MA Print @ UWE Degree Show 2015

No title available
Xuebing Du
🪼

PR's Tumblrdome

Origami Around

Discoholic 🪩

izzy's playlists!
DEAR READER
he wasn't even looking at me and he found me

@theartofmadeline

shark vs the universe
Misplaced Lens Cap

Kiana Khansmith
Sade Olutola

No title available
Stranger Things
"I'm Dorothy Gale from Kansas"

No title available
No title available
One Nice Bug Per Day
seen from Israel

seen from Maldives

seen from Malaysia
seen from France

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from Switzerland

seen from China
seen from Ecuador
seen from Brazil
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
@uwedegreeshow
MA Print @ UWE Degree Show 2015
MA Print, UWE Degree Show 2015
Drawing & Applied Arts at UWE Degree Show, F Block
Rebound
Every time new technologies arise, peoples tend just simply to follow unquestioningly, forgetting the old conventional hand processing skills which the new technology derives from. “Rebound” is intended to bring this easily forgotten layer back to the top and link it with the fresh layer, so their values can be recognised instantly.
A significant rebound occurs when multiple values are bound together.
The meaning of Rebound, as the main theme of this project, refers to recovering the ubiquitous value that is often neglected in industrial production – craftsmanship. This is anything related to hand processing, as opposed to being morphed by artificial intelligence. In order to make a huge impact with “Rebound”, digitised workmanship as a contrary value was compared concurrently, thereby bringing out some queries and different perceptions to rethink the importance of conventional value. Once the collision and the integration have begun, those values can rise to the same level through interacting with each other. Afterwards, a stable, balanced atmosphere should be achieved.
Thomas H.M. Chan | MA Multidisciplinary Printmaking | 2013 - 2015
Read more about the making process : https://thomaschm.wordpress.com/2015/01/26/design-make-practice-rebound/
uwedegreeshow:
Testing text Testing text
digital 3D model making for Animation
Ruth E Patchett_MA Animation
Ruth E Patchett_ MA Animation
My final moon print “1.3 Seconds”
Project: Speechless
https://vimeo.com/122112714
Description:
A gesture improvised recalling from when I used to live in cornwall with my Step Mother, her Family and my Dad.
Project: (IM)MOBILE
https://vimeo.com/120796612
Description:
As part of a study on the dependence of objects for day to day life, I designed a 3D piece for wearing in a public space to emulate the dependence on mobile phones.
I sat in Bristols Broadmead for 40 minutes and stared blank as people around me ignored and interacted with the piece being done.
Project: Nomo-Non
http://martinbodger.com/nomo-non.html
Description:
Collage and typography poster series that looks at individual people and there times spent without access to mobile phones. The typographic posters which are quoted from those interviewed contain fragments of the original collage that represents the experience and/or location where they went without access to their phones.
Project: Quote, Unwanted
http://martinbodger.com/quoteunwanted.html
Description:
This small exercise was a quick typographic editorial play around, a just for fun is the best way to put it. I went onto facebook and asked what people could live without, each response was designed either on a single page or a whole spread. A simple french fold held together with some clips and I had a nice little booklet of unwanted things, some were pretty funny!
Project: Weeks Without | Poster Series
Description:
Poster mini series based of a publication series designed in response to journal entries reflecting a month where I deprived myself of various things I’ve grown to depend upon.
The books themselves which will be on display at the degree show had specific spreads that on their own seemed fitting as isolated objects and thus were produced in different ways onto large A2 screen prints.