Don Miguel.
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Don Miguel.
Sonéto LXIII
Bikol translation
Paano kita minamahal? Bibilangin ko ang mga paraan. Mahal kita hanggang sa lalim at lawak at lipad na abot ng aking kaluluwa, kapag 'di namamalas ang mga hanggahan ng ngayon at ng hangad na biyaya. Minamahal kita tulad ng walang imik na naisin ng bawat araw, sa tanglaw ng liwanag at dilim. Malaya kitang iniibig, habang nakikibaka ang lahat. Dalisay kitang minamahal, na walang papuring hangad. Iniibig kitang sinlakas ng rubdob ng noon ay pagtangis, at ng musmos kong pananalig. Mahal kita sa pagmamahal na tila naglalaho sa kabaliwan ng mga banal. Mahal kita sa hininga, mga ngiti, luha, ng aking buhay; at, kung naisin ng Maykapal, higit pa kitang mamahalin pagkatapos ng kamatayan.
—Elizabeth Barrett Browning
UNFINISHED BUSINESS
Tagalog, the language of the Philippines, is not an uncommon thing to hear in my household. Like many children all over the world, my daughter arrived home from the hospital to find a Filipino baby nurse. Vangie was with her from the very beginning of her life and in time my daughter came to know her son, her daughter-in law, their kids — and in time, an extended family and friends — in New Jersey, Southern California and the Bay Area — and of course, most importantly, Jacques, Vangie’s grandson, her best friend, from whom she has been inseparable since infancy — her older brother in every way but biological. Partners in crime. If I go back through old photos today, at least half will be of the two of them together. Thanksgiving, Christmas, New Years, vacations and birthdays, are celebrated together, our families in and out of each others’ homes interchangeably.
So, I have noticed some things, some features of Filipino daily life that I thought worth investigating. There’s always singing, for instance. Everybody seems to sing — an affinity passed on to my daughter. Family — and church, of course, loom large (even in my otherwise atheistic household). And food. My daughter is no stranger to sisig and sinigang and adobo and holds me in disregard for being unable to procure her the delicious Filipino pastries and breads she finds at her other family’s home. She knows a few phrases in Tagalog and looks at me pityingly when I don’t know what she’s talking about.
Nothing goes to waste around here. Anything, no matter how small, that could be of use to anyone who might need it back home, gets packed in a big box and sent to the other side of the world — if not to family members, to someone in need.
So, that’s what this episode is really about. It’s NOT about the Philippines. How could it be? There are over 7000 islands in the Philippine archipelago and I’m pretty sure I’ll die ignorant of most of them. It’s not even about Filipinos — as my experience, however intimate, is limited in the extreme. And, as it turned out, our plans to explore beyond Manila were foiled by typhoon.
This episode is an attempt to address the question of why so many Filipinos are so damn caring. Why they care so much — for each others — for strangers. Because my experience is far from unusual. Hundreds of thousands — maybe millions of children have been raised by Filipino nannies. Usually mothers of their own children who they were forced to leave behind in the Philippines. Doctors, nurses, housekeepers, babysitters, in so many cases, people who you’d call “caregivers” but who, in every case I’ve ever heard of, actually care. Where does this kindness, this instinct for…charity come from?
For sure, to go abroad and look after others is a huge part of the Philippine economy. Overseas workers account for an enormous and vital part of the lives of those who remain. The government cannot be counted on to take care of its people — and Filipinos often have had to get really good at a do-it-yourself way of getting by, and hopefully, rising up. You see that attitude everywhere in Manila — in the makeshift Jeepneys that shuttle people to work and back, to the cobbled together homes in the poorer districts. Hammered together scrap wood but swept, kept clean, decorated with flowers or holiday decorations.
Not everyone in the Philippines, I should stress, has such limited options — but it is the overseas worker –and those they have had to leave behind, who interest me most this episode. I guess you could say it’s personal.
You will meet, in this episode, one woman — only one (and there are many, many like her) — who, in her 30 years abroad, separated from her children, raised DOZENS of people up, sent them to school, helped to improve their lives, built homes — before finally returning, her kids now middle aged. It is an astounding story — and not at all an unusual one.
There was one other bit of business I had to investigate.
For years now, in hotel bars in Chiang Mai, in lobbies in Singapore, cocktail lounges in Colombo and Kuala Lumpur and Hong Kong, wherever I go, I find a Filipino cover band able, on request, to play Dark Side of the Moon note for note — before moving on to Happy Birthday (in English, German or Cantonese), Patsy Cline, Celine Dion — and then Welcome to the Jungle. I had to know more. Where do they all come from?
I hope the overseas Filipinos and our fans in the Philippines like this episode more than they liked the last one on our other show. This is certainly not the definitive show on the Philippines — and it will not be our last show there.
