[thesoundstalker]

INTERVIEW: GUN OUTFIT TALK TO SOUND STALKER

Sound Stalker talks to, Carrie Keith and Dylan Sharp of, Gun Outfit about beginnings, buck records and their European tour.  

(Photograph: Gun Outfit)

How did Gun Outfit form?

"Carrie Keith: I asked Dylan to play guitar with me.

Dylan Sharp: I agreed even though I sucked."

How would you describe your music?

"CK: Rock n Roll. 

DS: With a sense of regret."

Did you have a set idea for your sound at the beginning?

"CK:  I wanted the Feelies guitar tone pretty early on but I didn't have the gear so I spent a lot of time rebuilding ampegs with my friend.

DS: Not really. It was more about the people and the vibe than the sound at first. When we started we didn't know how to tune and after an early show our friend Birch came up to us and said 'that's so cool you guys tune half step off from each other'... that was not the intent. We wanted it to be soulful music with solos, and we wanted it to be heavy by way of the senses but not try-hard heavy... you weren't supposed to know which was the heavy part. We wanted analog old sounds and were not into pop disco/ electronic music. We wanted to incorporate folk elements from the beginning, but that didn't start coming through to people until recently."

How did Olympia's music community influence your sound and approach to making music?

"DS: Everyone played in a band, so it is a natural thing to do there. In addition there were a lot of people who made many types of art. When we started it wasn't like, 'ok i'm a band guy now', it was just an outgrowth of the other artistic types of activities we were doing... writing, painting, movies etc. There's a lot of acceptance for that in Olympia. If you do that in LA people don't take any of the things you are doing seriously, or else they consider whatever's getting the most attention from a blog or whatever your 'main project'. Olympia is unique and there is a respect that is personal and has to do with the people involved. It has nothing to do with branding, genres, the stupid things you have to do to make yourself stand out in big cities. 

CK: My friends there exposed me to a world of music and recording. I would not have had the confidence to pursue something so fragile and insecure otherwise."

How has your approach changed over the years? 

"CK: We have more members, more instruments more space so to speak.

DS: I'm more careful now to make sure that I'm in tune and the amps are working and whatever. I have less of a 'fuck it, nothing matters' attitude. Also I have an interest in different instruments besides guitar and in layering and a more lush sound."

What influences your lyrical content?

"CK: The melody. If I have a bad attitude about something I want a lot of ttss shhaaa so I can spit.

DS: Lyrics are very hard. I want them to be open to several interpretations. I am very critical of my lyrics and want them to read as well without music as with music, but that is only seldom achieved. I want to communicate ideas and have little patience for whimsy or bullshit in lyrics. I want to be able to repeat them without feeling embarrassed, which means I want them to be slightly different from other songs and I don't want to repeat choruses too much. My lyrics are sensations and feelings broken down and manipulated by the mind in a desperate attempt to connect with other people. I don't want to be too dramatic either, so I try to make them kind of funny occasionally." 

Was there a particular band or gig from your youth that inspired you?

"CK: Alan Jackson and Sex Vid. 

DS: Yes. Riding the bus to shows in Seattle when I was a lad in a rural farm town changed my life. Nirvana/Butthole Surfers in 94 was the first rock concert I went to in 7th grade. Later, in high school, it was Jawbreaker, Unwound, Karp, Thrones and other bands that played the NW a lot had a big impact on my decision to move to Olympia. I was very much into the Minutemen, Meat Puppets, Born Against and Infest and from there got into everything on Vermiform (esp. liked the hippy earnest stuff like MITB and Moss Icon). When I was 23  I moved to Japan, where I went to a lot of great hardcore shows (I saw Gauze play four times, which totally blew my mind). Later on it was more weirdo solo projects like Daniel Higgs, Russian Tsarlag, American Vacuum, Ornament. Even though I don't get the same type of enjoyment out of seeing bands that I once did, every now and then I still get that magical feeling."

What's the most memorable gig you've played?

"DS: Don't know the most memorable. I use them to orient my memory. Like six months will be blurry but I will remember the shows we played so at least I'll have something from that time. The show we played at the middle school on the Indian reservation for Career day I suppose is the most unique. 

CK: That is the best show we'll ever play."

Is there a record shop that's special to you?

"CK: I love going to estate sales and digging through junk that hasn't been curated and everything is a dollar. 

DS: I never got into buying records online, so every record elicits a memory of the place I got it. So I prefer to get records at weird spots so I can remember going there. The most special record shop to me is Phantom City in Olympia (now closed) because it was by hanging out there that I became friends with Zack Carlson and Judd Taylor when I first moved to Olympia, and through them I ended up meeting a lot of people who are still very close friends to this day. It was my entry point to the Olympia scene."

Do you have a favourite record of all time?

"DS: No, I will play records heavily for awhile and then get burned out on them. There's definitely an 'all time echelon' of bands and records I consider great, but I can't place one above the other. Sometimes I hear other people talk about great records and get a little depressed. I want to keep them secret and to myself often. When a record I love is playing in a store or something, it's distressing. 

CK: Tonight's the Night but I can't listen to it right now."

 What was the last record you bought?

"CK: Willie Thrasher- Spirit Child and a Sade single for my girl. 

DS: A Staple Singers record from the fifties and a Bola Sete record I got at the Salvation Army in San Diego for a buck each."

What have you been listening to today?

"CK: I just listened to the recording Adam made of Gun Outfit live in Barnesville, Ohio, very rare he he. 

DS: Richard Thompson live in 1991 cassette."

What's next for Gun Outfit?

"CK: Europe in February. 

DS: Keep making records. I'm ready to do another one already. We have a 12" EP coming out in February."

What are you looking forward to most about your upcoming European tour?

"DS: The weird contexts we will find ourselves in. Not being in the psychotic US.

CK: The old graves, our french friends and I'm hoping I can sneak away to the cinema. Henery Barnes will be joining the band for the tour so the shows are going to be lit, I promise." 

Gun Outfit's post-punk sound has wondered down a dusty trail.

Gun Outfit released their debut 7", 'On the Beach', in 2008. Born from Olympia's liberal punk infestation - you can hear its influence; fast, loose and unique. Over the years they've consistently shared their sounds and evolved naturally - freely.

Recent releases, such as the triumph 'Dream All Over', have unleashed a roaming, rolling hypnotic delight. Dylan and Carrie's melancholic tones cut through in an effortless manor - laced with a whimsical reassurance.

Gun Outfit grace our shores this Friday to begin their European exploits. Catch them live on the road, grab some merch and, if you're lucky, one of their tour cassette tapes. 14 unreleased tracks, hand numbered, edition of 100. You'd be a fool to miss them...

NW heads - catch Gun Outfit at Gulliver's this Saturday.

[thesoundstalker]

INTERVIEW: PORRIDGE RADIO AND THE COSMIC SADNESS TALK TO SOUND STALKER

Sound Stalker talks to Porridge Radio and the Cosmic Sadness about the benefits of having three arms, upcoming releases and Fat Dog Zine. Basically, raking in the cash.

How did Porridge Radio and the Cosmic Sadness evolve?  

"Dana: I guess initially it was just me and I would send things I made to my friend Josh who now runs Memorials of Distinction (the brighton label) but back then was just this annoying guy I knew and Josh liked it and then the music became things I threw onto soundcloud suddenly Georgie was like omg I am your biggest fan will you marry me so Georgie and I decided to get married and I posted on facebook that we needed a drummer for the wedding and Sam who we barely knew was like uh I guess I play the drums (downplaying that he actually has three arms and can drum very fast because of this) so we agreed to meet up and then the day before we were going to meet up Maddie phoned me and said hello I just got a bass and I thought that was weird because Maddie and I didn’t actually know each other I have no idea how she got my number and so I said ok come to practice and so even though she didn’t know how to play it everything sort of fell together. A few months later we were approached by snake whose full name is snake leather who at the time was this bad as fuck bully who roamed around the picking on nerdy bands like us so we decided to trick him and let him into the band and now he is actually fully domesticated and we are very proud of him and then one day we were all in a barn in Hampshire and alfie just kind of emerged out of thin air playing a keyboard in sunglasses even though it was a dark room so we felt it was only natural that he stayed in the band and also he is very good with snake and knows how to clean his tank. It is actually our first birthday vERY SOON ON THE second day of DECEMBER."

