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@vitaminarchitecture
A User’s Guide to the Fall Kill Creek - Urban Landscape Lab
A Master Plan for transforming sites along the Fall Kill Creek into neighborhood hubs in the City of Poughkeepsie.
Tower House ( Alphington VIC, Australia ) - Andrew Maynard Architects
FLAMINIO PROJECT (Rome, Italy) - Miralles Tagliabue EMBT
Essence | BOMP - Ewa Odyjas, Agnieszka Morga, Konrad Basan, Jakub Pudo eVolo 2015 Skyscraper Competition Winner | Panel: 01 | 02
- Away from everyday routines, in a dense city center, a secret garden that combines architecture and a nature is born. The main goal of this project is to position non-architectural phenomena in an urban fabric. An inspiration rooted in nature allowed to form a representation of external worlds in the shape of a vertical structure. Overlapping landscapes like an ocean, a jungle, a cave or a waterfall will stimulate a diverse and complex range of visual, acoustic, thermal, olfactory, and kinesthetic experiences.
The main body of the building is divided into 11 natural landscapes. They are meant to form an environmentally justified sequence open to the public that includes extensive open floor plans that form spectacular spaces with water floors, fish tanks lifted up to 30 meters above ground, and jungle areas among others natural scenarios. The sequence landscapes might become a variable set of routes dedicated to different shades of adventure.
RENOVA Store & Theatre (Almonda, Portugal) - Phyd Arquitectura
Tom Reynolds, Section Drawing, Mucking Brickworks and Night School, 2011
Ornamental Tectonics Vol. 1 Andrew Wagner
Ornamental Tectonics is a tri-monthly exploration that serves as a graphic and physical component of theoretical and historical architectural research. The project grew from a desire to contextualize, test, experiment, and explore architectural history through the act of design, rather than strictly through reading and writing academic articles.
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Wexler’s BBQ Restaurant by Aidlin Darling Design
A dynamic undulating ceiling installation composed of laser cut MDF fins bridges the gap between old and new by linking the modern insertion to the historic facade.
The Bridge of Alchemy, Atlas Mountains, Morocco Natasha Butler Joshua Kievenaar
Agadir Zean Mair-MacFarlane
Restaurant by Jensen & Skodvin Architects
Rendering done by MIR
"Noa Building" by Seiichi Shirai
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Esoteric architecture
Gravity Stairs, Olafur Eliasson, 2014.
The typical New Yorker is always in such a hopeless hurry to make his fortune that he is impatient of small things in every relation of life," Sanborn observes. "He has no time to eat and drink like a civilized being—witness the barbarous noon-lunch counter and the still more barbarous bar. He has no time for the little courtesies which go to make up manners; for the reading and reflection conducive to culture; for edifying conversation in which no 'promoting' is involved; for discrimination between comely splendor and vulgar display; for the whole-souled expansiveness which is the zest of good-fellowship ... The Londoner is said to take his pleasures sadly. The New Yorker takes his hurriedly, as if—rush is so much second-nature with him—he were anxious to get them off the docket as expeditiously as possible. In short, he has no time to live a well-rounded life. He uses up so much energy in getting together a heap of dollars that he has no energy left for living. And yet he looks down upon the Latin as an inferior, and pronounces him a decadent because he holds that 'work is for life, not life for work." http://www.theatlantic.com/international/archive/2015/02/revisiting-new-york-after-paris/384765/?utm_source=SFFB
Alvin Sanborn's "New York After Paris"