PROTECT ETHNIC MINORITIESÂ

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Kiana Khansmith
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@trappedinthebirdcage
PROTECT ETHNIC MINORITIESÂ
Whenever Future comes on
the difference between white parents and black parents
Lmfaoooooooooo whyyyyyy is this so truuuuu
Black kids out here tryna die for the vine STOP THAT SHIT
Donât trust white boys named Hunter
my best friend in pre-k was a white kid named Hunter and one time i invited him over to my house and gave him an ice cream sandwich and he ate it without even unwrapping it, paper and all
Stonewall Riots + 5 Names To Know
CHINA. Kweilin. 1981. Xing Ping peasants carrying products to market. By Burt Glinn.
deep conversations with open minded people are one of my most favourite things ever
A new series of prints by artist Roger Peet aim to address a tricky topic: cultural appropriation. In his series In//Appropriate, which debuted at Portland State Universityâs Littman Gallery this month, Peet printed images of white Americans engaging in cultural appropriation in black ink on tall banners. Frozen in time, Miley Cyrus joyfully twerks with her tongue in its signature position, a hipster wears a keffiyeh, and Katy Perry smiles in her American Music Awards geisha costume. Behind them, another vision of whitenessâa violent oneâis printed in red: Miley is starkly framed against a scene of police in Ferguson, a bohemian white girl in a feathered headdress is juxtaposed with an iconic photo of a mountain of buffalo skulls.
To accompany the images, Peet constructed special glasses made from cardboard and red plastic. These are âwhiteness goggles,â a sign explains. When you put them on and look at the images, suddenly the red, violent image disappears. Viewers are left with just the visions of Miley, Katy Perry, and Elvis with none of the violence behind them. The viewers are forced to consider the blinders that race creates: one of the privileges of being white is the ability to ignore racism. All too often, the reality of the white supremacy is rendered invisible to people who donât want to see it.
âWhen you put on the Whiteness Goggles, the colonial, military and police violence that underpins casual cultural consumption disappears,â explains Peet, in his artist statement of the project. Peet himself is a white immigrant to the US from Britainâhe works as a politically minded printmaker with the Justseeds Collective. In addition to well-known celebrities engaged in cultural appropriation, the In//Appropriate show includes an image of Peet, foregrounded holding an American flag against a backdrop of the war in Vietnam and Afghanistan. Including himself in the show was important, Peet says, to show that as a white person coming from England, he faced few hurdles in immigrating to the United States. âI was welcomed with open arms,â he saysâa contrast to the racial stereotyping many people of color face when they immigrate the US.
Read more about the showâand listen to voicemails from people calling in to discuss cultural appropriationâon Peetâs Tumblr.
How many Black people will be priced and gentrified out of their neighborhoods because white assholes like this are seeking âadventureâ?
I didnt have the volume on and i thought he was rappingâŚi cant stop laughing
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