Performance art consists of more than what I originally thought it did. Before reading the text and watching the media for the week, I thought that performance art was when an artist is in front of a crowd, such as a musical performance, dance, or drama. The text opened my eyes this week and made me realize that there is much more to performance art than just being on stay.
Performance art had five main original subcategories that many works could also be classified as. Action is one of the earliest and creates suspense, often relating the artist to the work itself. Body art positions the artist within the work or the artist’s body is used as a canvas or media. Happenings are influenced by Dada and are often characterized by improvisation. Endurance tests the capabilities of the human body, often being near the line of torture and abuse. Ritual art begins to make the work have a sacred meaning or background.
Bree Newsome is an African American contemporary performance artist (shown below) who is known for her activism for equal rights. Her works can be controversial. One of the most controversial is her removal of the confederate flag. She voiced her opinion and took down the flag, then was arrested for it. It is her right to voice what she believes in and she got arrested because what she did was illegal, however, removal of the confederate flag, in my opinion is not right. The flag is part of our history and reminds us of all the lives that were lost. We need to remember so history doesn’t repeat itself.
Our featured artist this week, Janine Antoni, is a performance artist whose work often closely resembles that of sculpture. Her work “Touch and Moor” was interesting to learn about. It is amazing that, although she may have wanted to anyway, Antoni learned to tightrope for this piece or one of similar design. When you think about it, tight roping represents our everyday life. Different events happen that throw everything out of balance, and we make adjustments to stay upright and keep moving. When we fall, as many tight ropers do, we get right back up again and try again. It is a balancing act where we have to make constant adjustments, and if that adjustment isn’t just right we fall back and have to try again.
One of Antoni’s pieces that really caught my attention, is Lick and Lather, shown below. I believe that she is trying to convey to us that the more we are used, and abused, the less we are recognized. We have to stay out of situations that will make us unrecognizable otherwise we will end up like the sculptures did, unable to be recognized.
The relevant artist I decided to touch on this week is Adrian Piper. She is an American performance and concept artist known for her works that provoke controversy over race, gender, class, and identity. She uses many medias and often features herself within her works. Both of her parents are of mixed racial background; therefore, she confronts many topics many wouldn’t consider.
Attached below is Piper’s work, I am the Locus #1. I find this work intriguing because the word locus is defined as a particular point, position, or place. The work is stating that the person is the point of consciousness. Consciousness can be described as having knowledge or awareness of something. This leads me to believe that the person knows something that nobody else does, and no one know it. Consciousness can also be worried or painfully aware of something. This could mean that he is worried for someone else. He seems to be lost in thought so either of these could be the case.
https://art21.org/watch/art-in-the-twenty-first-century/s2/janine-antoni-in-loss-desire-segment/
http://www.artnews.com/2013/02/21/chocolate-self-portraits-by-janine-antoni-and-dieter-rot/
https://www.britannica.com/biography/Adrian-Piper
http://theconversation.com/bree-newsomes-superwoman-style-confederate-flag-pole-climb-was-an-artistic-statement-44050
Performance Art - the Art Story