— Nina LaCour via letsbelonelytogetherr
Peter Solarz
Today's Document
noise dept.
One Nice Bug Per Day
trying on a metaphor
🩵 avery cochrane 🩵

Kiana Khansmith
Claire Keane
Not today Justin
Misplaced Lens Cap

⁂
sheepfilms
$LAYYYTER
occasionally subtle

shark vs the universe
he wasn't even looking at me and he found me

ellievsbear
🪼

if i look back, i am lost
TVSTRANGERTHINGS
seen from Poland
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seen from Italy
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seen from Australia

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seen from Canada
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seen from Netherlands
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seen from Ukraine
@thequotecatalogue
— Nina LaCour via letsbelonelytogetherr
'things there are no words for, but should be', tatheve simonyan
Orange on yellow - Rutger Hiemstra. , 2026.
Dutch b.1975-
Oil on panel , 27 x 23 cm.
We open each meeting by asking a simple question: What is keeping you alive today? This allows us to revel in the sometimes small motions that get us to the Next Thing. Yes, I did not want to get out of bed this morning, but there was one single long shard of sunlight that stumbled in through a tear in my curtains, and the warmth of it hitting my arm got me to that first hour of living. There was my dog, who, on the mornings I do not want to get out of bed, will rest silently at my feet and wait for me to slowly emerge from under the covers, and seeing her reminds me that I do, in fact, have only one lifetime in which I can love this animal. As far as I know, we will love each other only here, for a while, and that is worth seeing what I can make out of a few hours, even when I’m wrecked with despair.
Hanif Abdurraqib, In Defense of Despair
September 1, 1939, W.H. Auden
[ Text ID: We must love one another or die. ]
Resmaa Menakem, My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies
Andrea Gibson, Lord of the Butterflies
Kedi 2016, dir. Ceyda Torun
"Drizzle" by Aleksey Makarov (1964)
Martha Gellhorn, from a letter to William Walton featured in The Selected Letters of Martha Gellhorn
epistemic love poem by Jaswinder Bolina
from Autopsy by Donte Collins
I am asking them, as I am continually asking myself, to imagine a heart that feels a connection to the hearts of others, even others you do not know. I would like to think that this is what nudges me forward, more than some mythological concept of “hope.” In the silence of a room after the reading of a poem, when the only sounds are small gasps and sniffles, I can say to myself that we are all carrying a unique ache, or a unique memory, or a unique desire that the poem ignited. And I would like to know about it. I would like to know what few inches of the wretched world can be made into an adequate space for you to mourn, or to make a plate of food, or to dance in your living room, or to bury something you’ve finally decided to put down.
Hanif Abdurraqib, In Defense of Despair
“I live in a small town by the sea, as I have all my life though for most of it it was by a warm green ocean a long way from here. Now I live the half-life of a stranger, glimpsing interiors through the television screen and guessing at the tireless alarms which afflict people I see in my strolls.”
— Abdulrazak Gurnah, By the Sea
Nikolay Punin, from a diary entry featured in The Diaries of Nikolay Punin: 1904 - 1953
"I did not do what was written...", Henrik Edoyan (translated by metamorphesque)
If you're curious to find out what the poem sounds like in Armenian (or what Armenian sounds like), here it is being read by a heavenly voice.