「ロスリック」/「uhon」のイラスト [pixiv]
Mike Driver
No title available
styofa doing anything
tumblr dot com
Peter Solarz
No title available
wallacepolsom

izzy's playlists!
Today's Document

Product Placement
Jules of Nature

if i look back, i am lost
AnasAbdin
Keni

@theartofmadeline
Lint Roller? I Barely Know Her

No title available

Love Begins

Kaledo Art
dirt enthusiast
seen from United States

seen from Malaysia

seen from United States
seen from Spain
seen from United States

seen from Belarus

seen from United Kingdom

seen from United States
seen from United States

seen from Belgium

seen from Singapore
seen from United States
seen from Brazil

seen from United States
seen from New Zealand
seen from Germany

seen from Spain
seen from Portugal

seen from Malaysia
seen from Netherlands
@treblancas
「ロスリック」/「uhon」のイラスト [pixiv]
He better leave my head or start paying rent🤡
The fact that I simp so much for Aemond and Geralt says a lot about my taste in men
Ohhh yes. Listen I understand you, Anon haha I have a whole lineup of fictional men who fall under a Very Specific Type.
SNOW AND DIRTY RAIN
Close your eyes. A lover is standing too close to focus on. Leave me blurry and fall toward me with your entire body. Lie under the covers, pretending to sleep, while I’m in the other room. Imagine my legs crossed, my hair combed, the shine of my boots in the slatted light. I’m thinking My plant, his chair, the ashtray that we bought together. I’m thinking This is where we live. When we were little we made houses out of cardboard boxes. We can do anything. It’s not because our hearts are large, they’re not, it’s what we struggle with. The attempt to say Come over. Bring your friends. It’s a potluck, I’m making pork chops, I’m making those long noodles you love so much. My dragonfly, my black-eyed fire, the knives in the kitchen are singing for blood, but we are at the crossroads, my little outlaw, and this is the map of my heart, the landscape after cruelty which is, of course, a garden, which is a tenderness, which is a room, a lover saying Hold me tight, it’s getting cold. We have not touched the stars, nor are we forgiven, which brings us back to the hero’s shoulders and a gentleness that comes, not from the absence of violence, but despite the abundance of it. The lawn is drowned, the sky on fire, the gold light falling backward through the glass of every room. I’ll give you my heart to make a place for it to happen, evidence of a love that transcends hunger. Is that too much to expect? That I would name the stars for you? That I would take you there? The splash of my tongue melting you like a sugar cube? We’ve read the back of the book, we know what’s going to happen. The fields burned, the land destroyed, the lovers left broken in the brown dirt. And then it’s gone. Makes you sad. All your friends are gone. Goodbye Goodbye. No more tears. I would like to meet you all in Heaven. But there’s a litany of dreams that happens somewhere in the middle. Moonlight spilling on the bathroom floor. A page of the book where we transcend the story of our lives, past the taco stands and record stores. Moonlight making crosses on your body, and me putting my mouth on every one. We have been very brave, we have wanted to know the worst, wanted the curtain to be lifted from our eyes. The dream going on with all of us in it. Penciling in the bighearted slob. Penciling in his outstretched arms. Our Father who art in Heaven. Our Father who art buried in the yard. Someone is digging your grave right now. Someone is drawing a bath to wash you clean, he said, so think of the wind, so happy, so warm. It’s a fairy tale, the story underneath the story, sliding down the polished halls, lightning here and gone. We make these ridiculous idols so we can pray to what’s behind them, but what happens after we get up the ladder? Do we simply stare at what is horrible and forgive it? Here is the river, and here is the box, and here are the monsters we put in the box to test our strength against. Here is the cake, and here is the fork, and here’s the desire to put it inside us, and then the question behind every question: What happens next? The way you slam your body into mine reminds me I’m alive, but monsters are always hungry, darling, and they’re only a few steps behind you, finding the flaw, the poor weld, the place where we weren’t stitched up quite right, the place they could almost slip right through if the skin wasn’t trying to keep them out, to keep them here, on the other side of the theater where the curtain keeps rising. I crawled out the window and ran into the woods. I had to make up all the words myself. The way they taste, the way they sound in the air. I passed through the narrow gate, stumbled in, stumbled around for a while, and stumbled back out. I made this place for you. A place for you to love me. If this isn’t the kingdom then I don’t know what is. So how would you catalog it? Dawn in the fields? Snow and dirty rain? Light brought in in buckets? I was trying to describe the kingdom, but the letters kept smudging as I wrote them: the hunter’s heart, the hunter’s mouth, the trees and the trees and the spaces between the trees, swimming in gold. The words frozen. The creatures frozen. The plum sauce leaking out of the bag. Explaining will get us nowhere. I was away, I don’t know where, lying on the floor, pretending I was dead. I wanted to hurt you but the victory is that I could not stomach it. We have swallowed him up, they said. It’s beautiful, it really is. I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube… We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.
