nemfrog: Plate XII. Stars of color. The heavens. 1867.
occasionally subtle
Stranger Things
d e v o n
Misplaced Lens Cap

blake kathryn

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we're not kids anymore.

Product Placement
Show & Tell
trying on a metaphor

gracie abrams
Noah Kahan

bliss lane

pixel skylines
2025 on Tumblr: Trends That Defined the Year
ojovivo

shark vs the universe
noise dept.
Xuebing Du

Love Begins

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@thewavesthewaves
nemfrog: Plate XII. Stars of color. The heavens. 1867.
Springtime fog by Stanislaw Witkiewicz
My Death Bed of Flowers by Peter Richards
The Some-whats have come to persuade me
They drag three gowns unfolding my Mass face—
the drawstring ravels no ashes at all ..
The Some-whats have come to convey me
Waters are tepid, careful, and I walk on the waters—
a pond with your name drank from these woods.
With their long and lute fed black sponge of hair
the Some-whats are bending to bathe me—
a trickle of three days for the back of my neck,
a night once know and not how it seems
washes what washes away
all but the last things washing away.
I’m told to crawl inside and lead those hoods behind.
I’m told to lie quiet—pretending is good.
Among these there’s a petal that’s you.
I bend for each petal that’s me.
Find each petal bending for me.
I say “pretty.” I’m allowed to say pretty.
It tickles, this hill. The sprinkle of flowers.
This all-along-a-hill slow bending for me.
Peter Richards
my brother at 3 am by natalie diaz
He sat cross-legged, weeping on the steps when Mom unlocked and opened the front door. O God, he said, O God. He wants to kill me, Mom. When Mom unlocked and opened the front door at 3 a.m., she was in her nightgown, Dad was asleep. He wants to kill me, he told her, looking over his shoulder. 3 a.m. and in her nightgown, Dad asleep, What’s going on? she asked, Who wants to kill you? He looked over his shoulder. The devil does. Look at him, over there. She asked, What are you on? Who wants to kill you? The sky wasn’t black or blue but the green of a dying night. The devil, look at him, over there. He pointed to the corner house. The sky wasn’t black or blue but the dying green of night. Stars had closed their eyes or sheathed their knives. My brother pointed to the corner house. His lips flickered with sores. Stars had closed their eyes or sheathed their knives. O God, I can see the tail, he said, O God, look. Mom winced at the sores on his lips. It’s sticking out from behind the house. O God, see the tail, he said, Look at the goddamned tail. He sat cross-legged, weeping on the front steps. Mom finally saw it, a hellish vision, my brother. O God, O God, she said.
To My Flowers by Eileen Miles
Why
did you just
come and
die.
Light: Winter by Inger Christensen
Winter is out for a lot this year
the beach already is stiff
all will be one will be one this year
wings and ice will be one in the world
all will be changed in the world:
the boat will hear its steps on the ice
the war will hear its war on the ice
the woman will hear her hour on the ice
the hour of birth in the ice of death
winter is out for a lot.
Out for the houses the cities
out for the forests the clouds
the mountains the valleys fear
the heart the children peace.
Winter is out for a lot this year
the hand already is stiff
the crying of children is heard in the house
one will we be one life
I hear my house slip with the world
and scream all that has been screamed
the heart rams its boat into ice
shells rustling in the hull
winter is out for as much.
If I freeze fast in the ice
if you freeze fast my child
my great forest next summer
my great fear as I come
if you freeze fast my life:
then I am a vulture of wings and ice
tearing my liver, my living life
awake in eternity.
This winter is in for a lot.
Spring and Fall
Márgarét, áre you gríeving
Over Goldengrove unleaving?
Leáves like the things of man, you
With your fresh thoughts care for, can you?
Ah! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.
--Gerard Manley Hopkins
continental divide by d.a. powell
had no direction to go but up: and this, the shattery road
its surface graining, trickle in late thaw—is nothing amiss?
—this melt, the sign assures us, natural cycle
and whoosh, the water a dream of forgotten white
past aspens colored in sulfur, they trembled, would
—poor sinners in redemption song—shed their tainted leaves
I tell you what boy I was, writing lyrics to reflect my passions:
the smell of a bare neck in summer
