Galvani House http://www.archdaily.com/17339/galvani-house-architecturespossibles/

Kiana Khansmith
noise dept.
d e v o n
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if i look back, i am lost
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we're not kids anymore.
trying on a metaphor
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
DEAR READER

⁂
Alisa U Zemlji Chuda

Origami Around

JVL
will byers stan first human second
occasionally subtle

Andulka

★
Cosmic Funnies

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@tschenlu
Galvani House http://www.archdaily.com/17339/galvani-house-architecturespossibles/
the tops of parking garages have the best views
Vector Architects - Library, Nandaihe 2015. Via, photos © Su Shengliang.
Centro visite del Parco Naturale, Scuola Elementare e Scuola Materna. INGENIEURTEAM BERGMEISTER SRL, BURGER RUDACS ARCHITEKTEN
Peter Zumthor - Zinc mine museum, Allmannajuvet. Now nearing completion, with the amazing model images below. Via, 2, photos (C) Arne Espeland.
Stadthalle Chemnitz, Hubert Schiefelbein, 1968-1973
BestOf Architecture EPFL 2013 "BestOf Architectural Design" seeks to promote the most successful students’ projects that stimulate and enhance the overall production within the EPFL. This selection of architecture projects from the school’s studios will be shown in a major exhibition at the start of the academic year, and in a catalogue available in bookstores.
Vectorworks Architektur - Prospekt Vectorworks Architektur Prospekt
http://www.kirchnermuseum.ch/sites/de/architektur.html
Promenade 82, CH–7270 Davos, Switzerland
by Annette Gigon & Mike Guyer 1992
RCR Arquitects - La Lira public passageway, Ripoll. Prev. Via.
Looking up at the chandelier in Joachim Schuermann Architekten’s renovation of St. Martin Cathedral, Cologne 1985. Via Thomas Riehle.
Renzo Piano’s office in Punta Nave, 1991.
Octavio Mestre - Olivé Gumà clinic renovation, Barcelona 2011. Via.
RENZO PIANO AND RICHARD ROGERS
THE UNDERGROUND RESEARCH CENTER (IRCAM) AT THE CENTRE POMPIDOU , 1971-77
The Parking Lots of Miami: 1111 Lincoln Road by Herzog & de Meuron.
RENZO PIANO
MUSICAL SPACE FOR THE OPERA ‘PROMETEO’, BUILT IN VENICE AND MILAN, 1983-84
“The aim of the project was to create, exclusively for this opera, a space for music reinventing the concept and organization of a traditional opera house. The audience is seated in the center of a structure, with the musicians surrounding them at various heights. The idea was to create a natural interaction, at different points of the structure, between the space and the music, one existing by virtue of the other.” …back then, when renzo piano was still cool