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@thensuburbia
A Different Light
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David Jagger
“Lady with Fan”
A Mansion in the Darkness - Morten Schelde , 2015.
Danish, b. 1972 -
Coloured pencil on paper, 29,7 x 29,7 cm,
Jean-Luc Godard
“Somniphobia”
©Philomena Famulok
Tibetan monks wearing the Cham masks for ritual dances, 1904
Artist : Daphne Louter
Fairy Queen on a Bat by Amelia Jane Murray
‘Don’t Look Up’ by Cameron Burns (Captvart)
Sunflowers.
Reflections
A Typed Word On The Importance Of The Hand Written
A Typed Word On The Importance Of The Hand Written
…The dangers of online communication consists of the illogical acceptance that worthwhile human connections can, in the digital age, be condensed into the simple reception (receival) of typed words or sentences. The truth of the matter is, real connection is all too often felt rather than spoken. The simple physical presence of the other does matter. Handwriting is important because it…
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50 WORDS TO USE INSTEAD OF “SAID”
Do you ever find yourself over-using the word “said” in your writing? Try using these words/phrases instead:
stated
commented
declared
spoke
responded
voiced
noted
uttered
iterated
explained
remarked
acknowledged
mentioned
announced
shouted
expressed
articulated
exclaimed
proclaimed
whispered
babbled
observed
deadpanned
joked
hinted
informed
coaxed
offered
cried
affirmed
vocalized
laughed
ordered
suggested
admitted
verbalized
indicated
confirmed
apologized
muttered
proposed
chatted
lied
rambled
talked
pointed out
blurted out
chimed in
brought up
wondered aloud
(NOTE: Keep in mind that all of these words have slightly different meanings and are associated with different emotions/scenarios.)
Also remember that “said” is invisible on the page, and that you aren’t ever overusing “said”, even if you’re scared you are.
You could write a novel using nothing but “said” to indicate that people are speaking and nobody will ever notice, complain, or think you’re a lazy writer.
Bluma Wainer, Clarice Lispector (1920 – 1977), Paris, 1946
“I write and that way rid myself of me and then at last I can rest.” ― Clarice Lispector
A photograph of this Gymnasium student shows Kafka standing, a little embarrassed, leaning against overgrown balcony railings, in a high-buttoned adult suit with waistcoat, high collar and tie, his arms extended to both sides, his slender hands intertwined with the ivy. He has a powerful nose, a small, firmly closed mouth, dark hair coming from low on his forehead, grey eyes dreamily and doubtingly directed at the observer.
A ‘callow creature’ was what he was at the time, as he notes in his diary in 1916. He could expect no guidance from either his parents or his teachers.
Klaus Wagenbach, Kafka: A Life in Prague