the memory of a color

danielle vogel, divinations & musings

[thememoryofacolor]

Samantha Shay—Mother Melancholia; photo by Saga Sig

[hackliminality]

[dame-de-pique]

Grotte marine

[rudebisco]

Halosaccion glandiforme my beloved

[thememoryofacolor]

she looks like my mother…

Kati Astraeir

http://ladylavona.blogspot.com/

[thememoryofacolor]

A portal

[mmlemonworld]

📸 by Ming Nomchong

[ofallingstar]

Nostos: The Return (1989)

[thememoryofacolor]

Marina Marcolin

[thememoryofacolor]

Marina Marcolin

[thememoryofacolor]

Marina Marcolin

[inkwings]

Marina Marcolin

[thememoryofacolor]

HELENE DELMAIRE

[thememoryofacolor]

JUANA GÓMEZ

[thememoryofacolor]

AGNES MARTIN

[thememoryofacolor]

… reading means on the contrary no longer seeing the presence of signs, so that a river in the grasslands might appear in the place of the twists and turns of writing, a crenellated castle in the place of the more regular characters of the printer, and, as in illuminations, an abundance of fruits, leaves, and flowers behind the disappearing letter, making us believe that things could be born of language as if from a horn of plenty. This crossing of signs, transparent to the point of being invisible, also allows passing from one tongue to the other and making the dead speak.

Gérard Macé, The Last of the Egyptians

[clubmonaco-deactivated20161214]

Mirrorhouse by Ekkehard Altenburger

German born sculptor Ekkehard Altenburger created this temporary installation on the Isle of Tyree in Scotland.

[expressions-of-nature]

by Nicolas Glauser

Hinteres Lauterbrunnental, Switzerland