a thin trail of hairs disappearing below the top button of cut-offs
the lean, arched back of a cyclist straining to ascend a hill
in the starlight I wandered: streets no better than fields
the cul-de-sacs of suburbia just as treacherous, just as empty
if wood doves sang in the branches of the acacias, I could not hear them
anyone lost in that same night was lost in another tract
the air pulsed and dandelion pollen blew from green stalks
—that was all
and yes, someone took me in his car. and another against the low fence
in the park at the end of our block. under the willow branches
where gnats made a furious cloud at dawn and chased us away
I knew how it felt to lie in a patch of marigolds: golden stains
the way morning swarmed a hidden rooftop, the catbirds singing
the feel of ruin upon lips rubbed raw throughout the night
granite peaks: here, the earth has asserted itself. and the ice asserted
and human intimacies conspired to keep us low and apart
for an ice age I knew you only as an idea of longing:
a voice in the next yard, whispering through the chink
a vagabond outlined against the sky, among the drying grass
we journey this day to darkness: the chasm walls lift us on their scaly backs
the glaciers relinquish their secrets: that sound is the ice bowing
and the sound underneath, the trickle: the past released, disappearing
you pinnacle of my life, stand with me on this brink
half-clouded basin caked in flat grays, the very demise of green
you have surmounted the craggy boundary between us.
you open a place for me in earth, receiving my song
—for Haines Eason
rainbabies
Child Burial
Your coffin looked unreal, fancy as a wedding cake. I chose your grave clothes with care, your favourite stripey shirt, your blue cotton trousers. They smelt of woodsmoke, of October, your own smell was there too. I chose a gansy of handspun wool, warm and fleecy for you. It is so cold down in the dark. No light can reach you and teach you the paths of the wild birds, the names of the flowers, the fishes, the creatures. Ignorant you must remain of the sun and its work, my lamb, my calf, my eaglet, my cub, my kid, my nestling, my suckling, my colt. I would spin time back, take you again within my womb, your amniotic lair, and further spin you back through nine waxing months to the split seeding moment you chose to be made flesh word within me. I'd cancel the love feast the hot night of your making. I would travel alone to a quiet mossy place, you would spill from me into the earth drop by bright red drop.
--Paula Meehan
The Old WPA Swimming Pool in Martins Ferry, Ohio
I am almost afraid to write down
This thing. I must have been,
Say, seven years old. That afternoon,
The families of the WPA had come out
To have a good time celebrating
A long gouge in the ground,
That the fierce husbands
Had filled with concrete.
We knew even then the Ohio
River was dying.
Most of the good men who lived along that shore
Wanted to be in love and give good love
To beautiful women, who weren't pretty,
And to small children like me who wondered,
What the hell is this?
When people don't have quite enough to eat
In August, and the river,
That is supposed to be some holiness,
Starts dying,
They swim in the earth. Uncle Sherman,
Uncle Willie, Uncle Emerson, and my father
Helped dig that hole in the ground.
I had seen by that time two or three
Holes in the ground,
And you know what they were.
But this one was not the usual, cheap
Economics, it was not the solitary
Scar on a poor man's face, that respectable
Hole in the ground you used to be able to buy
After you died for seventy-five dollars and
Your wages tached for six months by the Heslop
Brothers.
Brothers, dear God.
No, this hole was filled with water,
And suddenly I flung myself into the water.
All I had on was a jockstrap my brother stole
From a miserable football team.
Oh never mind, Jesus Christ, my father
And my uncles dug a hole in the ground,
No grave for once. It is going to be hard
For you to believe; when I rose from that water,
A little girl who belonged to someone else,
A face thin and haunted appeared
Over my left shoulder, and whispered, Take care now,
Be patient, and live.
I have loved you all this time,
And didn't even know
I am alive.
James Wright
At First He Tried to Drown Himself, / Then He Emigrated
Peony, peony /
this is a yellow milk dish, /
Overheated, Misa is still sleeping. /
We pulled him out of the Mura.
Scout, kiss this bit of earth. /
Rub your eyes in Australia. /
The falls there run on milk.
--Tomaz Salamun
iowa this winter