How would you describe your music?

"Sam: It’s fine I guess

Snake: it’s like being sick out your nose

Maddie: Honestly I don’t get it

Josh THE BOSS Cohen: It’s like a never-ending hell I wish Dana would shut up already

Alfie: We could all go and live in a shack in the foothills of the Andes until we write something good

Maddie: I quit"

What influences your sound and lyrics? 

"Dana: it’s all just trying to express a feeling in a tangible way and it’s a repetition of the past and a prediction about the future and it’s things people say and the way they act and conversations I’ve heard and conversations I haven’t and things I say and I think I’m very clever and sometimes I’m not and I guess it’s a self-indulgent mess and it always comes out and it’s all very confusing."

How do you go about recording your music?  

"Dana: The demos just kind of fall out into garageband and then an idea is down but it is never really finished I just decide it is and then I send it to maybe one or two people and sometimes decide to put it on soundcloud or sometimes just keep it to myself and then at some point maybe a day or a month or 6 months later I show the band and I realise that actually it is not a fart but a beautiful pudding of a song and then we learn it. Recently sometimes we record it on sam’s 8 track and sometimes (I mean once) we just recorded straight into garageband with my laptop’s internal mic and it sounds fucking great the drums sound like 100 dogs and that’s going to be released as an EP soon when we get round to finishing it and then we are recording properly an album with Memorials of Distinction right now and that is being done in a semi what you might call legit way with the 8 track but also with a laptop. There is actually a lot of stuff that is going to be released soon."

Do you have plans to release your songs on vinyl?

"Josh: as boss and manager I plan to release dana’s phone voice memos on a VERY high quality vinyl and RAKE IN THE CASH

Snake: What’s vinyl? Like laserdisc?"

Do you have an ideal setting to play your music live? 

"Dana: Playing on a stage sucks it is nice to play on the same level as the people in the room it is fun when people are right up close and you can look them straight in the eye and they can look straight back they feel uncomfortable I like it if people are uncomfortable because they know the song is actually a feeling I have and I like it if people are close enough to touch the sweat on my neck but I hate people I don’t know touching me so don’t touch me please."

Do you have any other creative outlets? 

"Dana: I have a project called The Spineless Seal with my sister and design and screen print T-shirts and jumpers and also merch for MoD and also make a bunch of zines some just for the sake of collecting the things that people I know are making and some to celebrate things like Fat Dog Party which is Georgie’s project which I made a zine to celebrate and raise money for because the whole ethos of Fat Dog Party is to put on free events that can be accessible to everyone and to make a grassroots music community who are just doing things for ourselves and getting on with it and trying to branch out and make new friends and Georgie always says she just wants people to love live music as much as she does and it’s one of the most loving communities and really refreshing to be part of something that celebrates people not because they are in the NME but because they actually care and you know what

Maddie: fuck the NME

Sam: yes

Sam: twitter @yaddlepuss"

Get the fat dog zine

https://memorialsofdistinction.bandcamp.com/merch/fdpiii-zine

What was the last record you bought? 

"Alfie: the Guinness world book of records 2004

Snake: What is this interview for? A job? These questions seem kinda boring

Dog: woof woof woof I love you"

What have you been listening to today?

"Dana: Sam made me a tape for the car and the first 45 minutes is ‘Oh Baby’ by Micachu on repeat so that is what I will listen to till it breaks I guess

Snake: ram by paul

Boss: i listen to the sweet sounds of youtube because i am a capitalist who wants to make a quick buck off these teens and their punk music

Dog: guns n roses

Maddie: I hate music

Sam: I know I'm usually quite ambivalent when it comes to liking stuff but I just want to say right now that actually I do like music"

What gigs have you got coming up?

"Dog: Saturday 28th November at the Brixton Windmill with Evans the Death and Shame and Ghostly Mo and that’s everything we have booked atm except something in Worthing in February but deets 2 follow also u can follow me on twitter that’s like a 24 hour 7 day a week gig right."

What's next for Porridge Radio and the Cosmic Sadness?

"Sam: i'll teLL u what iS neXT I FUcKAinG Diiiiee"

What do you want for Crimbo?

"To be left alone."

Porridge Radio and the Cosmic Sadness have an undeniable charm. They're a bunch of crazy DIY nippers having a good ol' time making jangly space pop (A.K.A. garage). During a trip to Brighton earlier this year I wondered down into the basement of Sticky Mikes Frog Bar - met by Porridge Radio and a captivated rabble. They had an ease about them; cheerful 'n' breezy.

I caught the last three songs. If I remember correctly, Dana chuckled through 'Losercore', which, I guess, is a (piss) take on how serious and cliquey certain music communities can be.  Although, as a band, they're happy-go-lucky live, I feel Dana's music tells a different story. It's deep, of the moment and true to it self. 'Ok' and 'Barks like a Dog' are testament to that. Her songs are so beautifully layered.

You can listen to all Dana's demo recordings here:

"songs about self loathing songs about self loving songs about old friends, new friends old love/new love/forever love frustration, sadness, and that feeling that everything is beautiful and everything is okay. "

Keep your peepers peeled for upcoming releases, grab a zine, catch 'em live. One, two or all of the above.

(All images provided by Porridge Radio and the Cosmic Sadness)

[thesoundstalker]

INTERVIEW: DENIM AND LEATHER TALK TO SOUND STALKER

Sound Stalker talks to P of Denim and Leather about how the band formed, Burnley punks and Planet Rock.

(Photograph by Stephen Benson)

How did Denim and Leather form?

"My memory is hazy but it was definitely over an adult beverage. Simon (bass) was wearing a cut-off .38 Special shirt."

Did you have a set idea of what type of music you wanted to make?

"No not really."

What music influences you?

"I'm an avid Planet Rock listener and I've discovered some truly wonderful bands because of it... Top, Lep, Scorp, Snake you name it . At work I have a digital radio on my desk and if anyone changes the station I go bananas. Same thing goes for the DAB radio in my kitchen at home - we get really really silly."

How would you describe Denim and Leathers approach to making music?

"Our drummer Dan will usually 'hum' a riff or pattern and I try to make it on the guitar. Once thats in place - we're pretty much good to go."

Do you have any gigs from your youth that inspired you?

"I grew up in the wonderful town of Burnley - we very rarely got any bands coming through there. One gig stands out in my mind. I saw The Damned play the Burnley Mechanics (concert venue) in 1998. I'd have been - jeez - 15 years old. Anyway, all the old Accrington Rd (area in Burnley) punks had shown up to the show and were giving The Damned hell from the get go. People were climbing on stage (no barrier - or security!) grabbing Dave Vanian - jumping off again, throwing pints and generally being a pain in the arse all night. It was brilliant. Finally, old Dave and the good Captain had had enough and he said,

"Nobody ever plays Burnley and now we know why!"

He smashed the mic down, stormed off stage and then the safety curtain fell. Glorious.

(cool bit of trivia - The Damned had Patricia Morrison from The Bags/The Gun Club/Sisters Of Mercy playing bass that night)"

What's your ideal setting for playing your music?

"Somewhere well lit with a regular temperature. I can't see for toffee in the dark and Simon has bad knees."

What influences your lyrical content?

"I play the guitar therefore no lyrical input from me. One should be suspicious of multi instrumentalists."

What should people expect from your upcoming follow up 7"?

"More of the same. Progression is a term coined for bands who can't get it right first time."

