw in six words: Echte mensen. Geen rijke mensen. Interessanter. Real people. Not rich people. More interesting.
The piece isn't really about photography. It's about what happens when the edit moves from the photograph to the life itself.
Read it here on Substack
The work has made me an authority. The curiosity has never let me stop being a student. This week, what happens when both are true in the same room.
Read the full piece here: SUBSTACK (image by Keerthana Kunnath)
There is a Morocco underneath the tourist surface. It only shows itself to the people who look like they actually want to be there.
New piece on The Wandering Muse: SUBSTACK
source: unknown
Frank Herfort
source: unknown
Photography by Anne Lass
CINEMA. Films and documentaries that made a real impression. Not plot summaries, not ratings: composition, colour, art direction, the way a scene is staged, what the music does before you've noticed it's there. Written by someone who has spent years working with image and watches accordingly.
Three films in black and white. Not nostalgia, not period accuracy. A decision each director made when colour was available and within reach.
Read the full piece here: SUBSTACK
Sean Thomas