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Jar Jar Binks Fan Club
RMH
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
tumblr dot com

❣ Chile in a Photography ❣
Not today Justin
NASA
let's talk about Bridgerton tea, my ask is open

gracie abrams
Noah Kahan
Cosimo Galluzzi
Today's Document
One Nice Bug Per Day
Cosmic Funnies
The Stonewall Inn

oozey mess
"I'm Dorothy Gale from Kansas"
seen from Nepal
seen from United States

seen from United States
seen from New Zealand
seen from Netherlands

seen from Germany

seen from United Kingdom

seen from Malaysia

seen from Hong Kong SAR China

seen from Italy
seen from United States
seen from United States

seen from United States
seen from Poland
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seen from Brazil

seen from United States

seen from United States

seen from Türkiye
@tumblemum
Saint Paul the Apostle church, Gallarate, Italy, Maria Rosa Zibetti, 1968-1973. Photo: Stefano Perego, 2025.
Art by Roberto Díaz
Oleg Bulakh
Toshio Saeki
Tarocchi di Sergio Toppi
Tarot Cards by Sergio Toppi
minimalist pencil sketches of cats by Shou Xin (手訫)
substack
robsroom ~ The Void
"My currents are kind, and your flesh is pliant. I will make you something that cannot be bound."
a graven image, which i have neglected to post until now, produced hastily in a fit of madness for @zineoftideandflesh
Teofania, sculpture by Emil Melmoth
This artist on Instagram
This is the great lesson the depressive learns: Nothing in the world is inherently compelling. Whatever may be really “out there”cannot project itself as an affective experience. It is all a vacuous affair with only a chemical prestige. Nothing is either good or bad, desirable or undesirable, or anything else except that it is made so by laboratories inside us producing the emotions on which we live. And to live on our emotions is to live arbitrarily, inaccurately—imparting meaning to what has none of its own. Yet what other way is there to live? Without the ever-clanking machinery of emotion, everything would come to a standstill. There would be nothing to do, nowhere to go, nothing to be, and no one to know. The alternatives are clear: to live falsely as pawns of affect, or to live factually as depressives, or as individuals who know what is known to the depressive. How advantageous that we are not coerced into choosing one or the other, neither choice being excellent. One look at human existence is proof enough that our species will not be released from the stranglehold of emotionalism that anchors it to hallucinations. That may be no way to live, but to opt for depression would be to opt out of existence as we consciously know it.
The Conspiracy Against the Human Race
Thomas Ligotti
The Aurai by Mark Molchan