Sana ♡ Alcohol-Free
Claire Keane
Sade Olutola

JVL

Andulka

@theartofmadeline
we're not kids anymore.

⁂
Stranger Things

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styofa doing anything
i don't do bad sauce passes

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wallacepolsom
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open

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Kiana Khansmith

Love Begins
Cosimo Galluzzi

tannertan36
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@vcnanami
Sana ♡ Alcohol-Free
vcyongtae:
it is in the red and brown of ochre, purposefully stained onto the ancient walls of uncharted caves, that one may discover the secrets and customs of the first breaths of humanity. perhaps one may marvel at its preservation, but any artist worth their salt understands that the proper way to store a painting is to shelter it from the sun, that which is so greedy in its shine that it would rather steal from the mural’s vibrancy.
and what he means to say is this: he is eight when he first puts paintbrush to canvas and thirteen that he finds confidence in its strokes. from his fingers spill the contents of his soul, and much too often would he take steps back to inspect its progress, stained hands ever ready to tear apart and begin anew should he find it lacking. it is only when critical eyes can find nary a flaw that he would allow his lips to give way to a proud smile, and precious is the way he balances the painting in his hands as little feet carry him to mother. here, lying among the paint sullying his alabaster white sleeves, you may observe the swelling of his heart.
do you like it, mother? oh, my dearest, you never paint me in a good light.
ah yes, like every artist worth his salt, yongtae learns to store his paintings in the darkest fissures of the globe where no light can touch.
and here, as she stands before him—her, whose eyes are curved at angles that his hands have since memorised, and her, whose lips are a careful mixture of red and yellow that he has long since perfected—he is reminded of the importance of swallowing his tongue. instead, he is like a ragdoll, who kisses when he is kissed and pulls away when he is pulled away from. and yes, perhaps anger had once governed the walls of his heart, but there is nothing quite like the threat of vulnerability to extinguish its flames.
and what he means to say is simply—
let us run away together.
for what is it they truly share, if he visits her once a full moon to sup tea and fuck, only to be ushered out by the crack of dawn, but not forgetting to pay for the hours that he steals from her? all he has to hold onto are the sweet nothings she whispers into his ear, a sordid secret hidden within the four walls of the chamber she likely shares with many others like him.
( oh, mother would think him a fool— )
she offers him escape yet he longs to hold her here in this space, to catch her wrists and speak his doubts and to make sure she hears them and responds. he moves to close the distance between them, to stretch for her palm and entwine their fingers to keep her here and—
and yet—?
“then let us make haste,” and yet, his words are hesitant in the way they fall. the curl of his lips are tender, comforting, and unsteady, “i wish to hold you.”
( ... )
if the walls of the ochaya could talk, pray tell, what would they utter into the expanse ? would they shed light, lucent hues to cast shadows on the delicate screen of circumstance, on the dying myths of their garments upon the tatami flooring ? would they perchance caution a break, a fracture, in the microcosm of their love shared, where his fingertips no longer end but merge with that of her beginning ? or would they print the echoes of their desire in a stygian report to die upon crumpled silk sheets ?
see, he hands her small deaths as if it was her last, and when she succumbs to sleep it is so she is caught in a dream of tides twisting through craggy ravines, where tendrils of verdant seaweed make themselves known as her sister’s hair, all too hurry to coil themselves around her fin. they pull her down, down, down to a watery descent and a chill darkness swallows her whole. but in his kisses are her redemption and she is remiss of the ways in which he is the hand plunged into the depths to deliver her from perdition. if he is the fire that casts a light on her shadows, her blaze to rescue her from her own sin, then why, perchance, should she curl her lips around the word no ?
there, there, dearest mother. it is clear as day, the flesh hanging off of your bones, the scales sliding off of your tail. the fall of your limp locks and the sickly periwinkle of your complexion. is that my beating heart in your ghastly palm ?
“ kaji. ” her eyelids part and she tastes his name as it leaves her, sweet on the tongue. she considers him for a moment as the tilt of the scale from dream to reality is stark. perhaps there is a place for her by his side in the realm he announces as agdoeg, the thought glisters and gleams, but too soon does it effervesce into bubbles of actuality. what would he think of the monster that lies supine beneath him ?
