“But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland”
-Anselm Kiefer
styofa doing anything
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❣ Chile in a Photography ❣
Keni
trying on a metaphor
Show & Tell
2025 on Tumblr: Trends That Defined the Year

pixel skylines
Jules of Nature

JVL

blake kathryn

Janaina Medeiros

Origami Around
Peter Solarz
Lint Roller? I Barely Know Her

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
AnasAbdin
$LAYYYTER

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@vivuc
“But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland”
-Anselm Kiefer
Takesada Matsutani
"I realised that art is not only figurative. So I started to look at the knots on the wood of my bedroom ceiling and then draw them."
http://takesadamatsutani.com/
LĂ©on Spillaert or the dark silenceÂ
Belgian symbolism
These precious documents
The snow monkeys is a deeply moving project by Maciek Pozoga
Mother’s opening scene, a masterpiece by South Korean director Bong Joon-Ho
Deeply mesmerized with Andrea Modica’s visual poetry.
“Stranger than fiction”show until 14 May at La Box Galerie, 102 chaussée de Vleurgat, Brussels.
Short interview here
Candid headshot of woman by Harry Callahan on the busy streets of Chicago in the fifties. He used 35 mm film—the fastest film speed available at the time—with his telephoto lens set at four feet and his wife Eleanor became one of his most famous subjects.
Nude by Clarence H. White c. 1900
The Revenant Vs. Andrei Tarkovsky scenes: how beautiful and similar are they?Â
One of my favorite painters is Félix Vallotton. This is “Femme nue assise dans un fauteuil”, 1897
Noe Sendas surreal work on Wallpaper magazine
The realistic and strange Luis Guzman paintings currently at Rossi Contemporary in Brussels, Belgium
"Intimacy is one of the major highs of life, whether it’s getting to know yourself in a deeper way, or your partner, or the world and the society that you live in". From the series Domestica II
Party Line, oil on canvas by Milton Avery, 1958