Private Home | Anna Leena Karlsson
taylor price
cherry valley forever
ojovivo
sheepfilms
KIROKAZE
YOU ARE THE REASON

shark vs the universe
hello vonnie

pixel skylines
Noah Kahan
Doug Jones
noise dept.

roma★
Jules of Nature
official daine visual archive

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@theartofmadeline
Sade Olutola
NASA
Sweet Seals For You, Always

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Private Home | Anna Leena Karlsson
Table by Waka Waka
Ulrika Bernhardtz / H&M / Arket / Copenhagen / Store / 2017
Nolii / Big Stack / Portable Battery / 2017
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acne studios
Max lamb
Kebei Li / Macbeth / Engineering prototype / Lamp / 2016
Donald Judd, Untitled, 1978
Brushed aluminum in six units
PDC 1A + PDC 1B
PIERRIC DE COSTER
Blair Thurman [USA] (b 1961) ~ “SAND Cast Pre-Cast”, 2016. Acrylic on canvas on wood (231 × 145 × 18 cm).
Sheet Cabinet is a minimalist cabinet created by Oslo-based designer Bjørn van den Berg. Sheet Cabinet explores the relation between hiding and exposing stored objects by changing the angle of the front sheets. The positioning of the hinges allows the doors to revolve in a 90 degree rotation from front edges to side edges, always remaining open from one or two sides. With a subtle hand movement the cabinet changes its sculptural expression, raising the question if it is a shelf or a cabinet. The finish of the material adopts its surrounding depending on time of the day and positioning of the doors, making you aware of the moment.
An Office for Three Companies - Only If
Minimal Handles Collection | RELVÃOKELLERMANN
Handles are one of these everyday objects that you don’t really appreciate until they stop working. Or until you come across some that were exceptionally well designed. Like the Minimal Handles Collection, designed by Munich-based RELVÃOKELLERMANN on behalf of manufacturer Griffwerk.
Griffwerk, who already produced the famous Ulmer handle by Max Bill, had just invented a new technique to glue handles to glass sliding doors without cutting the glass or using screws. So they were looking for a design studio which would be able to handle a task with very tight restrictions. The technique was a given, as were the classic shapes of L-profile grips, C-profile grips and a push handle.
To be inspired and still stick to the tradition of Griffwerk, RELVÃOKELLERMANN went back to the premises of HfG Ulm. It was not only a direct successor of Bauhaus and a teaching realm of Max Bill, but it also lies close to the premises of Griffwerk. What RELVÃOKELLERMANN took away from this visit was a logic and a grid that facilitated them to create a set of simple, filigree and elegant handles which make you realise the design, the quality and the tactile sensation of using them without asking for too much attention. A collection of true handle masterpieces.
Fontana Arte - Siptel