( and what of her appetence to destroy the things she loves most ? )
nanami thinks of the ways in which she could assume the position of the women in the songs she performs; the dutiful wife, the fair maiden, the princess trapped in a tower… she comes up short in each rendition. “ you know not of what you ask, ” she whispers, the words becoming handwriting against the sharp edge of his jaw. she runs a stray appendage along the curve as if to rub them from existence before reaching up to bury her fingers in his hair. in his eyes, she searches for cognisance, any indication that he truly sees the chaos that lies behind her own. she comes up short once again.
“ time does not mind me as it does the others, you cannot possibly want this for the many lifetimes i have been afforded. ” or could you ? she tries to say but like a ghost in the throat renders her mute.
“You…you should see the other guy…”
" ah... it must have been a duel fit for the gods’ amusement, " nanami surmises from the other’s words, crouching down beside the younger to better assess his wounds. she responds for his benefit, understanding the ways in which such words make homes in those who do not take well to defeat.
it is unlike the siren to get involved in the trivial matters of the fates and who is she to get in death's way ? despite it all, her interest is piqued alongside the rare snatches of her fleeting benevolence as she presses down on the wound. " i ask your forgiveness, this may hurt... "
Bleeding/Injury Sentence Starters Part 2
“Where did you get that bruise?”
“Stop biting!”
“You BIT ME!”
“OUCH! What was THAT for?!”
“Oh… oh no… that’s not clotting…”
“That bite on your neck… it’s not natural.”
“Is that a hickey or did someone try to tear your throat out with their teeth?”
“Sit still! I’m trying to help!”
“I’m going to have to push those arrows out.”
“If you don’t stop squirming I’m going to pull an artery than the bullet.”
“Who did this to you?”
“You’re going to have to set my shoulder.”
“Well that’s definitely dislocated.”
“How are you still alive?”
“One of these days you’re going to wind up dead.”
“My nose’s broken.”
“Pinch it and lean forward.”
“Hold it above your heart, that’s it.”
“I’m going to have to pull it out.”
“That’s a stab wound don’t fucking lie to me.”
“The dagger’s still in me.”
“Oh god… oh god get it out of me!”
“If you don’t stop, I’ll slit your throat.”
“Just kill me already!”
“Haven’t you had enough?”
“What can I say? I’m a glutton for punishment.”
“I need…. bandages…”
“Something definitely snapped.”
“You…you should see the other guy…”
“Don’t make me laugh…it hurts…”
“This is only the beginning of what I’ll do to you.”
“Back for round two, huh?”
🔪 +Add your own
Her ancient gestures, her perfume, the infinite intimacy of her rage,
Christina Peri-Rossi, tr. by Carol Thickstunt, from “The Bacchante,” (via feestje)
𝖙𝖍𝖊 𝖎𝖓 𝖇𝖊𝖙𝖜𝖊𝖊𝖓 —
a place somewhere between the living and the divine where children of the gods can come and live out their royal pampering with their parents. these places exist outside of time and space, and is significantly unique to their parent.
twice - cry for me choreography video 2 // sana
saikavc:
The sterile silence of her lab when only the moon poured in was something the demi-god found solace in. She as obsessed with dull lull night gave her, a lullaby wafting through her ears as the sizzle of a hot plate, or the tinker of a beaker chopped in harmoniously. She had a full day of classes, finals were coming up and Lilith was deep in grading papers and preparing for the end of the summer semester. Her phone had been pinging with emails from students who wanted to turn things in late or had story after story of excuse. But once she left the campus in the evening light she simply wanted to just work.
A clicheic idea she knew, leaving work to work but unless curled at home with a book and her cats she mostly preferred the lab. It was rare she wasn’t working here in pleasure, when the medics needed her she was there and when the assassins needed her she was there too, but the glass enclosure was her space and her space only, able to invite prestigious guests if she wanted to. Rare and far in between but the option was there.
She’d taken off her shoes, barefoot in her flared jeans, the butterfly sleeves of her flowing shirt pushed back in her lab coat. Goggles were fastened safely on her nose over her glasses as he gently dropped a bit of liquid Mercury into a beaker behind the plexi-glass wall awaiting a reaction, there was none. The gentle sound of Nanami’s voice drifting into the empty tech space forced a smile across her lips.
Amethyst eyes ticked upwards and then slowly rolled at the assassins’ decree.
