Realizing that (1) I have not posted art since Aug and (2) I don't really have a tag for my art
So for those interested a small collection
I'd rather be in outer space 🛸

izzy's playlists!
ojovivo
🩵 avery cochrane 🩵
will byers stan first human second

JVL
noise dept.

Discoholic 🪩
Show & Tell
Today's Document

shark vs the universe
One Nice Bug Per Day
sheepfilms

Product Placement
Aqua Utopia|海の底で記憶を紡ぐ

@theartofmadeline
NASA

tannertan36

bliss lane
Claire Keane

seen from United States
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seen from Portugal
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seen from Australia
@wailing-willow
Realizing that (1) I have not posted art since Aug and (2) I don't really have a tag for my art
So for those interested a small collection
Midnight sketch dump. Some old, unfinished Solavellan or lavellan sketches because the 2 of them occupy my whole braimcell and chest cavity
Twirling my hair, kicking my feet
Colored the black and white sketch from before- link here.
Work was crazy this past year, but I've officially returned from the dead because these two are rotting my brain again. I missed them.
Colored the black and white sketch from before- link here.
Work was crazy this past year, but I've officially returned from the dead because these two are rotting my brain again. I missed them.
To me, the really intimidating part of Solas’ theme song is that the game introduces it so slowly - first you only hear these thrumming, oppressive war drums (and you didn’t know why - why are there drums? Why??). When you fight the Saarebas, strings come in to lead the drums.
Only when you start fighting the last boss of the game, do you finally hear Solas’ real, complete theme song. Something like a metaphor for hunting down the pieces to the mystery behind the character himself.
I put the three versions of the song together to make a version where one builds up into the next, the way it does in the game. 6-minute panic attack.
Love as the antithesis to abandonment
You have become important to me, more important than I could have imagined.
I have always loved this scene. Their body language is a tome of history - every touch, every look, a record of what has passed between them that we did not see in the game.
Walking hand in hand, their bodies leaning into, brushing against each other, in sync - not just walking together, but drawn toward one another. This is not the tentative, careful touch of new lovers, nor is it driven by hunger. It is intuitive, grounding. A connection they settle into, a rhythm as natural as breath. Their touch does not seek, it is already there, it is familiar.
Each glance is a quiet recognition, a moment of shared awareness. His hand lifts slightly with hers, a subtle motion, his gaze shifting to where their fingers intertwine. It is as though he is drawn, not by desire, but by the quiet certainty of her presence. There is no urgency, no need to hold tighter. She is here, beside him - real.
Bringing her to this place, where the Veil is thin, an act of offering. Solas shares a part of himself here, letting her step into a world few have touched. And she, bearing the weight of duty, does not have to hold anything in this moment. She simply exists beside him, while Solas allows himself to do the same - physically affectionate, indulging in love.
Their scene speaks of times passed. How many times have they walked like this, fingers intertwined, drifting away from prying eyes? How often have they stolen moments like this - quiet, unhurried, lost in the pleasure of simply being together? This scene is why I believe they have been intimate. Their bodies move with the quiet confidence of lovers who have already learned each other’s rhythms, already traced the paths of hands and mouths.
And I wonder - what came before this moment? Did they emerge from tangled bedding and slow kisses, reluctant to part? Did they linger by the fire, speaking in low voices of dreams and future paths? Did he take her into the Fade, guiding her through dreamscapes only he could show her? We do not know. But the way they move with each other tells us everything.
And that is the brilliance of this scene. It speaks of time stolen and savored, of love that has unfolded in the spaces between moments unseen in the game.
The game never needed to show us everything. We felt it in this moment alone. And so when the tearing comes - when their hands slip apart, when their bodies, once so entwined, are severed - it is shattering. Beautiful. And devastating.
Dragon Age: Dread Wolf - Part 1
In an alternative timeline...
The adventures of Varric and Solas. Big thanks to fellow Fade Prison friends for helping with this - special shout out to @celesenova and @lotsofthinkythoughts for dialogue pieces.
Part 2 here.
Solavellan hugging sketch number 9001
Happy New Year, everyone! 🥂
i think we as a society need to start accepting that fictional love stories need to be a bit toxic for us to go insane over them… like, sometimes you kinda need the two parties to be obsessed with each other and fucked up and willing to bring each other back from the dead instead of moving on and go to therapy i’m sorry😔
introverts be like "i know a good spot" and then go home
Ir abelas, vhenan.
My first Solavellan art. Just gonna post fandom aka Solas/Dragon Age art on my Tumblr.
❤️Discord (junyami) for commissions!
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❤️Timelapses!
Old practice.
Its mostly a 3d sketchy sculpt, edited in Photoshop
Wow. Amazing.