What was the last record you bought?

"The last record I bought is a gift that I haven't given yet so I don't want to spoil the surprise."

What have you been listening to today?

"Planet Rock and the Cro-Mags."

What gigs you got coming up?

"27th of November at Gullivers Manchester! Tell your readers we have a cheaplist (£3) and to get in touch because we get a kickback of a quid for every person that turns up."

What's next for Denim and Leather?

"Something very cool thats about 50% confirmed for Jan/Feb but I can't talk about it in fear of it falling through and us looking like idiots."

(Photograph by Stephen Benson)

Manchester based Denim and Leather make hardcore punk. Sloppy harsh vocals over fast harsh punk rock. They do it well and make it their own. 

I caught them play this year and was blown away - their sound was engaging and unpredictable. They don't condone your average chug, break, chug. You get early hardcore punk influences whipping through on CM's vocals - who, by the way, has a presence of MacKaye and Curtis' bastard child. 

They'd fit in nicely on Grave Mistake proceeding past shredders Violent Minds, 86 Mentality and so on. 

I could be wrong... but they don't take themselves too seriously. Denim and Leather are refreshing. They've got a new 7" on the way which I, for one, look forward to hearing in its entirety. 

If you're into Black Flag, Municipal Waste, Hard Stripes and the like. I think you'll dig it.  

Check 'em at Gullivers this Friday. If you want £3 guestlist email: [email protected]

LISTEN

(Photograph by Stephen Benson)

[thesoundstalker]

INTERVIEW: J.C. SATAN TALKS TO SOUND STALKER

Sound Stalker talks to Romain of J.C. Satan about their sound, ideology and recording. This interview has been in the Sound Stalker archive since July 2014.

(Photograph: J.C. Satan)

How did J.C. Satan form?   

"Paula and Arthur met in Italy, when Paula used to live in Torino and organised garage gigs there. As she knew a lot of people from Bordeaux, she came over on holiday in 2008 and they started to make funny songs together. J.C. Satan was born. When Slovenly told us they wanted to release our first LP in 2010, we had to form a 'real' band and we began to practice in the Summer. After touring with a different drummer and another guitarist, we got to the actual line up 6 months later in February 2011: Paula - Voice, Arthur - Guitar/Voice, Alice - Bass, Dorian - Keyboard, Romain - Drums."

Where did your name come from? 

"A joke! At the beginning the band was just a joke. When we recorded our first songs and decided to put them on Myspace we just chose the first stupid name we had in mind: Satàn! When our first EP came out on Shit Music For Shit People, our name was just Satàn but it was impossible to find on Google so for the first LP we decided to be J.C. Satàn..."

  What influences your music?   

"The Beatles, The Pixies, Sonic Youth, Queens of the Stone Age, Supergrass...  That's the basic band names that we give when someone asks us this kind of thing..."

How would you describe your sound? 

"In London, someone described our music on a poster as "Doom medieval pop" and we all really liked it... We like to say that we play pop songs, really loud and in a primitive way..."

What should people expect from your upcoming release, 'Italian Summer', on Trouble in Mind Records? 

"Melancholic hippie Summer songs to chill out at a BBQ party!"

What do you look for in a label to release your music? 

 "Actually, we only work with people we know personally. It's the same for the booking or the 'management' part... Freedom and as less stress as possible. Also, it's just simpler to know if people are making shit with your music when you really know them ahah."

When are you next in the studio?  

 "We are recording new stuff right now but it's not in a studio. We do it in Arthur's parents house, close to Bordeaux. Really peaceful place where we can make as much noise as we want. We like to do this stuff on our own. Until now, everything was recorded in Arthur's room but we wanted something better for the new album so we moved our 'home studio' to his parent's house. The new LP should be out this year on a new label, dunno when..."

 What do you try to provide people with during your live performances?  

"We just try to make ears bleed... I don't know, we play rock'n'roll so we just try to make people dance, have fun, become crazy. Our live set is really different from the LP's, we have a keyboard on stage, only one guitar, a real drummer so it's maybe more primitive and powerful. We try to get to the basics."

Do you have a favourite venue to play?

"La Maroquinerie in Paris is a really cool place. One of our best live shows was there last year for a Gonzai party. We're going to tour with Ty Segall in October/November in Europe and we're going to play in really cool venues like Paradiso in Amsterdam..."

Is there anywhere that feels like a second home to J.C. Satan? 

"Hmm not really... We don't have our own 'cave', Girls are from Italy and Boys are from France so it's quite difficult to choose a place."

Is there a gig from your youth that inspired you? 

 "For Arthur it would be one of his first gig when he arrived in Bordeaux with MAGNETIX+KAP BAMBINO. For Paula, it would be THE CRAMPS in Italy."

EDIT: "I never saw the Cramps in my life, eheh. I'd say a show of Demon 's Claws in Turin,10 years ago" Paula 11/11/15

Do you have any other outlets for your creativity? 

"I don't understand the question."

Do you have a favourite record shop? 

"Total Heaven in Bordeaux, it's one of the best record shop we all know. We love the guys working there, they are really involved in the Bordeaux local scene and that's why this place is so cool." 

What have you been listening to recently? 

"Domo Genesis Yvette Chad and The Meatbodies  Pierre et Bastien  Kiss Kiss Karate Passion"

What are you excited about for 2014?

"We are really really really happy to release this 7" on Trouble in Mind. We can't wait to release our new album and to tour again this Fall... this Summer will be really quiet for us and it will be really strange to stop playing for so long!!"

(Photograph: J.C. Satan)

J.C. Satan aren't constrained by a set genre and their care free attitude has produced great music over the years.

Their sound has developed since the brilliant 'Sick of Love' debut LP, it seems to have continually become more unified and full on. It works so well live. Fun, unpredictable and they've retained a DIY roughness.

J.C. Satan played Liverpool Festival of Psychedelia, in the Blade Factory. The tiny venue quickly developed into a shoulder-to-shoulder sweatbox of enthused revellers. Perhaps my view was skewed as I was stood with my face inside the front right speaker. They have a buzz. If you're into loud garage punk rock, try to catch them live.

As Romain mentions "our live set is really different from the LP's". After witnessing J.C. Satan do their thing live it's nice to know they have an approach that also produces whimsical wonderlands like 'Your Place' and 'Waiting for You'.

A real great band to come out of Bordeaux's musical hub.

(Photograph: J.C. Satan)

Listen to J.C. Satan's discography here.

[thesoundstalker]

INTERVIEW: FRASER A. GORMAN TALKS TO SOUND STALKER

Sound Stalker talks to Fraser A. Gorman about his first musical love, Melbourne and what records he's been baggin'. 

(Photograph: Roman Candle Promotions. Left to right; Jake, Fraser A. Gorman, Tom Blackwell)

How would you describe your music?

"My music is sort of singer songwriter, country-tinged, lyrical groove based jams."

What was your first musical love?

"Probably Bob Dylan. I started listening to his records when I was about 11, never really stopped listening to him...."

When did you start writing and singing your own songs?

"I think I first showed my Mum a song that I wrote when I was 13. It was a very awful song. She told me to keep at it though. So I did. And here I am today. In a car driving to Glasgow to Liverpool to play another show."

Has your cultural surroundings influenced your music?

"Not really. I grew up in a little coastal town called Torquay in Australia (named after the Torquay in England I believe). It was a pretty boring town to grow up in and music wasn't a huge part of its culture. Football and surfing are far more important on the calendar in that area. When I went to highschool in Geelong (a city 30 mins up the road) I met a few mates who liked music. And kinda took it from there."

What's the Melbourne music scene like right now?

"The Melbourne music scene is quite amazing. A lot of bands from there are getting some pretty good international recognition; Courtney Barnett, Twerps, Total Control, The Drones, King Gizzard .... All of them are getting around the world playing some great shows. But that's just a small taste of Melbourne's awesome bands....... Dick Diver, Crepes, You Am I, Augie March, Harmony, Jen Cloher, The Murlocs...... I could keep going. Check em out."