“Funny you only seem to compliment me when you want something Nana.” Lilith smirked and tucked her hair behind her ear.
“But you keep it up and I’ll show you just how much of sight I can be. Don’t tempt me.”
The alien-blood welcomed in her friend, removing the beaker with the correct tongs and pouring her mixture into the chemical waste bin, sprinkling a neutralizer over the top of it.
“Hmmm,” Nyx’s offspring let off a gentle huff before her eyes flashed a gentle lavender, “weeee happen to have a cadaver, maybe we can run some test see if we can come up with something. I’ve actually been working on something I want to show you now that I think about it.” She smiled, “unless you’re pretending you want something to get me aaallll alone?” the chemist teased.
here, we shine a light on a history of clandestine proportions; it is profound in the ways memories that aren’t gilded in gold are, their blurred silhouettes failing to refract laudation and all that glitters. here, we see the siren with her sister, two younglings with tourmaline wings shivering against zephyrs as if the god of the west wind himself was displaying his might. younger by mere minutes, the recalcitrant folds her tiny arms around her waist, pushes her lips together in a perfect pout. on the tail end of an argument with her father, her chagrin is evident in the way her eyes take on the makings of a tempest, waves cresting and falling within her gaze. the prodigal child, dearest sister, presses her face against the cheek of the other to coax her from her ire and laughter effervesces from their tiny vessels.
“ come, dear sister. you know father loves you so, ” and how could the young nanami remain in the pit of her despair when her sister’s own eyes show a promise of love, of hope for what she pines for the most. it is so she takes her sister’s hand, appendages intertwined and they take the air, together.
a thousand times, nanami wishes she could crush the chords that vibrate her sister’s quietus in minor key. when regret is the taste of copper in the mouth after a painful strike, the siren understands the part she played in the bleed out. it is so she constructs her grief, the sheer memory of it, in the things she does for ivory lotus. how her white-knuckled grip extends to those she’s sworn to protect. it is where her dearest sister assumes the puppeteer’s strings and it is nanami’s movements that imitate the best parts of the dead.
“ have you ever witnessed me retreat from a challenge, dearest lili ? ” a sliver of amethyst moonlight caught in puerile repose, she throws her head back in laughter, the stars balancing on the tip of her tongue. and this is their rapport, where a dalliance of sorts makes its way between two friends. “ and that is an unfair observation, to not credit your grace would be a trespass on my part. do you not know you are deserving ? ”
she moves closer to her friend, monitoring the display of alchemy before her. where the siren does not pretend to understand the chemical compositions, she venerates those who do and are able to conjure up such maladies. she thinks back to her elders who would have spoken of such witchcraft and their tales would embed the juvenile nanami with awe. “ oh, i knew it would be a good idea to visit you on this fateful night, “ she begins, appendages delving into her diaphanous tresses. “ it is completely the latter ! but do divulge, what bane have you crafted ? ”
What brought you to Agdoeg City? Anybody interesting you've met so far?
the questions sift into her reverie where her eyes meet the cool monotone of a page. the day's conquest follows a man and a whale and the parable of the human condition is outlined in all that is sanguine and bedlam. " i beg your forgiveness but i don't believe i know you, " the siren begins, her eyes failing to deign her interlocutor. " have we crossed paths before ? " she nears the best part, where the whale is about to - " i am not in the business of entertaining strangers with my secrets so if you could just... go ? "
vcyongtae·:
the ancient concept of rebirth finds its roots woven in religion,wherein priests and leaders breathe the comforting tale of the ouroboros snakegrasping desperately onto its own tail with an iron bite. it is an elaborateallegory symbolising the simple concept of a boundless reserve, one bearingan infinite number of chances to right the ways in which one had been wronged.as for someone with the gift of immortality, yongtae finds redundancy in theconcept of reincarnation and religion alike.
but could there, perchance, be a sliver of truth in theirpreaching?
what he means to say is this: in the darkest of nights,yongtae is haunted by recurring dreams of a vast island. yes, perhaps theisland is pretty, lush with bountiful palm trees and blue hummingbirds,but at the heart of this island is a large, hollow peak, and in this peak liesa growing threat. see, not only are there trees and birds, butthe ground is of xenolith and the air is thick with tephra. every night, it isthe same scene that wakes him: that is, the bubbling lava which spurts from itsmouth and slithers towards all that is doomed to die.
that is to say, he does not know a time when he had beenignorant of mother’s piercing screams. do not be mistaken, for he neitherinvites his wrath nor wishes to dwell in it. see, like the island, he is avictim to its spleen, and how exhausting it must be to hold the intensity of theseemotions within the boundaries of his skin, that which is so ill-fittinglysmall for the rage that lies within him. like a zealot, he falls to his kneesand pleas for mercy—his mercy—but does he not already know? a dragon’spride is only fuelled by prayer.
