Underneath The Boy and the Heron Lies a Moving Story about Women
This essay contains spoilers for Studio Ghibli’s The Boy and the Heron. I went into The Boy and the Heron completely blind. If you may recall, Hayao Miyazaki’s latest film debuted in Japan in July with zero marketing. No trailers, no synopsis, no early reviews. Only a singular artistic poster with a heron on it. I wanted this same experience here so I didn’t watch any of the trailers. I’m glad I…
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