How do you feel about people that clean skyscraper windows?

"Hah, I wrote that song Skyscraper Skyline Blues sort of inadvertently about a skyscraper window washing person..... But it's more of a metaphor about feeling so close to someone but feeling very far away at the same time. Like staring at someone inside their apartment whilst you are dangling on the outside. It's a very fragile position."

Do you often change up lyrics during live performances?

"Sometimes. It's probably something I do when I'm feeling cheeky......"

Is there anyone you'd like to collaborate with in the future?

"Yeah. I really want to meet Jeff Tweedy. I'm a big Wilco fan. I think he's one of the best contempory songwriters going around at the moment."

What was the last record you bought?

"I bought a Bob Dylan 63 Bootleg concert record in LA at Amoeba Records. My friend Carter from West Virgina gave me a Silver Jews & Nico 7" so that was pretty amazing too."

How's your EU tour been so far?

"So. Fucking. Fun. Best time of my life mate."

What's next for Fraser A. Gorman?

"I've basically written all of my second record. I'm going to Nashville tomorrow to do some co-writes and finish off a couple more tunes and just hang out. I'm looking forward to it. It's been a pretty hectic tour. I'm excited to just be sitting in a cafe knowing that I don't have 20 shows left on the tour. I'm also looking forward to eating some fruit and salad. Go home. Record my second record. Release it. Tour more. Have fun. Repeat."

(Photograph: Roman Candle Promotions. Left to right; James, Fraser, Andrew)

Fraser A. Gorman has been trail blazing through Europe over the last few weeks, sharing his lyrical steeze, uplifting presence and magnificent music.

Fraser A. Gorman's debut LP, 'Slow Gum', is utterly addictive. It feels like an old friendship; you can rely on it and feels infinite.

His style is reflective of influences but feels fresh and progressive. Fraser has been regularly compared to Bob Dylan. For obvious, curly, reasons. But also due to his storytelling ability.

His songwriting feels honed and effortless. A clear outlet utilised over the last ten years to exquisite standards.

I had the pleasure of witnessing Fraser, James and Andrew play live twice during their UK tour. In Manchester and, in my hometown, Chester.

After a last minute twist in the tour, their final show would be held at The Golden Eagle, Chester - on Halloween. The dark, textured pub turned out to be the perfect host for the travellers last stop.

Milk Milk Lemonade disc selectors set the tone. Spinning years of musical absorption. The mood felt special and aligned.

Tom Blackwell kicked off live proceedings. The talented song-smith was hailed to be the most righteous warm up. He blistered out four raw country originals. Creating an atmosphere of anticipation and wolf whistles.

Fraser A. Gorman and his band mates; James and Andrew, seemed at home perched on a well seasoned Persian rug with the only thing separating them from on lookers being a trail of fairy-lights and an uplifting air of a content flock of music lovers.

They let loose at the end of a long road - treating us to songs old and new, smiles from ear to ear and a few jokes to sweeten the deal.

Roman Candle Promotions showed grit and effort to pull this show together. A Classic Mini has never housed so many amps...

It was special and I look forward to Frasers return to the UK. They'll be a couple more Guinness Porters waiting for ya mate.

LEGENDS.

(Photograph: Roman Candle Promotions. Left to right; Andrew, James, Fraser)

Fraser A. Gorman:

Grab a copy of 'Slow Gum' here UK / AU.

LISTEN / WATCH

Tom Blackwell:

Grab a copy of 'Tyrone The Gun' here UK.

LISTEN / WATCH

[thesoundstalker]

INTERVIEW: BIG UPS TALKS TO SOUND STALKER

Sound Stalker talks to Joe Galarraga of Big Ups about their debut album '18 Hours of Static', Baltimore and how they've grown as a band. 

How did Big Ups form?

"We all met in college; we were in the music technology program at NYU. Brendan, Amar, and myself first started playing music together in a surf rock band called Aaron and the Burrs. After that venture ended, we grabbed Carlos and formed Big Ups."

How would you describe your music?

"It's loud."

Were there any bands, in particular, that inspired you?

"I was really inspired in general by the Baltimore music scene in the early-mid aughts. There were so many good bands of different genres - Ponytail, WZT Hearts, Future Islands, Ecstatic Sunshine, etc. I was more inspired by the sense of community than the actual music at times. But this band would definitely not exist without the influence of one Baltimore band in particular- Double Dagger."

What influences your lyrical content?

"Lyrics are based on conversations, things I've read, things I've experienced or thought about."

What's the story behind your album title - 'Eighteen Hours of Static'? How does the art relate to the album?

"That phrase is taken from a line in the film/book 'Contact'. It reveals a duality in the film, which Austin Redwood mirrors in the titles of his paintings. I won't spoil it for you; watch the movie."

Do you feel your approach to making music has changed since you formed?

"It's become a more collaborative process. We all figure out how the parts will fit together and work them out together."

Do you have plans to record again this year?

"We hope to record in the autumn or winter."

What do you enjoy about playing live?

"It's crazy to me to see people enjoy what we're doing."

What do you try to provide people with during your live performances?

"We try to make our shows interesting- a show in the literal sense of the term. We play music, but we get into it. The hope is that you leave the show and it makes you think differently about live music. We hope it's fun."

What's the most memorable gig you’ve played so far?

"I'm sure that everyone in the band has their own answer, but I remember our 2nd show quite well. It was in our friend's apartment, and the room was filled with undulating bodies. People were tossing beer cans everywhere and just having a rowdy time."

How's the UK been treating you?

"Been great so far! Had a blast in February, too. Liverpool was insane this time around."

Do you have a favourite venue to play?

"I have a very special place in my heart for Shea Stadium in Brooklyn. I feel like we've grown up there. That being said, I also love Death by Audio and Silent Barn."

Do you have a gig from your youth that stands out?

"I remember playing a show with my old band in a children's gymnasium. That was pretty weird."

What's your favourite record shop?

"Celebrated Summer."

What was the last record you bought?

"At the Drive-In - Vaya 10"

What have you been listening to today?

"September Girls from Ireland. They played right before us tonight in Manchester. Great stuff!"

What are you looking forward to this year?

"Hopefully I'll have an eye-opening sandwich."

If Big Ups had to have a slogan what would it be?

'Ship the Van'

Big Ups bridge the gap between 'Slint' and 'Minor Threat' with their open approach. 

'18 hours of Static' has great depth and will catch you off guard. It explodes unexpectedly and is brilliantly unpredictable. 

Big Ups approach has been moulded by a sense of community which comes through in their recordings and live performances. They don't seem to have barriers and their live shows are definitely memorable. Frontman Joe Galarraga likes a tangle with the mic lead, rolling around on the floor and will certainly capture your attention. 

These lads have been receiving a lot of attention across the globe and have been marked as one to watch. Catch them on tour and see Big Ups do what they do best.

They're bloody great.

('18 Hours of Static' Artwork - Austin Redwood - Ord Ab Chao)

Grab a copy of '18 hours of Static' US / UK.

Check out their bandcamp and here's their tour information. 

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[thesoundstalker]

EVENT: PRESSURE DROP

PRESSURE DROP is a monthly event held in Chester, UK. Dub, reggae, ska on wax… 1st Birthday.

Poster artwork by Mark V.

[thesoundstalker]

INTERVIEW: BALDUIN TALKS TO SOUND STALKER

Sound Stalker talks to Balduin leading up to his appearance at Soar Angelic Festival this weekend at Telfords Warehouse, Chester.

How would you describe your sound?

"An alchemy between early lo-fi electronica, krautrock and nostalgic 60s psychedelia baroque-pop."

What influences your approach to making music? 

"My life, love, peace, happiness & dreams."

What inspires your lyrical content?