( oh, woe betides him, who exists as an island ablaze. )
unfortunately, as mother often complains, yongtae fails tofind a strong suit in learning. why, here he is now, a plea to halt dancing onthe precipice of his mind’s eye. as for he who is in control—that is, this dragon—hisglare sings a song of death.
and it is with this glare that he watches the drunkard soberto contest him, jaw hanging in preparation for the words he wishes to slur. itis all for naught, of course, for yongtae has already made up his mind not tohear it; instead, his eyes trace the curve of the former’s neck, and hecuriously wonders if the blood of a drunk would pour out bitter, like red wine.
his thought is interrupted as his beloved steps into view,though his features are robbed of the chance to soften as he catches theinfuriating sight of her delicate palm resting against his contender’s sleeve,of her whispering her sweet nothings into his ear. instead he bristlesto the point where he is almost mad, and he swears he would rather curl hisclaws into the man’s throat, had she not saved his life by promptly dismissinghim. as for yongtae, it has always been a fine dance between madness andsanity, rage and composure, and ah, it is only her endearing smile andher dulcet voice and everything else that makes up the shape of her thatmanages to put water to the flames that fan within him.
( for now, at least, it will suffice. )
he still suffers from the remnants of his rage, so he thinksit wise not to speak and instead, acknowledges her question with a single, coldnod. and yet somehow, he remembers the manners that mother had drilled into hisonce youthful skull, so he pivots to bow towards the madam of the house. then,he raises the hook of his elbow for her to rest her grip, just as he had oncedone for mother.
even when they are within the confines of privacy, it is hissilence that betrays his anger. he barely looks at her, instead opting to glareat the intricate designs on the wall, as though he has not seen already it ahundred times before. it is only when she speaks, when he feels her presencelooming behind his shoulder, that he finally turns to acknowledge her, a strongpalm pulling her in from the small of her back. a thumb smears against thewhite that paints her cheek, and he swipes it off to gaze upon the hue of herskin, a pacifying reminder that underneath it all, she is just, quite simply, hisnana. unfortunately, it does not work quite as effectively as he had hoped.
“do we?” it is a pained whisper into the night, a muted questionrisen from the cracks of his demeanour, “had i not been here, would he not haveclaimed you to be his, just as i am?”
he studies her expression closely and holds her even closer,as though she should disappear into the wind had his grip not anchored her.large palms reach to cup the curve of her jaw as he poses a dangerous question,one which he knows the answer to and fears it all the same—
“would he not have succeeded?”
where does our story begin? three crones with gnarled fingers fastened around a golden chalice, mugwort and its hazy prophecies swirling in its basin. they solicit their gods for a glimmer of truth and in turn they cast visions of ephialtes drenched in all that is carmine and bruised. black meets blue as the haemorrhage ushers in a tale of monsters and men, but a blackened fingernail eddies the mist of a single strand. the other two remark that there is no need for this particular parable, that the accursed siren who forgets herself and falls in love with a dragon is not worth the damnification.
but what of her now ? with her ocean eyes all too keen to inundate, fixed on the embers of her beloved’s ire. nanami lets his words, suspended by the noose of inevitability, hang there minutely, knowing to taste the words on her tongue before uttering them into the expanse. instead she leans into his touch, a fiend for the prickly thorn of this sort of embrace.
“ peace, dear kaji. i understand your choler and i give way to it, ” she says in surrender as she leans upwards to find his lips with her own, pray she stop his mouth with a kiss. it would be easy, she thinks, to slip a song into his musings but aye, here is the rub. to whisk away his will is to not know the yearning in which he displays here, where it freely spouts from the fountain. let it be a morsel; let it be but a fragment of his devotion and let it be known that she is entirely, eternally his. should he be her god then she is pious, knees marred with a hope for redemption, buoyed on the vespers of his immortal praise.