RICHARD SIKEN
Why do you study history
✨HI I’M THE PROBLEM IT’S ME✨
Some modern au shenanigans
thinking about how orpheus turning to look back at eurydice isn’t a sign of mortal frailness but a sign of love
“Eurydice, dying now a second time, uttered no complaint against her husband. What was there to complain of, but that she had been loved?” ― Ovid, Metamorphoses
This is true no matter the version you're reading.
1. Eurydice trips and Orpheus turns to help her because he loves her.
2. Orpheus cannot hear Eurydice behind him, and fearing that he's been tricked, turns to make sure she's there.
3. Orpheus makes it out of the Underworld, and so full of love and excitement to be with Eurydice, turns to embrace her, forgetting that they both need to be out of the Underworld.
No matter what happens in the story, Orpheus loses Eurydice because his love for her compels him to look.
Thinking about her, miss Aweng Chuol
Chewing minty gum while wearing a mask like a plague doctor with a beak full of potpourri
IF YOURE AN ENGLISH SPEAKER HERES SOMETHING YOU MIGHT NOT KNOW:
IN THE ORIGINAL ITALIAN, DANTE'S INFERNO RHYMES. THE ENTIRE THING.
THE ENTIRE DIVINE COMEDY RHYMES.
HEARING MY ITALIAN PROFESSOR READ THE FIRST CANTO OUT LOUD IN THE ORIGINAL ITALIAN WAS A FORMATIVE EXPERIENCE FOR ME.
I COULDNT UNDERSTAND A WORD OF WHAT WAS BEING SAID BUT EVERY SINGLE PERSON IN THE ROOM WAS HIT WITH THE SUDDEN AND INTENSE FEELING THAT THE PERSON WHO WROTE THESE WORDS WAS A MASTER OF THEIR LANGUAGE.
IT IS FAIR TO CALL THE DIVINE COMEDY TRANSCENDANT IN ITS BEAUTY.
* not just rhyme its uhmm all lines have 11 syllabes and it rhymes like ABA BCB CDC etc etc etc for EVER very good
ITS A POETIC FORM CALLED TEZRA RIMA THAT IS FAMOUSLY DIFFICULT TO USE WELL
AND MOST ENGLISH TRANSLATIONS DO KEEP VERY CLOSE TO THE ORIGINAL 11 SYLLABLE METER
NEVERMIND POST CANCELLED
NOTES OF THIS POST:
50% AWESTRUCK ENGLISH SPEAKERS
40% BAFFLED ITALIANS
9% PEOPLE WHO DONT UNDERSTAND THE DIFFERENCE BETWEEN RHYME AND VERSE
1% HUMAN PET GUY
... are u telling me that English translations don't follow the original rhyming
TRYING TO MAKE THE DIVINE COMEDY RHYME IN ENGLISH WOULD ABSOLUTELY BUTCHER IT
MOST ENGLISH POETRY IS BASED OFF ALLITERATION AND STRESS RHYTHMS BECAUSE ENGLISH IS A FRANKENSTIEN LANGUAGE WITH SO FEW RHYME GROUPS THAT RHYME OFTEN COMES OFF AS AWKWARD AND SING-SONGY
ITS WHY SHAKESPEARE IS SO IMPRESSIVE HE ROUTINELY MANAGED TO BEAT ENGLISH INTO SHAPE LONG ENOUGH TO RHYME FOR TEN WHOLE LINES WHILE MAKING IT SOUND PERFECTLY NATURAL
Isn't Dante known as a poet? So wouldn't we assume that at least some of his stuff rhymes? Isn't the Divine Comedy considered a poem?
I GET UP TO INVESTIGATE THE STRANGE GURGLING SOUND IN THE LIVING ROOM]
[MY FAILED CATGIRL HOMONCULUS LEAVES ANOTHER SEVERED HAND NEXT TO MY SLIPPERS]
"THANK YOU OKATSU BUT IT IS 3AM PLEASE GO BACK TO YOUR ICHOR VAT I WILL MAKE YOU MORE AZOTH SLURRY IN THE MORNING"
[SHE GRABS ME WITH ALL FOUR TONGUES AND SLAMS MY HEAD THOUGH THE COFFEE TABLE]
Dimitri & Edelgard telling Byleth about their classmates: Sure some have their faults but we’re working on it! They’re all still great.
Claude:
Oh God oh no… oh no please
I couldn’t resist.
Quick notes:
-Mercie is the gentlest dom. Like she knows exactly what you need and you can’t even get a word in edgewise, because she is already pressing all of your buttons.
-Sylvain mostly has sex like a typical guy his age and performs that role pretty well from experience. I can see him bottoming in an emotionally intimate relationship from time to time, but ultimately he is more comfortable having the focus on his partner rather than himself.
-Dedue does whatever it takes to please Dimitri, so that usually involves doing most of the work, since Dimitri has no clue where to even begin (also bottoming for him is probably highly dangerous).
- Ingrid is very vanilla. I can see her just going with what is expected, but getting a bit more into it than she thought.
-Annette is a pretty average girly, but she definitely has some curiosities to satisfy. Could see her getting much more assertive as she gains experience.
-Dimitri is pretty much forced to bottom, but the guy is also so awkward about sex it’s hard to see him take any initiative. Plus, he’s got Dedue, who is entirely laser focused on making him feel good.
-Ashe is pretty much your typical sub/bottom.
- Felix is a tsundere, which pretty much screams bottom energy. Fittingly I also see him swinging wildly between aggressively wanting to call all the shots and just being so fucking tired from being angry all day he can’t muster up the energy to be angry in bed too. (plus if you’ve heard his Japanese voice actor get all soft and bashful, you just can’t help but see him as a sub at least some of the time.)