"Dreams, my life experiences. Other people’s behaviour, films, books, nature elements & animals."

What can people expect from your upcoming LP on Sunstone Records?

"The first 33rpm milestone on Sunstone ;)

People who dig The ’Glamour Forest’ will love this even more.

The album contains 16 tracks of full psychedelic baroque-pop and will be released in July.

The LP is dedicated to my father."

What’s your ideal setting for playing your music?

"In my studio when I’m alone and nothing bothers me.

Or outside out in the green. Playing with people is a magic experience, which I miss sometimes."

What will you try to provide people with during live performance at Soar Angelic Festival?

"I’ll try my best to present my work I created in the studio on stage. It’ll be tough, but I’m very happy to play my first ever gig in the UK."

What's the most memorable gig you’ve played?

"The most memorable one was the support-gig I did for Koenjihyakkei (JP) five years ago."

 Do you have a favourite venue to play?

"UFO Club London ;)

Austin Psych Fest?"

Were there any bands or artists, in particular, that inspired you growing up?

"I’ve grown up almost with classical music from my Mum. The first mind-blowing Beatles experience I got with Yellow Submarine.

Ennio Morricone, Walter Carlos, Tomita and Kraftwerk came also early in my ears."

 Do you have any other creative outlets?

"Recording, drawing, collecting instruments & records."

 What's your favourite record shop?

"Be-In Records, Koenji, Tokyo

Rathouse Records, Bern, Switzerland"

 What was the last record you bought?

"The Hellers - Singers…Talkers…Players…Swingers… & Doers (1968)."

What have you been listening to today?

"Ennio Morricone - Vergogna Schifosi (1969)"

What are you looking forward to this year?

"Lots of things:

Can’t wait for my upcoming LP. More gigging if there’s a bigger request. Producing another LP for Buro Destruct. Working on film music."

The 'Swiss Alchemist of Music' has been cooking up his blend since the age of 8 and has been releasing music since 2001.

Balduin's Sunstone Records debut, 'The Glamour Forest', has now officially sold out. However, if you dig it you're in luck as he'll have a handful of signed copies at Soar Angelic Festival. 

His highly anticipated LP, 'All in a Dream', is expected in July this year - so keep your eyes peeled.

Balduin's first UK performance is not to be missed. Alongside label pals Lords of Thyme, he is sure to captive on lookers with his crafted psychedelic pop sound.

Listen to 'Glamour Forest'.

Check out Balduin.Org.

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[thesoundstalker]

INTERVIEW: G. GREEN TALKS TO SOUND STALKER

Sound Stalker talks to G. Green frontman, Andrew Henderson, about writing riffs in front of the TV, their upcoming LP 'Area Codes' on Mount St Mountain Records and what he's been listening to recently.

How would you describe your sound?

"I usually just say it's rock n roll when people ask."

What influences your approach to making music?

"I just like making music I like with people I like. Maybe an idea here and there from other people's songs will spark an idea for a song. But for the most part it's just progressions or riffs that I'll come up with while watching TV."

What inspires your lyrical content?

"Boredom, restlessness, girls, crap like that."

What can people expect from your upcoming album, 'Area Codes', on Mount Saint Mountain Records?

"It's more focused than anything we've done before. 12 songs we've road tested for over a year. I like the word "taut"."

Are they're any bands you'd like to do a split with?

"Tyvek, Protomartyr, Woolen Men, Wimps, Wet Illustrated, Wounded Lion."

When are you next in the studio?

"Not for a while, we're focusing on touring Area Codes for a bit before we get down to writing again."

What’s your ideal setting for playing your music?

"I like small rooms, they sound good and feel good even when there's not a huge amount of people there. I have become partial to pro sound lately though. Good stage sound is a new thing for us, and actually really helps!"

What do you try to provide people with during live performances?

"Not sure, I guess we're there to entertain. I just hope people enjoy themselves."

What's the most memorable gig G. Green has played so far?

"For me it's probably when we played Brooklyn Novemeber 2012 at 285 Kent. Big attentive crowd, it was rad. Great bill too: Parquet Courts, Naomi Punk. Super sick".

Where there any bands, in particular, that inspired you growing up?

"I was always listening to music growing up, The Beatles were an early obsession for me. Lots of singer-songwriters too: Cohen, Dylan, Costello."

Do you have any other creative outlets?

"We are all in or have been in other bands.  I've never painted or anything."

What's your favourite record shop?

"Permanent Records in LA & Chicago are my favourites."

What was the last record you bought?

"Wimps - Repeat"

What have you been listening to today?

"Been listening to Big Star's Radio City a lot. And Protomartyr's Under Color of Official Right."

Are there any plans to tour the UK/ Europe?

"We'd love to! Just as soon as we can get the funds together and some good contacts, etc."

What are you looking forward to this year?

"New LP, bunch of shows in May with bands we love (Tyvek, Wimps, Protomartyr) Pacific Northwest tour in June, East Coast tour in August. Gonna be a good one for us!"

G. Green have released sporadic garage punk rock in the past. Their upcoming album 'Area Codes' feels similar, but a cut above.

It's still driving and rolling, but more cohesive. Take a listen to them 'Live from KEXP' back in August last year and hear for yourself. 

'Area Codes' is expected in June on Mount Saint Mountain. The label has also got upcoming releases from Male Gaze and a Burnt Ones and The Mallard split. 

'Mount Saint Mountain' provided a few words: 

"Well, I'm stoked I forced them to work with Chris Woodhouse (Mayyors) on it. I'm also stoked to have Greer McGettrick (of The Mallard) do the artwork for it."

You can take a listen to all their recordings, so far, on G. Green's bandcamp.

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[thesoundstalker]

REVIEW: THE AR-KAICS - SICK AND TIRED / CUT ME DOWN

The Ar-Kaics keep 'em coming. Their 4th 7" has been released by Hidden Volume Records. Double A side, in my opinion, both tracks sounding bitter and brilliant.

This release seems to be coming from a slightly different place than previous 7"s. It still has the same blistering 60's sound but it's more contained and filtered through darker times. They talk of love and love lost. 

Throughout 'Sick And Tired' Johnny howls his feelings of being fed up and through. This track reminds me of 'The Animals' rendition of, the blues enigma, 'House of the Rising Sun'. They've really nailed the 60's feel and added their own garage and punk ingredients.

'Cut Me Down' tells a story of hurt. A moody tale fuelled by hope being harshly taken away. The intro is killer. You'll be in anticipation for the track to boil over. It keeps chugging until the realisation of heartbreak sets in.

The record looks great and Hidden Volume Records have really gone the extra mile by providing complimentary Ar-Kaics matchstick booklets. A nice touch.

Make sure you grab copy quick - 300 pressed.

Grab a copy of The Ar-Kaics - Sick and Tired / Cut me Down.

Check out Sound Stalker Interview with The Ar-Kaics.

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[thesoundstalker]

INTERVIEW: HYSTERICS TALK TO SOUND STALKER

Sound Stalker talks to Hysterics vocalist, Stephie, about their 80's influences, M'Lady's Records and what Stephie's been listening to recently. 

How did Hysterics form?

"We formed in the spring of 2010. A few of us had been talking about starting an all girl hardcore band, and when an opportunity came up to play a benefit show for a friend, we decided to pull it together and get a set together. It was an extremely new feeling for all of us even though some of us had played in bands with dudes before...very empowering and free!"

How would you describe your music?

"Messy and abrasive feminist hardcore punk."

Were there any bands, in particular, that inspired you?

"People try to connect us to the Riot Grrrl thing, and while we completely respect what they were doing and appreciate their hard work, we were coming from a different background. Personally I was really into the early 80s stuff at the time, Dischord and SST and all that. We had friends in the Olympia scene who inspired us with their bands, but our band didn't go into it thinking we wanted to sound like anyone else."

What influences your lyrical content?