( in his spotlight, life is breathed into this empty chest and the bronchial report is more than a reward for such a beast. )
alas, is that not perchance an apparition of dearest sister that watches from shadows? just there, behind thine shoulder ! nanami blenches, pulling away from her beloved, her fingers struggling to find purchase on what is reality and what is not. “ i would not allow such a thing, not after all we have shared, ” she answers, finally. there is truth in the statement but it is flimsy in the way promises made out of parchment are wont to be around a naked flame. so to fortify, she adds, “ come, let us not talk of the ill when our reunion is to be honeyed and sweet. we shall sup our tea or if sleep burdens your brow, we can retreat to my chamber. ”
𝖈𝖍𝖊𝖒𝖎𝖈𝖆𝖑 𝖐𝖎𝖘𝖘𝖊𝖘 ft. @saikavc
it is in the dead of night that the siren knows of home. where shadows press an amalgamation of ink and dust on the surfaces of cognition, what pray tell, is truth or fiction ? part moonlight, nanami is careful not to snag on the luminescent crescents that chase her through the darkness knowing that it is all too easy to be caught under their lunar duress. tonight, she is dormant in her sanguinity, having satiated her hunger leaving in its wake a sweet lull but sleep is not enough to quell the ache in her muscles. so amid her meditations, she makes the decision to leave, to trek to joje, to the one person she knows would be toiling into ungodly hours.
where the profound meets science, it is within lilith's laboratory that she is bestowed the finest banes to coax an assailant into an eternal slumber. sometimes blood does not need to be shed, a praxis that had taken many a lesson to settle in the siren’s musings. there is glory in the slow dying light of the eyes, the perturbed countenances of the medical team that can not name the malady. so nanami takes pride in the kill and even more so, she reveres the one who presses such a humble dagger in her palm.
it is so she peeks her head around the weighted doors to find the chemist hard at task and with a gentle rapping of her knuckles against the door, she lets herself known to the other. “ lily, dare i confess that you are a sight for the sorest of eyes ? ” slinking across the threshold into lilith’s domain, nanami’s lips adopt a curve of saccharine proportions. is it in the eaves of her lashes that conceal constellations that she addresses the other as if she is the only one who exists upon this mortal coil ?
“ tell me if i am intruding, swear to it and i shall leave but i’ve been thinking, ” ( a dangerous pursuit ) “ would it not be some sort of poetic justice to have my next hit die a slower death ? ”
› A STUDY ON FRAGILITY ( *past ) ft. @vcnanami .
the travails of a potter has many to do with the nature of clay, that which is affected by complexities like the placement of planets and suns in the shimmering void, to the simplicities of a blazing hearth warming a nondescript kiln. it is precisely for this reason that yongtae spends many a golden morning with strong fingers marred by wet clay, for there is something so profoundly soothing in the ability to pacify, with his bare hands, that which is so volatile in nature.
what he means to say is this: too often does he find himself desperately reaching to catch what has already long fallen.
see, family always comes first, he hears mother’s words through the hollow of her silk-coated chest before he hears her voice echo in the cold air. incidentally, he also notes that family requires the most care, and he scribbles the rational correlation within the blue-lined papers of his adolescent mind.
so it is for family that he finds himself once again stationed in japan, a convincing mouthpiece for his kin. in this instance, the excursion is brief, but before he leaves, he thieves for himself a midsummer night’s dream in a quaint teahouse embellished with strawberry red lanterns. as usual, he is guided to the largest room and seated at the front, and he awaits with sweaty palms and shifting postures for the one who feels like home.
from where she emerges follows rays of ethereal light to banish all that is dark, and with it, the rest of the audience that begs for a sliver of her splendour. see, there was once a time amidst a flurry of tangled limbs and pale-white sheets that he had confessed, in a shy whisper, her ability to make him feel so nervously yet blissfully like he is the only one in the room. and here in this room, he devours the sight of her, from the graceful rhythm of her slender arm’s movements, to the coquettish flutters of her butterfly lashes. like a beggar seated by a queen’s feast, he ensures he misses nary a drop.
but too soon does the performance end, and with it, so does she withdraw the illusion of privacy. he means to wait patiently in his seat for the rabble to leave, recognises that it is the course of action that mother would plead for him to take. and perhaps he would have succeeded had he not spotted, from the corner of his eye, an intoxicated man steering clumsily towards the direction of the madam of the house.