I imagine this time around there will be tears. At least I hope so.
We tried to do right by people who’ve been very, very good to us.
AdNU Press, April 2015: "Desiderio (mga rawitdawit san pagkamuot)," by Rodel Delera Añosa.
Ticao Island entrusts us a poet as sincere as its unsullied shores and as furious as the strait that shuttles us to its core.
Ateneo de Naga University Press: The youngest university press in the country. The premier resource of Bikoliana in the world.
Sonétos Gabós (Sonnets All) presents Gode B. Calleja's translation in Bikol of all of William Shakespeare's 154 Sonnets. It will be published in April 2015 by the Ateneo de Naga University Press in time for the opening of the 400th death anniversary (1616-2016) of the great Bard.
This year, Ateneo de Naga University Press releases a second edition of Allan Popa's Hunos, now with translations in Katandungan by Gerry S. Rubio and Arnold M. Valledor.
CALL FOR PAPERS: "Bikol Studies: Perspectives and Advocacies" is a peer-reviewed journal published twice a year by the Ateneo de Naga University through its University Press. The journal acts as a forum for critical and interdisciplinary approaches, perspectives and advocacies centered on Bikol, as a region, society, culture, and identity.
Bikol Studies accepts research articles, critical essays, photo essays, translations, commentaries, reviews and other forms of scholarly papers. Submissions should be sent as an attachment to a brief letter of intent to be emailed to [email protected]. Manuscripts must be prepared following the Chicago Manual of Style. The journal accepts submissions written in any of the Bikol languages, Tagalog or English.
For its Volume 2, Number 2, Bikol Studies sets focus on Jesuits and Bikol, with Dr. Rebecca C. Torres, Dean of AdNU Graduate School, as the Issue Editor.
Celebrating a National Artist!
Pag-ibig: Mga Aporismo ng Pagnanasa't Pagsinta by Rolando B. Tolentino (Ateneo de Naga University Press, 2015)
II kan "Metódo"
Nangaturúgan akó: mga tawu-táwong tinirípig
na papél— babáyi, laláki, dakól sindá, nagbábarayli.
Itinurúhok ko saindá an sakóng mga matá sagkód
na an mga iktín nindáng hirô naglúhay nin nag-
lúhay nin nag- lu-
hay sag- kod
na da- yu-
pot kong na-
man- sa- yan
an lam- bang
tab- yon o
ta- kig kan
sa- in- dang
mga pa- pel
na ha- wak.
Cover design for "The Fog and Other Stories," by Luis Cabalquinto
“Yes, can I help you?” I asked.
“Package delivery from Magarao,” he answered. I could not place his guttural accent.
“But I haven’t ordered anything,” I said, growing apprehensive.
“It’s not always about you, sir,” he croaked. “Just take this and keep it in your freezer, unopened. You’ll soon receive a sign and you’ll know what to do. Remember not to open the box until then, or dire things will follow. Hurry up, sir, I have to get back to the spaceship and complete my deliveries.”
—From "The Box"
Design: VDT Nierva Cover Art: Panch Alvarez
New book designs: "Pinagrok (Mga Piling Rawitdawit)" by Estelito B. Jacob, "Cancion nin mga Tawong-Lipod (Song of the Unseen)" and "P.I." (two books of poems) by H. Francisco V. Peñones Jr. Published (and to be released soon) by the Ateneo de Naga University Press.
Ode to Isarog
I sing with the moss, in low tones, of a minuteness swelling to an expanse as the slopes, steep and blessed with endless rains, turn silky green, hiding the soggy earth and all that draws life from it. The viper, the mountain’s stately watch, is still, up in skyward branches of a faceless tree on which ferns and other epiphytes cling for the best of life, and not even the serpent’s glossy eyes infringe its bright green regalia that blends well with the moss. For that which is being watched, a hollow that can only be seen when one sits among the clouds, is where the legend was first uttered.
Ode to the River
I sing with the lilies, adrift, hoping despite what all knows that no one, no one ever reaches the sea. This, even with all those lovely blooms and litanic, unconditional kissing of the banks and our sins. I sing with the lilies, most devout pilgrims whose faith is never shaken by the blind curves of the meandering river. The poets were wrong, the river was and will never be their turf. The lilies have been there long before verses spoke of its might. I sing with the lilies, God’s quiet chroniclers whose letters are etched on the water flowing from deep within Ybalon’s bosom, through valleys, rushing down highlands, hushed under bridges, stirring villages, lingering in plains, and losing its name in the murk and salt of the bay.
My first-grader nephew, Clyde, created this character out of modelling clay. He named him Feak. One afternoon, he took my camera, ordered me to move away because of my shadow, and started taking a series of photographs so that Feak would walk. Little did he know that he was already doing stop-motion animation.