"If there's something I'm thinking about a lot that feels unresolved, and the thought won't die down, a lot of the time it works well in a song. Social, mental, emotional, political contradictions. I'm working on a couple songs now that tell a little more of a story than what people might be accustomed to in Hysterics, which is fun for me, and feels like a natural place to take things to."

What attracted you to approach M'Lady's Records? 

"I liked their attitude and their sensibility. It seemed like they were totally punk, but that they viewed punk as something expansive as opposed to something limiting. It was clear that they were believers, record nerds, and feminists. None of their bands are remotely hardcore (at least not in the conventional sense of the term), but they're all coming from an interesting and radical place. I felt that they would represent us in a non-embarrassing way and understand where we are coming from, which I have found to be true! I felt that if we'd gone with a typical hardcore label, we'd just be lumped in with a bunch of bands that we had little in common with spiritually. And of course, we're hardcore, but I like to think that our affiliation with M'lady's might make someone more curious about where we're coming from."

When are you next recording?

"We don't know! The tour is the big thing we are thinking about right now, since we're leaving in a couple of days and it is such a big undertaking. I'd like to record again in the fall if everyone is up to it, but we'd need to put in some time working on songs first..."

Are there any bands you'd like to do a split with?

"I don't know if we would ever do a split, but I have daydreamed about splits with In School, Vexx, Good Throb and Bricklayer."

What do you enjoy about playing live?

"Seeing people singing along. Getting silly. The vibe in the room when everyone is really wound up and feeling it. Letting it all go man!! Being in a space where people are getting free."

What's the most memorable gig you’ve played so far?

"There are a few, and I'm sure Europe and the UK will bring us some of those. I loved playing with Los Crudos and tons of other great bands at This Is Not A Step fest in California, and I also have loved playing in Chicago and Austin where the vibe was good and people went crazy."

Do you have a favourite venue to play?

"I love the Nuthole in Seattle. It's just a basement where a few of our friends live, people who are in the bands Nudes, Trrash and others."

Do you have a gig from your youth that stands out?

"Every time I saw Sex Vid when I was a teenager--they were the best."

What's your favourite record shop?

"I'm partial to Rainy Day Records in Olympia, WA, where I have worked for the last four years."

What was the last record you bought?

"I bought D'Angelo - "Voodoo" a few days ago."

What have you been listening to today?

"The Flamin' Groovies - Shake Some Action."

What are you looking forward to the most about descending upon Europe/ UK in May?

"I'm most looking forward to visiting so many places I have never been before, seeing some friends and meeting new people. It will be interesting to see what the response is to our band since we've never played outside of the U.S. None of us really know what to expect, we're just kinda winging it and hoping for the best."

(Photograph - Robert Cameron)

Hysterics, hailing from Olympia, have been causing excitement the world over with their fresh take on the 80's hardcore punk sound. 

Their songs are passionate, explosive and meaningful. They seem to be doing things right and enjoying themselves along the way. 

It's music that comes from the gut. You'll hear it as soon as you put the needle on the record.

Hysterics have released two incredible 7"s so far on M'Lady's Records, Self Titled and Can't I Live?, and they're set to descend upon Europe/ UK this week. 

Hysterics have been compared to 80's Dischord bands and you can hear why. Stephie's vocal pattern on 'Outside In', off 'Can't I Live?', reminds me of a young Ian Mackaye of 'Minor Threat'. 

'Can't I Live?' is an instant classic. If you're into hardcore punk - it doesn't get much better than this. 

Check out their blog.

Check out M'Lady's Records for vinyl, t-shirts and more.

Full information on their EU/UK tour here. 

Sound Stalker M'Lady's Records Interview and Hysterics - Can't I Live? Review.

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[thesoundstalker]

INTERVIEW: THEO VERNEY TALKS TO SOUND STALKER

Sound Stalker talks to Theo Verney leading up to his appearance at Liverpool Sound City this week.

How would you describe your sound?

"Rock. Heavy Rock."

What influences your 'DIY' approach to making music?

"Seeing a lot of the American bands making music with their friends and having fun I wanted to do something like that."

What do you look for in a label to release your music?

"People I get on with personally, people who will let me have 100% creative control and a label with a good loyal following are the key things."

When are you next recording?

"After my tour in May I'm going into a proper studio for the first time. If it works out and I don't freak the fuck out I plan to record my album there. I have a lot of new songs written so I'm looking forward to getting some new stuff out."

You've recorded a cover of 'She' by 'The Misfits'. Why did you decide to record this particular song?

"To be honest with you it's a song I like and it wasn't too hard to work out the guitar parts so it was mainly simplicity which made me choose to cover in the first place."

Are there any other covers you'd like to put your mind to?

"I'd like to do some covers of some more classic rock but you can't really touch a lot of it you know? No one wants to hear Hendrix covers."

What’s your ideal setting for playing your music?

"In a loud, sweaty venue late at night where everyone's drunk and enjoying themselves."

What will you try to provide people with during your live performance at 'Liverpool Sound City'?

"It's the first time I've ever played Liverpool so I hope to provide some fun times and some energy."

Does Liverpool hold any memories for you?

"I've never even been there! I just think of the Beatles really, I'm sorry if that's a gross stereotype."

What's the most memorable gig you've played so far?

"Probably the Brighton show where I headbutted my guitar and broke my nose. I was pissing blood everywhere whilst still playing and then everyone bundled my bassist Joe. It was so good."

Do you have a favourite venue to play?

"I've played there so many times but I do love the green door store in Brighton. I like it's cobbled floor even though my drummer Alex broke his coxis whilst stage diving to Traams on those hard hard stones."

Where there any bands or artists, in particular, that inspired you growing up?

"At first it was the classics, Jimi Hendrix etc then people like the Black Lips really inspired me to make energetic guitar music."

Do you have any other creative outlets?

"Not really, I'm a terrible drawer. I like being in the mountains and being in nature as much as possible though."

What's your favourite record shop?

"Itunes"

What have you been listening to recently?

"Almost solely Neil Young. Also The Monks, the 70s band The Stawbs turned into. Its so funny how drastically different they are."

What are you looking forward to this year?

"Touring! My gig schedule is getting busier every day and I fucking love it. I'm really looking forward to playing End of the Road Festival and Liverpool Psyche Fest especially."

Theo Verney, hailing from Brighton, has been making waves underneath the surface. Influenced by the American garage DIY attitude he has sculpted his own brand of rock'n'roll.

If you're into Ty Segall, Fuzz (Ty Segall and Charlie Moonheart) and, in my mind, Kurt Vile and the Violators - be at The Kazimier Friday 2nd May 19:30PM to witness Theo's first Liverpool performance.

Although Theo's music seems to be easily compared to these American artists - he definitely has his own sound. He's able to switch from heavy fuzzed out riffs to optimistic melodies with ease. With his tour book filling it's sure his brilliance will spread.

He debuted on, Conan of Mazes label, Italian Beach Babes with a limited cassette tape T.V. E.P. 

Since 'T.V. E.P.' Theo has released on 'Hate Hate Hate Records' with his 'Heavy Sunn' 10". They are also responsible for releasing music from The Wytches, Loom and Fat White Family - all playing Sound City this week.

He is currently touring the UK. If you can't reach a gig, check out his shit and keep your eyes peeled as there's undoubtedly great things to come.

You can also catch Theo Verney at this years Liverpool Festival of Psychedelia. 

Check out all Theo's recordings so far here - all instruments played, recorded and mixed by the man himself.

Check out his website here.

Grab a copy of the limited 'Heavy Sunn' 10" here.

Grab a copy of the limited 'TV. EP' cassette here.

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[thesoundstalker]

INTERVIEW: LOLA COLT TALKS TO SOUND STALKER

Sound Stalker talks to Matt of Lola Colt leading up to their appearance at Liverpool Sound City this week.

How would you describe your sound?

