Santiago Devoto, Perú
Game of Thrones Daily
trying on a metaphor
Jules of Nature
cherry valley forever
d e v o n
No title available
will byers stan first human second
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ

bliss lane
almost home

titsay
EXPECTATIONS
Sweet Seals For You, Always
Stranger Things
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NASA

Product Placement
art blog(derogatory)
Monterey Bay Aquarium

seen from Argentina

seen from Türkiye
seen from United States

seen from Bangladesh

seen from Türkiye

seen from Brazil

seen from United States

seen from Türkiye

seen from United Kingdom
seen from Argentina

seen from Türkiye
seen from Türkiye

seen from Türkiye
seen from United States
seen from Türkiye
seen from Thailand
seen from Türkiye

seen from United States

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seen from United States
@visualburguer
Santiago Devoto, Perú
Hope Gangloff
Anton Bragaglia Italian Futurism
Wayne Thiebaud (American. b. 1920, Mesa, AZ, USA) - Ripley Street Ridge, 1976 Paintings: Oil on Canvas
Jean Dubuffet (French, 1901-1985), Théâtre des errements III, 1963. Gouache on paper, 49.8 x 66.7 cm.
Titicacas
Almond Blossom (detail) by Vincent van Gogh
(via @lonequixote)
Piece sequence. Graffiti by True one // Lima, Perú
holy crap these are freakin amazing
Piece sequence. Graffiti by True one // Lima, Perú
Denny Renshaw: Street Stories
Being primarily a portrait photographer I attempt to bring that experience to traditional street photography, without engaging in “street portraits.” In my street photography, I seek to create images that combine characters, storytelling, complexity and beauty. I am attracted to the difficulty of capturing moving people and moments that only existed for an instant. I would prefer for my street photography to be less about humor and more character-driven.
All serious street photographers follow their own set of rules that can be quite telling of their thoughts on the genre and the techniques they utilize. For me some of those rules are as follows:
-All work shown uses natural light.
-No moving of pixels occurred during the processing of these images.
-No subjects were collaborators.
—Denny Renshaw