( why, is that not the man who had spoken so crassly about the geiko that he had paid to watch? the same man who had exited from the room in which his beloved had graced with her polished song? )
here begins a tale of polished black oxfords against scuffed derby shoes, the stature of a chiselled frame as an infallible barrier between the drunkard and the madame. it is one that mother knows too well, one that would leave her scurrying as she holds her skirt between her index and thumb, an incessant lecture beginning on her pointed tongue.
that is to say here is a boy, standing menacingly in a sandbox with blackened eyes screaming—
mine, mine, mine.
“turn around.”
lo, there is nary but a truth that it is in the nature of a woman to wield brutality with a gentle hand!
on the precipice of the newest of moons, what, pray tell, is tonight’s manifestations. the teahouse vibrates with possibility for a patriarchal throng. nanami knows when to slip her spell in between the delicate space of their heartbeats in the way a virtuoso knows the rise and fall of a diminuendo. she knows that the deluge of her pelagic hues is enough to drown them in her affectations and it is so they empty their pockets and their hearts. but what of the inferno seated in the front row, all heady heat and a cool surety, a cruel juxtaposition? what of his observance of her every movement, how close he is to cutting himself on the fragments of her conditioning? the slight tilt of her sanguine lacquered lips is an indication.
kaji-sama, welcome home.
tonight, her body has a story to tell and so he will hear it. it begins with a fair maiden consumed by the death of her beloved. grief is a house without windows so the dismantling of her universe makes way to an utmost profound hysteria. to interpret death is to imitate the throes of love and so nanami’s body contorts to the purr of the shamisen as if suspended in a rapture. dare she draw inferences from her paramour ? it is easy, as to imagine his demise is to imagine the demarcation of atom from atom, to be wrenched apart by the gods’ divine chariots limb by limb. silence folds neatly around the room as they all watch her and as the denouement signals the maiden’s death, the siren ends her display collapsing into a neat bow.
hark ! the proclivities of the human condition is to crave their demise. whether they perceive this malady or not does not matter here, their penchant for ruination is embedded between sinew and synapse. it is in this way that nanami appeals to their nature. she absorbs their applause, like raindrops upon a jade sea, rising to her feet. had she not been looking for him, perhaps she might have missed the chance to preserve a life. perhaps she would bear witness to a decimation of sorts, one that would bring this teahouse down to its knees. but her eyes are quick to spy her lover’s movements and it does not take her long to become cognisant of his umbrage. there he is, built for the fury. he is incendiary in the way he moves and it is a wonder how he doth not scorch the earth he walks upon.
she moves towards the pending altercation, orbs of lantern light dissolving into the fine silk of her kimono. her presence itself is enough to incite momentary pause; witness how they become lost in the architecture of her physique, how they are all too quick to drown in her ocean eyes. she dips gracefully into a bow, onyx gossamer threading from her scalp cascading forwards as this geiko is not of normal convention. she does not hold her hair up like the others, another facet of her guile. she straightens her spine and gently rests a hand on the sleeve of the besotted. the exchange is quick, she plucks a song from her throat, places it behind his left ear where the others cannot hear it. “ the sky is heavy with rain so please be careful on your way home. ” her voice is akin to the chime of the a forest stream, and it brings a flush to the gentleman’s face. with that, he stumbles off into the night and nanami looks up at kaji, her kaji, as if he is the glow of helios outlining a mountain peak. in the darkness of his eyes, the crease in the space between his eyes, she makes a home in his anger.
“ kaji-sama, would you allow me to escort you to the tea room ? ” she asks, balancing moonlight on the apples of her cheeks, her smile donned for him and him only. to start their reunion with a tea ceremony is mostly for the courtesy of mother standing to the side of them but she is aware of his appreciation for such customs. he is different from the others in ways that she does not fully comprehend; he holds a history that she cannot claim to absolve him from but she knows the right ways to hold him, where to place her lips, where her body fits in the puzzle piece of his form.
she leads him away to the private room, her feet whispering into the oak flooring, careful not to betray her haste. pulling the the screen door back first, she moves to the side, allowing him entry first and before closing it, she whispers to the passing house aunty to gather some hot water and jasmine. “ there is no need for a fight, kaji, ” she begins, dropping the honorific as she closes the space between them. “ we all know i am yours. ”