"An ever-changing melting pot of all the things we love."

What influences your approach to making music?

"Capturing thoughts, emotions, ideas, dreams and turning them into music is a constant learning process. Your approach changes based on what you learnt the last time you attempted it."

What inspires your lyrical content?

"I had to ask Gun this one. She replied… 'The darkest side of my moon'."

When are you next in the studio?

"We've just finished recording our first album. It took around 5 months, so we're looking forward to a break from it. We want to concentrate on live shows for a while."

What’s your ideal setting for playing your music?

"If you're playing to/with people that are tuned in, it doesn't really matter where you are. A dive bar or a stadium, a field or a desert. It's as much about the set as the setting."

What will you try to provide people with during your live performance at Liverpool Sound City?

"Just a guiding hand. A way to experience the journey with us."

Does Liverpool hold any memories for you?

"We've played in Liverpool twice, at the last two Liverpool Psych Fests, and they were truly special events. In my mind Liverpool is one big swirling colourful dream."

What's the most memorable gig you’ve played?

"There are so many different ways a gig can be memorable, it's hard to say. One that's definitely up there was last years Levitation festival in Angers, France. We were invited to play by Austen Psych Fest/The Black Angels and the whole event just blew our minds."

Do you have a favourite venue to play?

"Not really. We played the Village Underground in Shoreditch last month - that's a great one. Seriously loud."

Where there any bands or artists, in particular, that inspired you growing up?

"Growing up takes quite a while and you go through so many phases, each with it's own soundtrack. I guess some of the names that have stayed with me and probably always will are The Velvet Underground, Jefferson Airplane, The Jesus & Mary Chain, The Cramps, Nick Cave & The Bad Seeds …the list could go on."

Do you have any other creative outlets?

"I'm a graphic designer. I also like to draw, and occasionally I make things."

What's your favourite record shop?

"Sister Ray's in Soho"

What was the last record you bought?

"Last week we played an in-store show for record store day at Sound It Out Records. I picked up The Cramps 'Smell Of Female'. It's a live album and it is WILD."

What have you been listening to today?

"Mainly the new Lola Colt album ha - making some last minute notes for the final mastering session this week. Other than that I gave The Cure's 'Disintegration' a spin, oh and 'Honey's Dead' by JAMC."

What are you looking forward to this year?

"Playing live again after spending the winter locked away in the studio. Can't wait to share our record!"

(Photograph - Rhiannon Adam - Polaroid Photography)

Lola Colt have been welcomed to Liverpool Festival of Psychedelia over the last two years and are known by the people who have been lucky enough to partake in their journey so far.

If you've yet to witness Lola Colt. You're in luck - they're playing Thursday May 1st 10:00PM in Factory, Liverpool. 

Their sounds are drenched in psychedelic soundscape and are sure to captivate.

They've been locked away working on new material and recording over the long winter months. On Thursday they'll air their musical ventures to the people of Liverpool.

Lola Colt turned heads with 'I Get High If You Get High'. Since then they have been receiving more, and more, attention and rightly so.

Check out their music, gig and release information here.

Their new single 'Vacant Hearts' is out June 2nd.

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[thesoundstalker]

INTERVIEW: SUNSTONE RECORDS TALKS TO SOUND STALKER

Sound Stalker talks to Ant and Sie of Sunstone Records about upcoming releases, Soar Angelic Festival and their record bag favourites.

Why did you start your label?

"Ant - I went to a Liars gig in Liverpool, and there was a band called Beast supporting who really blew us away. They had no merchandise to buy at that time, and that was literally it. We said, why don't we press a record so we can listen to that at home. That was how it started, and pretty much the rational has been the same since, press stuff we want to own."

Where did the name 'Sunstone' come from?

"Ant - It comes from a key stone at Stonehenge. We wanted something British and pagan in terms of reference, I forget why now. Originally we were called Satori, but by the time we got the spelling right in the logo we found out there was another 15 labels with the same name."

How do new releases develop?

"Ant - It varies, we stumble across stuff and then chase the band, some of it arrives by post, some of it electronically. We've been working a lot with Nathan from Active Listener. He does digital releases of mind-blowing stuff, so we're going to do vinyl releases of some of the artists and records we're taken with."

Will your releases be re-pressed?

"Ant - If they are, then it'll be with different artwork, labels etc. The first presses, and the people that bought them in support of us deserve that. Being a record collector for the past 35 years personally I recognize that detail as necessary."

What releases are in the pipeline for Sunstone Records?

"Ant - Balduin's long player 'All in a Dream' will be released in July, White Candles 'Flowers for Delia' ep in July too. The Trappist Afterland lp will come out in early September, with a couple more singles between then and the end of the year; Haleiwa, which is kind of C86 crossed with NEU!, and Nine Shields who sound like Vashti Bunyan jamming with someone from the Warp stable."

What are you going to try to provide people with at Soar Angelic Festival?

"Ant - Interesting music, fun atmosphere, and some tunes to have a groove to. I'd like people to be able to remember it fondly. Maybe a Sunstone mug too?"

What should people expect from Sunstone artists, 'Three Dimensional Tanx' and 'Balduin' backed by 'The Lords Of Thyme', on the night?

"Ant - 2 very different sets. Balduin and the Lords will be like being transported back to 1968 and listening to very fine psychedelic pop music with early progressive leanings. 3D Tanx will pull you back into today pretty quickly. Raw, high-energy pop music."

What's definitely going to be in your record bag?

"Ant - For me I'll take some staples that people know; Beatles, Stones, Kinks, Small Faces, Hendrix, Cream etc. Then some lesser known UK and US psych and prog. Some Krautrock. Some South American stuff. Nordic stuff. Early Electronica. Bit of everything for me.

Sie – I usually travel light with a bag of seven inch singles! There will be some UK Freakbeat, some Joe Meek productions, Turkish psych rock, Spanish beat, American garage punk and some obvious classics – Stooges, MC5, Blue Cheer, Funkadelic and newer gear from labels like Great Pop Supplement and Ghost Box. Anyone who heard my set at the 2013 Liverpool Festival of Psychdelia will know what to expect…"

Why do you think vinyl production is important for music going forward?

"Ant - It's important for me because I've always collected it, and it's my preferred format for all the reasons associated. For some people it might not matter, each to their own. I think it'd be a shame to lose it as a format from a personal perspective. The same for someone who collects cd's etc. Good to see it making a come back, you don't get covered in shit digging through MP3s!"

If you could attend any gig of all time, what would it be?

"Ant - Tough question! Beatles rooftop gig

Sie - The Action, The Move and the Who on Morecambe Pier – sharp suited mod meets pop art with a dash of auto destruction – any one of a thousand bottom of the bill bands from the 60’s! John’s Children or a band like the Flies – proto punk freaks who tore up ‘steppin’ stone‘…"

Do you have a stand out gig from your youth that inspired you?

"Ant - Seeing Mudhoney and Nirvana on their first UK tours was great before it all got blown out of proportion. It was nice to be in small venues with those bands.

Sie – Loop and Primal Scream at Manchester International. Mary Chain and Pastels at Clouds in Preston – incendiary!…Stone Roses, early Verve gigs before the pomp set in – the Five Thirty – a band that managed to channel Hendrix, Fool’s Gold and the energy of the Jam…being a non-musician most gigs inspire me – most recently it’s been Michael Head and his Red Elastic Band…and Sunstone faves Three Dimensional Tanxs…"

Do you recommend any distros for fellow vinyl obsessives?

"Ant - The Active Listener"

Do you have a most treasured record?

"Ant - I have a few. Probably Lady Killer by Mouse on Sovereign

Sie – Signed Odyssey and Oracle by the Zombies , too many to mention – lots of records from Eastern Europe – Poland and the Czech Republic …the Sunstone releases all make me proud. Anything by Arthur Lee and Love, Rain Parade, Shack, Galaxie 500…endless…"

What have you been listening to today?

