Wolfenstein: The New Colossus Review
Machine Games put themselves back on the map with the brilliant Wolfenstein: The New Order. A ridiculous, fast paced and excellent written first person shooter. Machine Games took everything that went well and made the first entry in the reboot and double down to make one of the best first person shooters I have ever played. Amazing story, check. Amazing gameplay, check. Amazing characters, check. Incredible level design, check. Memorable moments aplenty, check. Wolfenstein 2: The New Colossus is a brilliant game and takes huge steps in terms of telling an interesting story and building upon the characters established in the first game.
Wolfenstein 2: The New Colossus does a great job building upon the impressive cliff hanger that left us wanting more at the end of the first game. We pick up with a broken, battle wounded and dying BJ Blaskowicz, recuperating on the Nazi U-Boat that encompasses the rest of his crew as they desperately evade the dominate Nazi regime. The game makes the most of tender moments, but ramps up the hyper violence soon after. The opening scene sets the tone of the game, as you roll around the U-Boat in a wheel chair blasting Nazi Limbs from bodies and being the absolute meat axe that BJ is. The story this time centres around this theme for the early stages and really develops BJ as someone who realises that he is fighting for everything and anything, but realises that he is going to die and miss the birth and live’s of his twins. This is heavy and the voice acting, small quips and incidental dialogue is so meaningful throughout the game. We get this all the time as BJ works to overthrow the Nazi Tyranny who have taken over the world.
Story and character moments are what make Wolfenstein so memorable and a stand out game from 2017. This is not unexpected due to the quality and craftsmanship that the first game in the series received. Once again the game stars are wacky cast of characters that does change depending on an initial choice that you get to make again. No matter how it plays out, there will be so many wacky moments between the game’s characters that you really feel for their turmoil, cringe when something goes wrong and value the down time in between the game’s hectic surroundings. As you explore the Nazi U-boat that becomes a hub in between the games missions, you often stumble across heart felt or hilarious moments between the game’s characters. It makes the world, the narrative and the characters feel more believable. There is always a sense of victory, despite the overwhelming odds. On the other side is the terrific performance of the game’s villain. We all remember Frau Engel from the first game, she returns, more menacing, more evil and bent of the death of BJ. The performance by Nina Franoszek is brilliant and makes Engel one of the most memorable video game villains in recent times.
There is also a number of absolutely insane ‘Holy Shit’ moments that left my jaw hitting the floor. A unexpected twist regarding a movie scene, an intense moment of violence from a naked woman, a conjoining of two very important elements in order to live and a very precise hatchet all were downright incredible story moments. To say more would be unfair, as the game simply thrives on these moments. There is also some unexpected, but very well delivered moments with BJ’s father and the impact that he had on BJ’s development. Bethesda and Machine games have crafted a terrific narrative that makes Wolfenstein more than just shooting Nazis, however there is plenty of that. What’s not to love about shooting some Nazi Assholes.
The combat in Wolfenstein the New Colossus is very much the same as the New Order. BJ is a Nazi killing machine. In typical Wolfenstein fashion, BJ can carry a small arsenal in his pocket and dual wield absolutely everything. This is how the game should be played. Dual wielding, moving from location to location as quickly as possible and out manoeuvring the enemy is vital. The New Colossus is a very hard game. It will kill you with no mercy. Your only hope to survive is learn how the game wants you to play and get very good at that. What does feel poorly done is the stealth elements that were so expertly implemented in the New Order. It was very possible to stealth through and kill the majority of enemies in the first game, making the rest easy pickings with a quick shotgun to the head. In the new Colossus this seems to be near impossible, as Machine Games are encouraging the bombastic fights that the series thrives upon. The combat is, fast, furious and fun, however nerving the stealth and spreading the enemies makes it much more difficult. Upgrades once again are extremely important. The more you perform an act, e.g. mowing down enemies with dual wielded weapons, or popping headshots, the more you will upgrade your attributes. It feels natural and well thought through again and does give a great sense of progression as you make your way through the game. While the enemies are resistant and tough, they will go down with some effort, however the game does not do the best job letting you know that you are being tagged by enemies. The feedback given in other games like a red screen, blood splatter or sound effects is simply not there and this can get you killed over and over if you are not paying attention to your health bar.
Wolfenstein: The New Colossus proves once again that single player, story driven shooters are still important to the gaming medium. The clever writing, amazing set pieces and memorable moments, combined with great combat, intriguing characters and wonderful sound design and visuals, make this a must play experience for fans of video games. Machine games are the masters at making shooters that are engaging and deep and The New Colossus is no exception.
9/10
Reviewed on Xbox One