"Ant - Greek Theatre, Folkal Point, Stark Naked, Can, Bill Callahan

Sie – a CDR of the set I played when I played with the Lords of Thyme recently, a new album on Finders Keepers ‘all the colours of dark‘ an incredible soundtrack grail that has thankfully had a reissue, Satan’s Satyrs – filthy biker hard rock action, Atlas by Real Estate and the Klaus Johann Grobe album on Trouble in Mind – it’s amazing…Bakery – rock mass for love – Australian prog mass!"

What are you looking forward to this year?

"Ant - Releasing (Choose) Balduin's LP, and Volume 2 of Kosmischer Laufer (about time!)

Sie – Soundcarriers album, more from Sugarbush Records and our own label – Balduin album is stunning."

(Sunstone Records Left to Right - Sie Norfolk, Ant James, Will Crighton - Holding 'Klaus Johann Grobe - Traumhaft / Nicht Zu Stoppen)

Sunstone Records are an independent record label based in North West, England. They are responsible for immortalising sounds on wax from artists and bands all over the globe. "It's not about hobbies, it's how we are".

They've got a, lovingly, hand-picked selection of musicians all sharing a psychedelic tinge.

Sunstone Records were the first label to release Klaus Johann Grobe's music and will be the first to bring, the illusive, 'Balduin' to the UK for Soar Angelic Festival this month. 

If you haven't yet checked out their artists - I recommend you do so. You'll find everything from 60's influenced psychedelic pop to acid folk. 

There are lots of exciting releases in the pipeline for music lovers and all releases mindful of vinyl collectors. 

Sunstone Records will host Soar Angelic Festival's finale on Saturday 24th May. Bringing festival goers the "Swiss alchemist of sound" 'Balduin' backed by 'The Lords of Thyme'. Balduin's first UK performance is bound to be compelling. His brand of dreamy psychedelic 60's sound seems truly heartfelt. 'Three Dimensional Tanx' are also sure to impress with their high intensity psychedelic pop music.

These differing sets will be sandwiched between Sunstone Records' wax stronghold - dished out by Ant and Sie. Not to be missed. 

(Poster by Mike Howard)

Check out all Sunstone Records Artists here.

Keep your eyes peeled -  Sound Stalker talks to 'Balduin' very soon.

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[thesoundstalker]

RELEASES: Interesting new releases this week.

Here’s a selection of releases from all over the globe this week…

The Ar-Kaics - Make it Mine / Movin' On

The Ar-Kaics release their 3rd single and it's great. Limited to 300 so don't sleep. Garage punk rock worshiping the 60's.  

BUY / LISTEN / SOUND STALKER INTERVIEW

Witch - Movin' On

Disco sucks? Nah. Re-issue of Witch's most diverse release. Early 80's disco out of Zambia. 

BUY / LISTEN 

Goosebumps - Scared to see a Doctor

This, once more traditional, NY hardcore punk band have shown different influences on their new release. A good ol' messy affair.

BUY / LISTEN

Meridian Brothers - Salvadora Robot

The Meridian Brothers were responsible for bringing us their weird rendition of 'Purple Haze' called 'Niebla Morada' (LISTEN).

Their sound is odd, experimental and enjoyable. 'El gran pájaro de los Andes' makes you feel like you're playing Mario on acid in middle of the jungle. 

See what you reckon.

PRE-ORDER / LISTEN

Perspex Flesh - S/T

Noisy assault on the senses. Hardcore punk out of Leeds, UK. For fans of Infest, Negative Approach and Voorhees.

BUY /  LISTEN

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[thesoundstalker]

EVENT: SOAR ANGELIC - A HAPPENING OF PSYCH SYNTH AND SOUND

One of Chester's finest, Telford's Warehouse, has conjured a mystical 3 day event.

They've put together a wild line up that involves local and international artists. Soar Angelic will incorporate sight and sound.

(Poster design by Mike Howard)

Telford's Warehouse released this press statement:

"During May 2014, Telford’s Warehouse will pay homage to the global psychedelic renaissance, popularising sub cultures all over the world.

On the fringe of the city, Telford’s Warehouse stands proud as Chester’s epicentre of live music and performance and will not fail passionate music lovers with this unique and creative happening of psych, synth and sound. Soar Angelic will take place from the 22nd – 24th May 2014 within the walls of the historic, industrial canal side venue. The three day festival will celebrate psych through a variation of media. Visual art and film will be displayed alongside live performances, DJ’s and a record fair will stand on the Saturday with stalls from VOD Music, Grey & Pink plus Woodstock Records.

The line-up includes Chester’s very own ‘trip gaze’ indie outfit Chemistry Lane headlining the Thursday. White Noise Sound from Swansea headline the Friday with support from Liverpool’s Wild Eye’s and BBC Radio DJ Adam Walton keeping the dance floor swinging. Saturday is brought to you by Sunstone Records featuring their latest signings 3D Tanx and Balduin. This popular Swiss artist will be backed by The Lords Of Thyme whose shows rumour to wander into sonic Krautrock improvs.

Light shows will complement live performance adding an element of 1960’s psychedelia; reminiscent of the iconic liquid light shows such as Pink Floyd’s ‘Games For May’ & Andy Warhol’s ‘Exploding Plastic Inevitable’. Lazers and projections will create colourful imagery, kaleidoscopic shadows, organic shapes and geometric patterns upon Telford’s exposed brickwork and cavernous stage area.

Saturday will also find Telford’s dance floor transform into a relaxed arthouse style cinema with retro, psychedelic and abstract cult film screenings complete with a snack kiosk serving flavoured popcorn.

So don’t be a square, open your minds and head down to this eye opening musical gathering at Telford’s Warehouse for the first Soar Angelic festival. Entry is free except for the hours 9-12:30 Fri/Sat where a £4 door charge will be levied. Advanced tickets to guarantee entry on these nights will be available from www.seetickets.com. For more information on acts and performance times please visit www.telfordswarehouse.com."

Sound Stalker will feature interviews with artists and record labels involved leading up to Soar Angelic to give you an insight into their world. 

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[thesoundstalker]

REVIEW: GOOD THROB - FUCK OFF

Good Throb display urgency, fury and wit. It’s a personal insight into modern reality.

(Photograph - SuperFi Records)

They're pissed off with life but the way KY Ellie portrays her hate can’t help but make you happy. Lyrics like ‘don’t want to see your crusty dick’ (Track: Psycho Disco) will make you crack a smile.

They talk about how the “big balls man needs lots of space” on the tube (Track: Central Line), shitty Monday mornings and “drunken propositions” (Track: Crab Walk). They knock out these daily gripes so well. As they have in the past with ‘Bag’ which depicts and destroys mundane retail phrases.  

Alongside the humour that runs throughout the album, there’s also endearing elements and, obviously, rage. The tracks ‘Mummy I’m Ugly’, ‘No Taste’ and ‘Pale Grey Suits’ are good examples of this. “They said how are you? I thought that was nice” (Track: Pale Grey Suits).

As for comparisons, KY Ellie’s vocals remind me of Sheric D of ‘The Nerve Agents’, especially on ‘You’re Shit’. Her voice is wild but sharp. KY Ellie's Southern heritage comes through strong - as it should.

‘Fuck Off’ is packed full of bangers. ‘Double White Demin’, ‘Mummy I’m Ugly’ and ‘Central Line’ stand out. But they’re all good really. ‘Mummy I’m Ugly’ features some high pitch yelps that hang over the chorus until it bounces back in.

After two brilliant 7"s these London punks have let loose their first full length LP. 'Good Throb – Fuck Off' was co-released by White Denim, Super-Fi and Sabremetric last week. There are 572 copies available. I suggest you grab one.

Listen to their music here.

If you live in the UK - grab a copy for £7 here. Bargain.

US - SuperFi.

Check out their tumblr. 

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